The Exciting Connie Francis
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The Exciting Connie Francis
''The Exciting Connie Francis'' is a studio album recorded by American pop singer Connie Francis. It is the second album Francis cut for MGM Records. Background After her breakthrough in early 1958 with her single '' Who's Sorry Now?'', a rock 'n' roll oriented version of the 1923 standard, and a subsequent album of the same title, Francis chose to take a more adult approach to her second album. For ''The Exciting Connie Francis'', she chose twelve American standards. Francis clearly marked the album as a concept album by dividing it into two sections with different moods: Side A is filled with songs differing between mid-tempo and up-tempo, while Side B consists solely of ballad A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ...s. The album was released in March 1959 on MGM Recor ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Hallelujah, I Love Her So
"Hallelujah I Love Her So" is a single by American musician Ray Charles. The rhythm and blues song was written and released by Charles in 1956 on the Atlantic label, and in 1957 it was included on his self-titled debut LP, also released on Atlantic. The song peaked at number five on the ''Billboard'' R&B chart. It is loosely based on 'Get It Over Baby' by Ike Turner (1953). The song incorporates Gospel music. "Hallelujah I Love Her So" is a testament to the joyous release of love, featuring a sophisticated horn arrangement and memorable tenor sax solo by Don Wilkerson. Several artists, including Stevie Wonder, Peggy Lee, Eddie Cochran, and Humble Pie have covered the song. Personnel *Ray Charles – lead vocal *Don Wilkerson – tenor saxophone solo *The Ray Charles Orchestra – instrumentation *Jerry Wexler – producer Beatles cover versions According to biographer Mark Lewisohn (in ''The Complete Beatles Chronicle'', p. 362), the Beatles (first as the Quarrymen) reg ...
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Jule Styne
Jule Styne (; born Julius Kerwin Stein; December 31, 1905 – September 20, 1994) was an English-American songwriter and composer best known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: ''Gypsy,'' '' Gentlemen Prefer Blondes,'' and '' Funny Girl.'' Early life Styne was born to a Jewish family in London, England. His parents, Anna Kertman and Isadore Stein, were emigrants from Ukraine, the Russian Empire, and ran a small grocery. Even before his family left Britain, he did impressions on the stage of well-known singers, including Harry Lauder, who saw him perform and advised him to take up the piano. At the age of eight, he moved with his family to Chicago, where he began taking piano lessons. He proved to be a prodigy and performed with the Chicago, St. Louis, and Detroit Symphonies before he was ten years old. Career Before Styne attended Chicago Musical College, he had already attracted the attention o ...
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Time After Time (1947 Song)
"Time After Time" is a romantic jazz standard with lyrics written by Sammy Cahn and music by Jule Styne in 1946. First recordings The first recording was on November 19, 1946 for Musicraft by Sarah Vaughan with the Teddy Wilson Quartet: Wilson on piano, Charlie Ventura on tenor saxophone, Remo Palmieri on guitar, and Billy Taylor on double bass. The song was written for Frank Sinatra to introduce in the 1947 MGM film ''It Happened in Brooklyn''. The pianist providing the offscreen accompaniment was André Previn to an arrangement of Axel Stordahl. Later in the film, the song was reprised in full by Kathryn Grayson. The only contemporary recording by a British artist was the one by Steve Conway. Sinatra recorded it again in 1957 with the Nelson Riddle Orchestra. After it emerged as a jazz standard thanks to saxophonists like Getz and Coltrane, 1959 was a banner year for its popularity, being covered by many pop and jazz vocalists. Other versions * Chet Baker, ''Chet Baker Sings ...
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The Song Is Ended (But The Melody Lingers On)
"The Song is Ended (but the Melody Lingers On)" is a popular song composed by Irving Berlin in 1927. Early hits in 1928 were by Ruth Etting and by Whispering Jack Smith. In 1948, Nellie Lutcher and Her Rhythm briefly charted with the song. The song has been recorded by numerous singers over the years, including by Ella Fitzgerald on her award-winning Irving Berlin Songbook. The song's lyric is referenced in Ira Gershwin Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 2 ...'s verse to " They Can't Take That Away from Me", in the line ''the song is ended, but as the songwriter wrote, the melody lingers on''. Berlin himself used the "melody lingers on" idea in the opening line of the verse to his earlier song "All Alone" (1924): "Just like a melody that lingers on / You seem to haunt m ...
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Mack Gordon
Mack Gordon (born Morris Gittler; June 21, 1904 – February 28, 1959) was an American composer and lyricist for the stage and film. He was nominated for the best original song Oscar nine times in 11 years, including five consecutive years between 1940 and 1944, and won the award once, for "You'll Never Know". That song has proved among his most enduring, and remains popular in films and television commercials to this day. "At Last" is another of his best-known songs. Biography Gordon was born in Grodno, then part of the Russian Empire. He emigrated with his mother and older brother to New York City in May 1907; the ship they sailed on was the S/S ''Bremen''; their destination was to his father in Guttenberg, New Jersey. Gordon appeared in vaudeville as an actor and singer in the late 1920s and early 1930s, but his songwriting talents were always paramount. He formed a partnership with English pianist Harry Revel, that lasted throughout the 1930s. In the 1940s he worked with a str ...
