The Execution Of The Doge Marino Faliero
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The Execution Of The Doge Marino Faliero
''The Execution of the Doge Marino Faliero'' is an oil painting on canvas of 1826 by the French Romantic artist Eugène Delacroix, inspired by the 1821 play ''Marino Faliero, Doge of Venice'' by Lord Byron, which in turn was based upon events in the life of the Venetian Doge Marino Faliero (1274–1355). Today the work is part of the Wallace Collection in London; as of 2021 it is listed as "not on display". Description The painting depicts the immediate aftermath of the beheading of Faliero, which had taken place on the Scala dei Giganti (Giant's Staircase) of the Doge's Palace. The staircase, where Marino was also inaugurated as doge, is located within the interior of the building rather than facing out into St Mark's Square. While Faliero's now headless body lies at the bottom of the escarpment clad in white after his having been stripped of his ducal vestments, members of the Council of Ten and other Venetian aristocrats in fine, brightly coloured garments are gathered atop i ...
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Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ...
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Doge's Palace
The Doge's Palace ( it, Palazzo Ducale; vec, Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia. History In 810, Doge Agnello Participazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a ''palatium duci'' (Latin for "ducal palace") should be built. However, no trace remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani (1172–1178). A great reformer, he would drastically change the entire layout of the St. M ...
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History Paintings
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ...
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1826 Paintings
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly ...
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Charles X
Charles X (born Charles Philippe, Count of Artois; 9 October 1757 – 6 November 1836) was King of France from 16 September 1824 until 2 August 1830. An uncle of the uncrowned Louis XVII and younger brother to reigning kings Louis XVI and Louis XVIII, he supported the latter in exile. After the Bourbon Restoration in 1814, Charles (as heir-presumptive) became the leader of the ultra-royalists, a radical monarchist faction within the French court that affirmed rule by divine right and opposed the concessions towards liberals and guarantees of civil liberties granted by the Charter of 1814. Charles gained influence within the French court after the assassination of his son Charles Ferdinand, Duke of Berry, in 1820 and succeeded his brother Louis XVIII in 1824.Munro Price, ''The Perilous Crown: France between Revolutions'', Macmillan, pp. 185–187. His reign of almost six years proved to be deeply unpopular amongst the liberals in France from the moment of his coronation in 18 ...
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Bourbon Dynasty
The House of Bourbon (, also ; ) is a European dynasty of French origin, a branch of the Capetian dynasty, the royal House of France. Bourbon kings first ruled France and Navarre in the 16th century. By the 18th century, members of the Spanish Bourbon dynasty held thrones in Spain, Naples, Sicily, and Parma. Spain and Luxembourg have monarchs of the House of Bourbon. The royal Bourbons originated in 1272, when the youngest son of King Louis IX married the heiress of the lordship of Bourbon. Anselme, Père. ‘'Histoire de la Maison Royale de France'’, tome 4. Editions du Palais-Royal, 1967, Paris. pp. 144–146, 151–153, 175, 178, 180, 185, 187–189, 191, 295–298, 318–319, 322–329. (French). The house continued for three centuries as a cadet branch, serving as nobles under the Direct Capetian and Valois kings. The senior line of the House of Bourbon became extinct in the male line in 1527 with the death of Charles III, Duke of Bourbon. This made the junior Bourb ...
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Council Of Ten
The Council of Ten ( it, Consiglio dei Dieci; vec, Consejo de i Diexe), or simply the Ten, was from 1310 to 1797 one of the major governing bodies of the Republic of Venice. Elections took place annually and the Council of Ten had the power to impose punishments upon nobles. The Council of Ten had a broad jurisdictional mandate over matters of state security. The Council of Ten and the Full College constituted the inner circle of oligarchical patricians who effectively ruled the Republic of Venice. Origins The Council of Ten was created in 1310 by Doge Pietro Gradenigo.David Chambers & Brian Pullan with Jennifer Fletcher (eds.). ''Venice: A Documentary History, 1450-1630'' (2001, reprinted 2004). University of Toronto Press/Renaissance Society of America. p. 55. Originally created as a temporary body to investigate the plot of Bajamonte Tiepolo and Marco Querini, the powers of the Council were made formally permanent in 1455.Edward Muir (1981). ''Civic Ritual in Renaissance Ven ...
