The Faithful Friends
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The Faithful Friends
''The Faithful Friends'' is an early seventeenth-century stage play, a tragicomedy associated with the canon of John Fletcher and his collaborators. Never printed in its own century, the play is one of the most disputed works in English Renaissance drama. Date The play's date of authorship is unknown; scholars, judging on internal features, have conjectured dates ranging from 1604 to 1626. Possible allusions to the December 1613 marriage of Robert Carr, 1st Earl of Somerset have been read as indicating a date c. 1614 – though another allusion to Philip III of Spain and the Duke of Lerma seems to favor 1618–21 or later. Manuscript ''The Faithful Friends'' was entered into the Stationers' Register on 29 June 1660 by bookseller Humphrey Moseley. Moseley did not publish the play, though, prior to his death in the next year, 1661. The play remained in manuscript – now known as Dyce MS. 10 – until it was first published in Henry William Weber's 1812 edition of Beaumo ...
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Tragicomedy
Tragicomedy is a literary genre that blends aspects of both tragedy, tragic and comedy, comic forms. Most often seen in drama, dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter. In theatre Classical precedent There is no concise formal definition of tragicomedy from the classical antiquity, classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in ''Poetics (Aristotle), Poetics'', he discusses tragedy with a dual ending. In this respect, a number of An ...
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Robert Daborne
Robert Daborne (c. 1580 – 23 March 1628) was an English dramatist of the Jacobean era. His father was also Robert Daborne, heir to family property in Guildford, Surrey and other places, including London, and a wealthy haberdasher by trade. He is now thought to have been a "sizar"—an undergraduate exempt from fees—at King's College, Cambridge in 1598. His marriage record suggests that he was a Gent. and member of the Inner Temple. Daborne was married to Anne Younger in 1602 at St Mary's Church in South Walsham by the local cleric, who was nephew to Anne's father, Robert Younger, the owner of Old Hall in South Burlingham; they had at least one child, a daughter, but his wife Anne died in childbirth. He was living with his father-in-law in Shoreditch by 1609, but his father-in-law died and there was a bitter dispute among the family members subsequently regarding the inheritance. A 1608 document show that Daborne owed £50 to Robert Keysar, one of the managers of t ...
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Plays By Francis Beaumont
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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English Renaissance Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engl ...
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Edmund Kerchever Chambers
Sir Edmund Kerchever Chambers, (16 March 1866 – 21 January 1954), usually known as E. K. Chambers, was an English literary critic and Shakespearean scholar. His four-volume work on ''The Elizabethan Stage'', published in 1923, remains a standard resource. Life Chambers was born in West Ilsley, Berkshire. His father was a curate there and his mother the daughter of a Victorian theologian. He was educated at Marlborough College, before matriculating at Corpus Christi College, Oxford. He won a number of prizes, including the chancellor's prize in English for an essay on literary forgery in 1891. He took a job with the national education department, and married Eleanor Bowman in 1893. In the newly created Board of Education, Chambers worked principally to oversee adult and continuing education. He rose to be second secretary, but the work for which he is remembered took place outside the office, at least before he retired from the Board in 1926. He was the first president of ...
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Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ...
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Sabine
The Sabines (; lat, Sabini; it, Sabini, all exonyms) were an Italic people who lived in the central Apennine Mountains of the ancient Italian Peninsula, also inhabiting Latium north of the Anio before the founding of Rome. The Sabines divided into two populations just after the founding of Rome, which is described by Roman legend. The division, however it came about, is not legendary. The population closer to Rome transplanted itself to the new city and united with the preexisting citizenry, beginning a new heritage that descended from the Sabines but was also Romanization (cultural), Latinized. The second population remained a mountain tribal state, coming finally to war against Rome for its independence along with all the other Italic tribes. Afterwards, it became assimilated into the Roman Republic. Language There is little record of the Sabine language; however, there are some glosses by ancient commentators, and one or two inscriptions have been tentatively identified as ...
