The Eternal Husband
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The Eternal Husband
''The Eternal Husband'' (russian: Вечный муж, ''Vechny muzh'') is a novel by Russian author Fyodor Dostoevsky that was first published in 1870 in '' Zarya'' magazine. The novel's plot revolves around the complicated relationship between the nobleman Velchaninov and the widower Trusotsky, whose deceased wife was Velchaninov's former lover. Plot summary Alexei Ivanovich Velchaninov is a land owner who stays in Saint Petersburg for a trial about a piece of land. He receives a visit from Pavel Pavlovich Trusotsky, an old acquaintance who recently became a widower. Velchaninov had an affair with Trusotsky's wife Natalia, and he realizes that he is the biological father of Liza, Trusotsky's eight-year-old daughter. Velchaninov, who doesn't want Liza to be raised by an alcoholic, brings Liza to a foster family. Liza dies there. Trusotsky now wants to marry Nadia, the fifteen-year-old daughter of civil servant Zakhlyobinin. She's the sixth daughter of eight. Trusotsky takes Vel ...
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Constance Garnett
Constance Clara Garnett (; 19 December 1861 – 17 December 1946) was an English translator of nineteenth-century Russian literature. She was the first English translator to render numerous volumes of Anton Chekhov's work into English and the first to translate almost all of Fyodor Dostoevsky's fiction into English. She also rendered works by Ivan Turgenev, Leo Tolstoy, Nikolai Gogol, Ivan Goncharov, Alexander Ostrovsky, and Alexander Herzen into English. Altogether, she translated 71 volumes of Russian literature, many of which are still in print today. Life Garnett was born in Brighton, England, the sixth of the eight children of the solicitor David Black (1817–1892), afterwards town clerk and coroner, and his wife, Clara Maria Patten (1825–1875), daughter of painter George Patten. Her brother was the mathematician Arthur Black, and her sister was the labour organiser and novelist Clementina Black. Her father became paralysed in 1873, and two years later her mother died ...
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Richard Pevear
Richard Pevear and Larissa Volokhonsky are literary translators best known for their collaborative English translations of classic Russian literature. Individually, Pevear has also translated into English works from French, Italian, and Greek. The couple's collaborative translations have been nominated three times and twice won the PEN/Book-of-the-Month Club Translation Prize (for Tolstoy's ''Anna Karenina'' and Dostoevsky's ''The Brothers Karamazov''). Their translation of Dostoevsky's ''The Idiot'' also won the first Efim Etkind Translation Prize. Richard Pevear Richard Pevear was born in Waltham, Massachusetts, on 21 April 1943. Pevear earned a B.A. degree from Allegheny College in 1964, and a M.A. degree from the University of Virginia in 1965. He has taught at the University of New Hampshire, The Cooper Union, Mount Holyoke College, Columbia University, and the University of Iowa. In 1998, he joined the faculty of the American University of Paris (AUP), where he taught courses ...
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Fyodor Dostoevsky
Fyodor Mikhailovich Dostoevsky (, ; rus, Фёдор Михайлович Достоевский, Fyódor Mikháylovich Dostoyévskiy, p=ˈfʲɵdər mʲɪˈxajləvʲɪdʑ dəstɐˈjefskʲɪj, a=ru-Dostoevsky.ogg, links=yes; 11 November 18219 February 1881), sometimes transliterated as Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Dostoevsky's literary works explore the human condition in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed novels include ''Crime and Punishment'' (1866), ''The Idiot'' (1869), ''Demons'' (1872), and ''The Brothers Karamazov'' (1880). His 1864 novella, ''Notes from Underground'', is considered to be one of the first works of existentialist literature. Numerous literary critics regard him as one of the greatest novelists in all of world literature, as many of his works are considered highly influen ...
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Novel
A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The present English word for a long work of prose fiction derives from the for "new", "news", or "short story of something new", itself from the la, novella, a singular noun use of the neuter plural of ''novellus'', diminutive of ''novus'', meaning "new". Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, John Cowper Powys, preferred the term "romance" to describe their novels. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, in Chivalric romance, and in the tradition of the Italian renaissance novella.Margaret Anne Doody''The True Story of the Novel'' New Brunswick, NJ: Rutgers University Press, 1996, rept. 1997, p. 1. Retrieved 25 April 2014. The ancient romance form was revived by Romanticism, especially the histori ...
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The Russian Messenger
The ''Russian Messenger'' or ''Russian Herald'' (russian: Ру́сский ве́стник ''Russkiy Vestnik'', Pre-reform Russian: Русскій Вѣстникъ ''Russkiy Vestnik'') has been the title of three notable magazines published in Russia during the 19th century and early 20th century. ''Russian Messenger'' period I and II The first publishing period of the ''Russian Messenger'' falls within the period 1808 to 1820, and 1824. Relocated to Moscow, the monthly journal was edited by writer Sergey Glinka. It was sponsored by the minister and adjutant general Count Fyodor Rostopchin and its orientation classified as patriotic monarchist. The second publishing period falls in the years from 1841 to 1844 and appeared in Saint Petersburg. On its creation, the publisher, editor, journalist and publicist Nikolay Gretsch and writer, playwright, journalist and historian Nikolai Polevoy were involved. Another employee was the historian Ivan Snegiryov. ''Russian Messenger'' p ...
