The Face (1958 Film)
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The Face (1958 Film)
''Ansiktet'' ( Swedish: "The Face"), also released as ''The Magician'', is a 1958 Swedish film written and directed by Ingmar Bergman Ernst Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish film director, screenwriter, producer and playwright. Widely considered one of the greatest and most influential filmmakers of all time, his films are known as "profoundly ..., starring Max von Sydow and Ingrid Thulin. The plot follows a traveling magician named Albert Vogler, whose allegedly supernatural live shows are challenged by the skeptical population of a small village. Blending elements of psychological drama and horror film, horror, the film was distantly inspired by G. K. Chesterton's play ''Magic'', which Bergman numbered among his favourites. At one time, Bergman staged a theatre production of ''Magic'' in Swedish language, Swedish. The film was selected as the Swedish entry for the Academy Award for Best Foreign Language Film, Best Foreign Language Film at ...
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Ingmar Bergman
Ernst Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish film director, screenwriter, producer and playwright. Widely considered one of the greatest and most influential filmmakers of all time, his films are known as "profoundly personal meditations into the myriad struggles facing the psyche and the soul." Some of his most acclaimed work includes ''The Seventh Seal'' (1957), '' Wild Strawberries'' (1957), '' The Virgin Spring'' (1960), '' Through a Glass Darkly'' (1961), '' Persona'' (1966), and '' Fanny and Alexander'' (1982). Bergman directed more than 60 films and documentaries for cinematic release and for television screenings, most of which he also wrote. His theatrical career continued in parallel and included periods as Leading Director of the Royal Dramatic Theatre in Stockholm and of the Residenztheater in Munich. He directed more than 170 plays. He forged a creative partnership with his cinematographers Gunnar Fischer and Sven Nykvist. Among his com ...
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Animal Magnetism
Animal magnetism, also known as mesmerism, was a protoscientific theory developed by German doctor Franz Mesmer in the 18th century in relation to what he claimed to be an invisible natural force (''Lebensmagnetismus'') possessed by all living things, including humans, animals, and vegetables. He claimed that the force could have physical effects, including healing. He tried persistently, without success, to achieve a wider scientific recognition of his ideas.Wolfart, Karl Christian; Friedrich Anton Mesmer. ''Mesmerismus: Oder, System der Wechselwirkungen, Theorie und Anwendung des thierischen Magnetismus als die allgemeine Heilkunde zur Erhaltung des Menschen'' (in German, facsimile of the 1811 edition). Cambridge University Press, 2011. . Foreword. The vitalist theory attracted numerous followers in Europe and the United States and was popular into the 19th century. Practitioners were often known as magnetizers rather than mesmerists. It had an important influence in medi ...
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