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Piazza San Marco
Piazza San Marco (; vec, Piasa San Marco), often known in English as St Mark's Square, is the principal public square of Venice, Italy, where it is generally known just as ''la Piazza'' ("the Square"). All other urban spaces in the city (except the Piazzetta and the Piazzale Roma) are called ''campi'' ("fields"). The Piazzetta ("little Piazza/Square") is an extension of the Piazza towards San Marco basin in its southeast corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them. A remark usually attributed (though without proof) to Napoleon calls the Piazza San Marco "the drawing room of Europe". Description The square is dominated at its eastern end by St Mark's Basilica. It is described here by a perambulation starting from the west front of the church (facing the length of the piazza) and proceeding to the right. The church is described in the article ...
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Art UK
Art UK is a cultural, education charity in the United Kingdom, previously known as the Public Catalogue Foundation. Since 2003, it has digitised more than 220,000 paintings by more than 40,000 artists and is now expanding the digital collection to include UK public sculpture. It was founded for the project, completed between 2003 and 2012, of obtaining sufficient rights to enable the public to see images of all the approximately 210,000 oil paintings in public ownership in the United Kingdom. Originally the paintings were made accessible through a series of affordable book catalogues, mostly by county. Later the same images and information were placed on a website in partnership with the BBC, originally called ''Your Paintings'', hosted as part of the BBC website. The renaming in 2016 coincided with the transfer of the website to a stand-alone site. Works by some 40,000 painters held in more than 3,000 collections are now on the website. The catalogues and website allow readers t ...
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Wallace Collection
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free. It was established in 1897 from the private collection mainly created by Richard Seymour-Conway, 4th Marquess of Hertford (1800–1870), who left both it and the house to his illegitimate son Sir Richard Wallace (1818–1890), whose widow Julie Amelie Charlotte Castelnau bequeathed the entire collection to the nation. The collection opened to permanent public view in 1900 in Hertford House, and remain ...
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Marino Faliero
Marino Faliero (1274 – 17 April 1355) was the 55th Doge of Venice, appointed on 11 September 1354. He was sometimes referred to simply as Marin Falier (Venetian rather than standard Italian) or Falieri. He was executed for attempting a coup d'etat. Early life Faliero was the son of Iacopo Marin and Beriola Loredan. He had an uncle of the same name with whom he is often confused. In 1315 Faliero was one of the three heads of the Council of Ten when it was punishing the organizers of the 1310 conspiracy by Bajamonte Tiepolo. Faliero continued as a member of the council until 1320 and held the office of chief and inquisitor several times. In 1320 he was charged with Andrea Michiel to organize the killing of Tiepolo and Pietro Querini, the only two leaders of the conspiracy still at large. In 1323 Faliero was appointed captain and bailiff of Negroponte. In 1326 he was again in Venice as a member of the Council of Ten, but the following year he left for Bologna on a mission t ...
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Doge Of Venice
The Doge of Venice ( ; vec, Doxe de Venexia ; it, Doge di Venezia ; all derived from Latin ', "military leader"), sometimes translated as Duke (compare the Italian '), was the chief magistrate and leader of the Republic of Venice between 726 and 1797. Doges of Venice were elected for life by the Venetian nobility. The ''doge'' was neither a duke in the modern sense, nor the equivalent of a nobility, hereditary duke. The title "doge" was the title of the senior-most elected official of Republic of Venice, Venice and Republic of Genoa, Genoa; both cities were republics and elected doges. A doge was referred to variously by the titles "My Lord the Doge" ('), "Most Serene Prince" ('), and "Serene Highness, His Serenity" ('). History of the title Byzantine era The office of doge goes back to 697. The first historical Venetian doge, Orso Ipato, Ursus, led a revolt against the Byzantine Empire in 726, but was soon recognised as the () and (a honorific title derived from the Greek w ...
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