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Hardcover
A hardcover, hard cover, or hardback (also known as hardbound, and sometimes as case-bound) book is one bound with rigid protective covers (typically of binder's board or heavy paperboard covered with buckram or other cloth, heavy paper, or occasionally leather). It has a flexible, sewn spine which allows the book to lie flat on a surface when opened. Modern hardcovers may have the pages glued onto the spine in much the same way as paperbacks. Following the ISBN sequence numbers, books of this type may be identified by the abbreviation Hbk. Hardcover books are often printed on acid-free paper, and they are much more durable than paperbacks, which have flexible, easily damaged paper covers. Hardcover books are marginally more costly to manufacture. Hardcovers are frequently protected by artistic dust jackets, but a "jacketless" alternative has increased in popularity: these "paper-over-board" or "jacketless" hardcover bindings forgo the dust jacket in favor of printing the cove ...
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Paperback
A paperback (softcover, softback) book is one with a thick paper or paperboard cover, and often held together with adhesive, glue rather than stitch (textile arts), stitches or Staple (fastener), staples. In contrast, hardcover (hardback) books are bound with cardboard covered with cloth, leather, paper, or plastic. Inexpensive books bound in paper have existed since at least the 19th century in such forms as pamphlets, yellow-backs, yellowbacks, dime novels, and airport novels. Modern paperbacks can be differentiated from one another by size. In the United States, there are "mass-market paperbacks" and larger, more durable "trade paperbacks". In the United Kingdom, there are A-format, B-format, and the largest C-format sizes. Paperback editions of books are issued when a publisher decides to release a book in a low-cost format. Lower-quality paper, glued (rather than stapled or sewn) bindings, and the lack of a hard cover may contribute to the lower cost of paperbacks. Paperb ...
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Zarya (magazine)
''Zarya'' (russian: Заря, Dawn) was a monthly literary and political Russian magazine published in Saint Petersburg in 1869-1872. A Slavophile-oriented journal, ''Zarya'' supported the liberal reforms in Russia while promoting the idea of strong Tsarist power. Nikolai Danilevsky's ''Russia and Europe'', published there in 1869 (Nos. 1-6, 8-10) would later become the basis for Alexander III's government's official political doctrine. Among other notable works that were published by ''Zarya'' were " The Prisoner of the Caucasus" by Leo Tolstoy (1872, No. 2), ''The Eternal Husband'' by Fyodor Dostoyevsky, as well as assorted works by Fyodor Tyutchev, Afanasy Fet, Apollon Maykov, Yakov Polonsky, Alexey Pisemsky, Konstantin Leontyev, Dmitry Averkiyev, Vsevolod Krestovsky, Viktor Klyushnikov, Daniil Mordovtsev, Vasily Avseenko, Semyon Sholkovich. A pivotal figure in ''Zarya'' was the critic and journalist Nikolai Strakhov. His three essays on Tolstoy's ''War and Peace'' (1869 ...
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Saint Petersburg
Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), is the second-largest city in Russia. It is situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, with a population of roughly 5.4 million residents. Saint Petersburg is the fourth-most populous city in Europe after Istanbul, Moscow and London, the most populous city on the Baltic Sea, and the world's northernmost city of more than 1 million residents. As Russia's Imperial capital, and a historically strategic port, it is governed as a federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the site of a captured Swedish fortress, and was named after apostle Saint Peter. In Russia, Saint Petersburg is historically and culturally associated with t ...
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Hide-and-seek
Hide-and-seek (sometimes known as hide-and-go-seek) is a popular children's game in which at least two players (usually at least three) conceal themselves in a set environment, to be found by one or more seekers. The game is played by one chosen player (designated as being "it") counting to a predetermined number with eyes closed while the other players hide. After reaching this number, the player who is "it" calls "Ready or not, here I come!" or "Coming, ready or not!" and then attempts to locate all concealed players. The game can end in one of several ways. The most common way of ending is the player chosen as "it" locates all players; the player found first is the loser and is chosen to be "it" in the next game. The player found last is the winner. Another common variation has the seeker counting at "home base"; the hiders can either remain hidden or they can come out of hiding to race to home base; once they touch it, they are "safe" and cannot be tagged. The game is an ex ...
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In Medias Res
A narrative work beginning ''in medias res'' (, "into the middle of things") opens in the midst of the plot (cf. ''ab ovo'', ''ab initio''). Often, exposition is bypassed and filled in gradually, through dialogue, flashbacks or description of past events. For example, ''Hamlet'' begins after the death of Hamlet's father. Characters make reference to King Hamlet's death without the plot's first establishment of said fact. Since the play is about Hamlet and the revenge more so than the motivation, Shakespeare uses ''in medias res'' to bypass superfluous exposition. Works that employ ''in medias res'' often later use flashback and nonlinear narrative for exposition to fill in the backstory. In Homer's ''Odyssey'', the reader first learns about Odysseus's journey when he is held captive on Calypso's island. The reader then finds out, in Books IX through XII, that the greater part of Odysseus's journey precedes that moment in the narrative. In Homer's ''Iliad'' there are fewer flas ...
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Tragicomedy
Tragicomedy is a literary genre that blends aspects of both tragedy, tragic and comedy, comic forms. Most often seen in drama, dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter. In theatre Classical precedent There is no concise formal definition of tragicomedy from the classical antiquity, classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in ''Poetics (Aristotle), Poetics'', he discusses tragedy with a dual ending. In this respect, a number of An ...
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