The Everly Brothers (album)
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The Everly Brothers (album)
''The Everly Brothers'' is the 1958 eponymous debut album of close harmony singing duo the Everly Brothers. The album peaked at No. 16 on ''Billboard's'' pop albums chart and launched three very successful singles. Originally on the Cadence label, (CLP-3003), the album was re-released on LP in 1988 by EMI and on CD in 2000 by Emporio Records. It was re-released again in 2009 on 180-gram vinyl by Doxy music. It is sometimes called ''They're Off and Rolling'' or ''They're Off and Rolling, Says Archie'' which is the introduction on the front of the album. Archie Bleyer was the producer. Hit singles " Bye Bye Love" and " Wake Up Little Susie" enjoyed crossover success. "Bye Bye Love" peaked at No. 1 on the Hot Country Songs chart, No. 2 on the Pop Singles chart and #5 on the R&B chart. "Wake Up Little Susie" reached No. 1 on all three. Two of the songs on this album are included in '' Rolling Stone's'' "500 Greatest Songs of All Time". "Bye Bye Love", No. 207 on the list, had been ...
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The Everly Brothers
The Everly Brothers were an American rock duo, known for steel-string acoustic guitar playing and close harmony singing. Consisting of Isaac Donald "Don" Everly (February 1, 1937 – August 21, 2021) and Phillip "Phil" Everly (January 19, 1939 – January 3, 2014), the duo combined elements of rock and roll, country, and pop, becoming pioneers of country rock. The duo was raised in a musical family, first appearing on radio singing along with their father Ike Everly and mother Margaret Everly as "The Everly Family" in the 1940s. When the brothers were still in high school, they gained the attention of prominent Nashville musicians like Chet Atkins, who began to promote them for national attention. They began writing and recording their own music in 1956, and their first hit song came in 1957, with " Bye Bye Love", written by Felice and Boudleaux Bryant. The song hit No. 1 in the spring of 1957, and additional hits would follow through 1958, many of them written by the Bryants, ...
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Banned In Boston
"Banned in Boston" is a phrase that was employed from the late 19th century through the mid-20th century, to describe a literary work, song, motion picture, or play which had been prohibited from distribution or exhibition in Boston, Massachusetts. During this period, Boston officials had wide authority to ban works featuring "objectionable" content, and often banned works with sexual content or foul language. This even extended to the $5 bill from the 1896 "Educational" series of banknotes featuring allegorical figures that were partially nude. History Boston was founded in the early 17th century by Puritans, who held strict moral standards. Boston's second major wave of immigrants, Irish Catholics, began arriving in the 1820s and also held conservative moral beliefs, particularly regarding sex. Early instances of works being "banned in Boston" extend back at least to the year 1651. That year, William Pynchon, the founder of Springfield, Massachusetts—Massachusetts' great ...
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Should We Tell Him
"Should We Tell Him" is a song released in 1958 by the Everly Brothers. The song reached No. 10 on the '' Billboard'' survey of Most Played C&W by Jockeys. As the B-side of " This Little Girl of Mine", the single reached No. 26 on the ''Billboard'' survey of Best Sellers in Stores The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by ''Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in ... and No. 4 on the ''Billboard'' survey of C&W Best Sellers in Stores."C&W Best Sellers in Stores", '' Billboard'', March 10, 1958. p. 56 Chart performance References 1957 songs 1958 singles The Everly Brothers songs Songs written by Don Everly Songs written by Phil Everly Cadence Records singles {{1950s-single-stub ...
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John Marascalco
John S. Marascalco (March 27, 1931 – July 5, 2020) was an American songwriter most noted for the songs he wrote for Little Richard. He was born in Grenada, Mississippi and died in Los Angeles, California. Career Marascalco co-wrote several of the most seminal songs in 1950s rock and roll. Together with Robert Blackwell, he wrote the songs "Good Golly Miss Molly", "Ready Teddy", and " Rip It Up" made famous by Little Richard. Also for Little Richard, Marascalco co-wrote "Heeby Jeebies", "She's Got It", and "Groovy Little Suzy". He co-wrote the song " Goodnight My Love" with George Motola made famous by Jesse Belvin and Paul Anka. Marascalco also collaborated with Harry Nilsson and co-wrote " Be My Guest" with Tommy Boyce. Marascalco co-wrote "Send Me Some Lovin'" with Leo Price, which was recorded by Little Richard. The Crickets for their 1957 debut album ''The "Chirping" Crickets'', Sam Cooke, and John Lennon. He also penned "Wouldn't You Know", which was recorded by Billy Lee ...
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Bumps Blackwell
A bumps race is a form of rowing race in which a number of boats chase each other in single file, each crew attempting to catch and ‘bump’ the boat in front without being caught by the boat behind. The form is mainly used in intercollegiate competitions at the University of Oxford since 1815, and at the University of Cambridge since 1827.''The Bumps:An Account of the Cambridge University Bumping Races 1827-1999'', John Durack, George Gilbert & Dr John Marks, 2000, Bumps racing in fours is also the format of inter-house rowing at Eton College and Shrewsbury School. It is particularly suitable where the stretch of water available is long but narrow, precluding side-by-side racing. Bumps racing gives a sharper feel of immediate competition than a head race, where boats are simply timed over a fixed course. Few rowers worldwide use rivers as narrow as the Cam or the Isis, but bumps races are also contested elsewhere. Origins and history The first attested bumps race, and the ...