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Thierry And Theodoret
''Thierry and Theodoret'' is a Jacobean era stage play, a tragedy in the canon of John Fletcher and his collaborators that was first published in 1621. It is one of the problematic plays of Fletcher's oeuvre; as with ''Love's Cure,'' there are significant uncertainties about the date and authorship of ''Thierry and Theodoret.'' Publication The first edition of the play is the 1621 quarto issued by the bookseller Thomas Walkley, with no attribution of authorship. The second quarto of 1648, published by Humphrey Moseley, assigned the play to Fletcher alone, but the third quarto of the following year (1649), also from Moseley, cites Francis Beaumont and John Fletcher on its title page. The play was included in the second Beaumont and Fletcher folio of 1679, though the text there is truncated and omits a substantial part of the work's conclusion. Authorship Early critics attributed the play to Beaumont and Fletcher, Philip Massinger, Nathan Field, Robert Daborne, John Webster, an ...
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The Old Law
''The Old Law, or A New Way to Please You'' is a seventeenth-century tragicomedy written by Thomas Middleton, William Rowley, and Philip Massinger. It was first published in 1656, but is generally thought to have been written about four decades earlier. The first edition The play first appeared in a badly-printed 1656 quarto issued by the bookseller Edward Archer (his shop was "at the sign of the Adam and Eve"), with the three dramatists' names on the title page. Scholars have little doubt about the general accuracy of the attribution; the doubt that does exist centres on the role of Massinger, since the play shows many typical signs of being a Middleton/Rowley collaboration. "Probably all critics are sure of the presence of Middleton and Rowley, but Massinger's contribution has been difficult to trace." David Lake, in his study of attribution problems in the Middleton canon, holds that Massinger's share consisted only of a light revision, and that signs of his hand are strongest ...
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Anachronism
An anachronism (from the Ancient Greek, Greek , 'against' and , 'time') is a chronology, chronological inconsistency in some arrangement, especially a juxtaposition of people, events, objects, language terms and customs from different time periods. The most common type of anachronism is an object misplaced in time, but it may be a verbal expression, a technology, a philosophical idea, a musical style, a material, a plant or animal, a custom, or anything else associated with a particular period that is placed outside its proper temporal domain. (An example of that would be films including non-avian dinosaurs and prehistoric human beings living side by side, but they were, in reality, millions of years apart.) An anachronism may be either intentional or unintentional. Intentional anachronisms may be introduced into a literary or artistic work to help a contemporary audience engage more readily with a historical period. Anachronism can also be used intentionally for purposes of rh ...
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Guildhall, London
Guildhall is a municipal building in the Moorgate area of the City of London, England. It is off Gresham and Basinghall streets, in the wards of Bassishaw and Cheap. The building has been used as a town hall for several hundred years, and is still the ceremonial and administrative centre of the City of London and its Corporation. It should not be confused with London's City Hall, the administrative centre for Greater London. The term "Guildhall" refers both to the whole building and to its main room, which is a medieval great hall. The nearest London Underground stations are Bank, St Paul's and Moorgate. It is a Grade I-listed building. History Roman, Saxon and Medieval During the Roman period, the Guildhall was the site of the London Roman Amphitheatre, rediscovered as recently as 1988. It was the largest in Britannia, partial remains of which are on public display in the basement of the Guildhall Art Gallery, and the outline of whose arena is marked with a black circle ...
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John Of Gaunt
John of Gaunt, Duke of Lancaster (6 March 1340 – 3 February 1399) was an English royal prince, military leader, and statesman. He was the fourth son (third to survive infancy as William of Hatfield died shortly after birth) of King Edward III of England, and the father of King Henry IV. Due to Gaunt's royal origin, advantageous marriages, and some generous land grants, he was one of the richest men of his era, and was an influential figure during the reigns of both his father and his nephew, Richard II. As Duke of Lancaster, he is the founder of the royal House of Lancaster, whose members would ascend the throne after his death. His birthplace, Ghent in Flanders, then known in English as ''Gaunt'', was the origin of his name. When he became unpopular later in life, a scurrilous rumour circulated, along with lampoons, claiming that he was actually the son of a Ghent butcher. This rumour, which infuriated him, may have been inspired by the fact that Edward III had not been ...
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