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Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", "You Must Have Been a Beautiful Baby", " Jeepers Creepers", "The Gold Diggers' Song (We're in the Money)", "That's Amore", "There Will Never Be Another You", "The More I See You", "At Last" and "Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of America's most ...
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There Will Never Be Another You
"There Will Never Be Another You" is a popular song with music by Harry Warren and lyrics by Mack Gordon that was written for the Twentieth Century Fox musical ''Iceland'' (1942) starring Sonja Henie and John Payne. The songs in the film featured Joan Merrill accompanied by Sammy Kaye and His Orchestra.Joan Merrill
at JazzStandards.com
The song was published in 1942. The most popular version, a 1966 Chris Montez recording, went to #4 on the chart and #33 on the

Joe Young (lyricist)
Joe Young (July 4, 1889 – April 21, 1939) was an American lyricist. He was born in New York. Young was most active from 1911 through the late-1930s, beginning his career working as a singer and song-plugger for various music publishers. During World War I, he entertained the U.S. troops, touring Europe as a singer. Works An early work is the song "Way Down East" (©1910) words by Cecil Mack, music by Joe Young and Harold Norman, published by Gotham-Attucks Music Publishing Company. ''The Laugh Parade'' For the 1931 Broadway show ''The Laugh Parade'', Young collaborated with co-lyricist Mort Dixon and composer Harry Warren on " You're My Everything". The show also included: * "Ooh! That Kiss" * "Love Me Forever" * "That Torch Song" Later efforts * "In a Shanty in Old Shanty Town" * " Lullaby of the Leaves" * " Snuggled On Your Shoulder, Cuddled In Your Arms" * "Was That the Human Thing To Do?" * "Something in the Night" * "Annie Doesn't Live Here Anymore" * "I'm Growing Fonder ...
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Sam M
Sam, SAM or variants may refer to: Places * Sam, Benin * Sam, Boulkiemdé, Burkina Faso * Sam, Bourzanga, Burkina Faso * Sam, Kongoussi, Burkina Faso * Sam, Iran * Sam, Teton County, Idaho, United States, a populated place People and fictional characters * Sam (given name), a list of people and fictional characters with the given name or nickname * Sam (surname), a list of people with the surname ** Cen (surname) (岑), romanized "Sam" in Cantonese ** Shen (surname) (沈), often romanized "Sam" in Cantonese and other languages Religious or legendary figures * Sam (Book of Mormon), elder brother of Nephi * Sām, a Persian mythical folk hero * Sam Ziwa, an uthra (angel or celestial being) in Mandaeism Animals * Sam (army dog) (died 2000) * Sam (horse) (b 1815), British Thoroughbred * Sam (koala) (died 2009), rescued after 2009 bush fires in Victoria, Australia * Sam (orangutan), in the movie ''Dunston Checks In'' * Sam (ugly dog) (1990–2005), voted the world's ugliest dog i ...
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Jean Schwartz
Jean Schwartz (November 4, 1878 – November 30, 1956) was a Hungarian-born American songwriter. Schwartz was born in Budapest, Hungary. His family moved to New York City when he was 13 years old. He took various music-related jobs including demonstrating and selling sheet music in department stores before being hired as a staff pianist and song-plugger by the Shapiro-Bernstein Publishing House of Tin Pan Alley. He published his first composition, a cakewalk, in 1899. He became known as an accomplished lyricist, although he also continued to write music. In 1901, he began a successful collaboration with William Jerome. They co-wrote many songs which were used in Broadway shows, including "Mr. Dooley," which was sung by the title character in '' The Wizard of Oz'', as well as the Ziegfeld Follies. They worked with Eddie Morton for the song "I'm a Member of the Midnight Crew" in 1909. Their biggest hit together was the 1910 song "Chinatown, My Chinatown", still popular with Dixie ...
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Rock-a-Bye Your Baby With A Dixie Melody
"Rock-a-Bye Your Baby with a Dixie Melody" is a popular song written by Jean Schwartz, with lyrics by Sam M. Lewis and Joe Young. The song was introduced by Al Jolson in the Broadway musical '' Sinbad'' and published in 1918. Probably the best-known version of the song was by Al Jolson who recorded it on March 13, 1918 and whose version reached No. 1 the same year. Other Recordings *Al Jolson also recorded the song on December 20, 1932 with Guy Lombardo and his Royal Canadians. Jolson recorded the song again on March 27, 1946 with an orchestra under the direction of Morris Stoloff. *Arthur Fields - considered to be a No. 9 hit in 1918. *Dean Martin recorded the song on April 28, 1950. *Judy Garland included the song in her album ''Miss Show Business'' (1955) and her 1960 recording appeared in the compilation album ''The London Sessions''. The song was also included in her live album ''Judy at Carnegie Hall'' (1961). *Jerry Lewis - his version was a Top 10 hit in 1956 and became a ...
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