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Rip It Up (Little Richard Song)
"Rip It Up" is a rock and roll song written by Robert Blackwell and John Marascalco. In June 1956, Specialty Records released it as a single by Little Richard with "Ready Teddy" as the B-side. The song reached the top position on the ''Billboard'' Rhythm & Blues Records chart as well as number 17 on the magazine's broader Billboard Hot 100. The version peaked at number 30 in the UK Singles Chart. The tenor saxophone solo is by Lee Allen. Also in 1956, Bill Haley and his Comets released a version of the song. Their version reached number 25 on the Hot 100, and number four in the UK Singles Chart. The song, which was recorded at J&M Recording Studio in New Orleans, is included as a full-length performance by Earl Palmer with guest vocalist Ivan Neville and house band in the 2005 documentary film '' Make It Funky!'', which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz Jazz is a music genre that originated in ...
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Gene Vincent
Vincent Eugene Craddock (February 11, 1935 – October 12, 1971), known as Gene Vincent, was an American musician who pioneered the styles of rockabilly and rock and roll. His 1956 top ten hit with his backing band the Blue Caps, " Be-Bop-a-Lula", is considered a significant early example of rockabilly. His chart career was brief, especially in his home country of the US, where he notched three top 40 hits in 1956 and '57, and never charted in the top 100 again. In the UK, he was a somewhat bigger star, racking up eight top 40 hits from 1956 to 1961. Vincent was inducted into the Rock and Roll Hall of Fame and the Rockabilly Hall of Fame. He is sometimes referred to by his somewhat unusual nickname/moniker the "Screaming End". Biography Early life Craddock was born February 11, 1935, in Norfolk, Virginia, to Mary Louise and Ezekiah Jackson Craddock. His musical influences included country, rhythm and blues, and gospel. His favorite composition was Beethoven's Egmont overtur ...
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Little Richard
Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American musician, singer, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the " Architect of Rock and Roll", Richard's most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and raspy shouted vocals, laid the foundation for rock and roll. Richard's innovative emotive vocalizations and uptempo rhythmic music also played a key role in the formation of other popular music genres, including soul and funk. He influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations. "Tutti Frutti" (1955), one of Richard's signature songs, became an instant hit, crossing over to the pop charts in both the United States and the United Kingdom. His next ...
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Keep A-Knockin'
"Keep A-Knockin' (But You Can't Come In)" is a popular song that has been recorded by a variety of musicians over the years. The lyrics concern a lover at the door who will not be admitted; some versions because someone else is already there, but in most others because the knocking lover has behaved badly. Early versions are sometimes credited to Perry Bradford and J. Mayo Williams. Variations were recorded by James "Boodle It" Wiggins in 1928, Lil Johnson in 1935, Milton Brown in 1936 and Louis Jordan in 1939. A similar lyrical theme appears in "Open the Door, Richard" from 1946, but from the viewpoint of the one knocking. Wiggins' version was entitled "Keep Knockin' An You Can't Get In", which was recorded in Chicago, Illinois, in around February 1928 and released by Paramount Records (12662) that year. In 1957, when Little Richard recorded it as an uptempo rock and roll song, "Keep A-Knockin'" reached number two on the U.S. R&B charts and number eight on the U.S. pop charts. ...
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Boudleaux Bryant
Felice Bryant (born Matilda Genevieve Scaduto; August 7, 1925 – April 22, 2003) and Diadorius Boudleaux Bryant (; February 13, 1920 – June 25, 1987) were an Americans, American husband-and-wife country music and pop songwriting team. They were best known for songs such as "Rocky Top," "We Could" (credited solely to Felice), "Love Hurts" (credited solely to Boudleaux), and numerous hits by the The Everly Brothers, Everly Brothers, including "All I Have to Do Is Dream" (credited solely to Boudleaux), "Bye Bye Love (The Everly Brothers song), Bye Bye Love", and "Wake Up Little Susie". Beginnings Boudleaux Bryant was born in Shellman, Georgia, in 1920 and attended local schools as a child. He trained as a classical violinist. Although he performed with the Atlanta Symphony Orchestra, Atlanta Philharmonic Orchestra during its 1937–38 season, he had more interest in country fiddling. Bryant joined Hank Penny and his Radio Cowboys, an Atlanta-based western music band. In 1945, ...
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Felice Bryant
Felice Bryant (born Matilda Genevieve Scaduto; August 7, 1925 – April 22, 2003) and Diadorius Boudleaux Bryant (; February 13, 1920 – June 25, 1987) were an Americans, American husband-and-wife country music and pop songwriting team. They were best known for songs such as "Rocky Top," "We Could" (credited solely to Felice), "Love Hurts" (credited solely to Boudleaux), and numerous hits by the The Everly Brothers, Everly Brothers, including "All I Have to Do Is Dream" (credited solely to Boudleaux), "Bye Bye Love (The Everly Brothers song), Bye Bye Love", and "Wake Up Little Susie". Beginnings Boudleaux Bryant was born in Shellman, Georgia, in 1920 and attended local schools as a child. He trained as a classical violinist. Although he performed with the Atlanta Symphony Orchestra, Atlanta Philharmonic Orchestra during its 1937–38 season, he had more interest in country fiddling. Bryant joined Hank Penny and his Radio Cowboys, an Atlanta-based western music band. In 1945, ...
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