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The Fabulous Little Richard
''The Fabulous Little Richard'' was the third album from Little Richard, and the end of his rock and roll period. Released seventeen months after he had left the Specialty Records label, Richard had returned to religion and turned his back on the music that made him famous. Though he would briefly rescind that decision in 1962, and sporadically throughout his career, this album marked the end of his peak period. In order to make the record more accessible to listeners, over half of the tracks featured an overdubbed female backing group. The record was put together including out-takes and other leftover studio tracks, which saw Richard in a somewhat more mellow styling. It was mainly drawn from his first and last sessions. In 1959, Sonny Bono was given the task of overdubbing the tracks - he ostensibly used The Stewart Sisters , a “bubble gum” group , to make the early blues ballads more commercial . It was voted number 483 in the third edition of Colin Larkin's ''All Time Top ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Richard
Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American musician, singer, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the " Architect of Rock and Roll", Richard's most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and raspy shouted vocals, laid the foundation for rock and roll. Richard's innovative emotive vocalizations and uptempo rhythmic music also played a key role in the formation of other popular music genres, including soul and funk. He influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations. "Tutti Frutti" (1955), one of Richard's signature songs, became an instant hit, crossing over to the pop charts in both the United States and the United Kingdom. His next ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Allen (musician)
Lee Francis Allen (July 2, 1927 – October 18, 1994) was an American tenor saxophone player. Phil Alvin, Allen's bandmate in The Blasters, called him one of the most important instrumentalists in rock'n'roll. Allen's distinctive tone has been hailed as "one of the defining sounds of rock'n'roll" and "one of the DNA strands of rock." Allen was a key figure in New Orleans rock and roll of the 1950s and recorded with many leading performers of the early rock and roll era. He was semiretired from music by the late 1960s, but in the late 1970s returned to performing intermittently until the end of his life. Biography Allen was born in Pittsburg, Kansas, and raised largely in Denver, Colorado. He played saxophone from his childhood. A combined athletics and music scholarship from Xavier University led him to relocate to New Orleans in 1943. He fell into the city's thriving music scene, performing or recording with dozens of musicians in the early days of rock and roll and rhythm and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Lotta Shakin' Going On
"Whole Lotta Shakin' Goin' On" (sometimes rendered "Whole Lot of Shakin' Going On") is a song written by Dave "Curlee" Williams and sometimes also credited to James Faye "Roy" Hall. The song was first recorded by Big Maybelle, though the best-known version is the 1957 rock and roll/rockabilly version by Jerry Lee Lewis. Origins of the song The origins of the song are disputed, but the writing is usually co-credited to singer/songwriter Dave "Curlee" Williams, and pianist and club owner James Faye "Roy" Hall. Hall stated: On 21 March 1955, Big Maybelle made the first recording for Okeh Records. The songwriting was credited to D. C. Williams, and the session was conducted and arranged by Quincy Jones. Roy Hall recorded the song in September 1955 for Decca Records and maintained that he had written it and had secured the legal copyright as co-writer under the pseudonym of "Sunny David". On the ''Pop Chronicles'' documentary, Jerry Lee Lewis incorrectly credited Big Mama Thornto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy LaBostrie
Dorothy LaBostrie (May 28, 1928 – November 4, 2007), later Dorothy LaBostrie Black, was an American songwriter, best known for co-writing Little Richard's 1955 hit "Tutti Frutti". Early life and songwriting career She was born in Rayland, Kentucky; some sources incorrectly claim a birth year of 1938 rather than 1928. Her parents were Amos and Orelia C. LaBostrie. She was raised in Mobile, Alabama, and in 1951 moved to New Orleans, Louisiana, to seek out her father's Creole relatives. She started working as a cook and waitress, wrote poems, and began frequenting the jazz and blues clubs on Rampart Street. In September 1955 — though details of the story vary — she was contacted by record producer Bumps Blackwell of Specialty Records, who needed someone to rewrite and tone down the lyrics of a ribald song performed by Little Richard. LaBostrie went to Cosimo Matassa's studio, where Little Richard was recording, and reportedly rewrote the words of the song in 15 minute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early One Morning (Little Richard Song)
"Early One Morning" is a blues rock song written by Little Richard. It was originally released on his album ''The Fabulous Little Richard'', and released by Specialty Records as a B-side single to "She Knows How to Rock" in November 1958. The song derives from "Wee Baby Blues" by Big Joe Turner. Turner's version features Ray Charles on piano, and was released as a single on Atlantic Records in 1957. Critical reception ''Billboard'' (November 17, 1958): The shoutin' cat is at his best on these sides. "Early One Morning," the great blues standard, is given a wild reading against driving ork support. "She knows," the flip, is a fast blues swinger that is also solidly belted. Both sides are safe bets to score heavily in both pop and r.&b. marts. Ike & Tina Turner version Ike & Tina Turner recorded a version of "Early One Morning" for their 1973 album ''Let Me Touch Your Mind''. Their rendition was released by United Artists Records as the B-side to the non-album track "With A Litt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and "King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spector. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kansas City (Leiber And Stoller Song)
"Kansas City" is a rhythm and blues song written by Jerry Leiber and Mike Stoller in 1952. First recorded by Little Willie Littlefield the same year, the song later became a chart-topping hit when it was recorded by Wilbert Harrison in 1959. "Kansas City" is one of Leiber and Stoller's "most recorded tunes, with more than three hundred versions", with several appearing in the R&B and pop record charts. Original song "Kansas City" was written by Jerry Leiber and Mike Stoller, two nineteen-year-old rhythm and blues fans from Los Angeles. Neither had been to Kansas City, but were inspired by Big Joe Turner records. Through a connection to producer Ralph Bass, they wrote "Kansas City" specifically for West Coast blues/R&B artist Little Willie Littlefield. There was an initial disagreement between the two writers over the song's melody: Leiber (who wrote the lyrics) preferred a traditional blues song, while Stoller wanted a more distinctive vocal line; Stoller ultimately prevaile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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