The English Dancing Master
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The English Dancing Master
''The Dancing Master'' (first edition: ''The English Dancing Master'') is a dancing manual containing the music and instructions for English country dances. It was first published in 1651 by John Playford. History It was published in several editions by John Playford and his successors from 1651 until . The first edition contained 105 dances with single-line melodies. The 1651 book ''The Dancing Master'' by John Playford had been designed for teaching dancing. It was originally small so that the dancing master could hide it under his cloak and consult it surreptitiously. Subsequent editions introduced new songs and dances, while dropping others, and the work eventually encompassed three volumes. Dances from ''The Dancing Master'' were re-published in arrangements by Cecil Sharp in the early 20th century. In 1957 Margaret Dean Smith completed her facsimile book ''Playford's English Dancing Master''. This work had been the first publication of English dance tunes and her publi ...
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Square Dance Diagram From Playford's English Dancing Master
In Euclidean geometry, a square is a regular quadrilateral, which means that it has four equal sides and four equal angles (90-degree angles, π/2 radian angles, or right angles). It can also be defined as a rectangle with two equal-length adjacent sides. It is the only regular polygon whose internal angle, central angle, and external angle are all equal (90°), and whose diagonals are all equal in length. A square with vertices ''ABCD'' would be denoted . Characterizations A convex quadrilateral is a square if and only if it is any one of the following: * A rectangle with two adjacent equal sides * A rhombus with a right vertex angle * A rhombus with all angles equal * A parallelogram with one right vertex angle and two adjacent equal sides * A quadrilateral with four equal sides and four right angles * A quadrilateral where the diagonals are equal, and are the perpendicular bisectors of each other (i.e., a rhombus with equal diagonals) * A convex quadrilateral with succe ...
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Renaissance Dance
Renaissance dances belong to the broad group of historical dances. During the Renaissance period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone. At Court, the formal entertainment would often be followed by many hours of country dances which all present could join in. Dances described as country dances such as Chiarantana or Chiaranzana remained popular over a long period – over two centuries in the case of this dance. A Renaissance dance can be likened to a ball. Knowledge of court dances has survived better than that of country dances as they were collected by dancing masters in manuscripts and later in printed books. The earliest surviving manuscripts that provide detailed dance instructions are from 15th century Italy. The earliest printed dance manuals come from late 16th century France and Italy. The earliest da ...
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Dance Education
Dance education is a practice whereby students are taught a broad understanding of dance as an art form or trained professionally in specific dance genres. Dance education also encompasses a research area in which scholars conduct original research on ways of teaching and learning dance. Currently, dance itself is considered an allied form of art and music, thus dance in formal education is closely knit with these disciplines. Curriculum In general, a dance education curriculum is designed to impart dance performance skills, or knowledge of dance, or both to students. Knowledge-oriented curricula may cover any of a diverse range of topics, including dance notation, human anatomy, physics, dance history, cultural aspects of dance, and music. A curriculum may involve the study of one or more dance genres, including formal genres such as ballet, ballroom, contemporary, jazz, Latin, and tap dance, and informal and social genres such as line, freestyle, and sequence dancing. Profe ...
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English Music
English music may refer to: * Folk music of England * Music of the United Kingdom Throughout the history of the British Isles, the United Kingdom has been a major music producer, drawing inspiration from Church Music. Traditional folk music, using instruments of England, Scotland, Northern Ireland, and Wales. Each of the ... * '' English Music (novel)'', 1992 novel by Peter Ackroyd {{disambiguation ...
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1651 Books
Events January–March * January 1 – Charles II is crowned King of Scots at Scone ( his first crowning). * January 24 – Parliament of Boroa in Chile: Spanish and Mapuche authorities meet at Boroa, renewing the fragile peace established at the parliaments of Quillín, in 1641 and 1647. * February 22 – St. Peter's Flood: A first storm tide in the North Sea strikes the coast of Germany, drowning thousands. The island of Juist is split in half, and the western half of Buise is probably washed away. * March 4 – St. Peter's Flood: Another storm tide in the North Sea strikes the Netherlands, flooding Amsterdam. * March 6 – The town of Kajaani was founded by Count Per Brahe the Younger. * March 15 – Prince Aisin Gioro Fulin attains the age of 13 and becomes the Shunzhi Emperor of China, which had been governed by a regency since the death of his father Hong Taiji in 1643. * March 26 – The Spanish ship ''San José'', loaded wit ...
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Jig (theatre)
In theatres, beginning in Elizabethan London, a jig was a short comic drama that immediately followed a full-length play. This phenomenon added an additional comic or light-hearted offering at the end of a performance. A jig might include songs sung to popular tunes of the day, and it might feature dance, stage fighting, cross-dressing, disguisings, asides, masks, and elements of pantomime. These short comic dramas are referred to by historians as stage jigs, dramatic jigs, or Elizabethan jigs. The term, jig, at the same time maintained its common definition, which refers to a type of dance or music. In the various primary sources the term appears with a number of different spellings: jigg, jigge, gig, gigg, gigge, gigue, jigue, jeg, jegg, and jygge. History In London's public playhouses there had been a competition or tension between the playwright's script, where the lines were written down and memorized, and the comedian players, who could get laughs with extemporaneous ...
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Henry Playford
Henry Playford (1657 – c. 1707) was an English music publisher, the younger son and only known surviving child of John Playford, with whom he entered business. His father died around 1686, but for some time before that he was in poor health. Henry took on his father's shop near Temple Church 1685–1695, then traded in Temple Change 1695–1704 and finally in Middle Temple Gate in 1706. Many of his publications were of a transient nature and were aimed at favourite songs and instrumental pieces for public entertainments, such as the pleasure garden concerts much in vogue. He revised his father's ''The Dancing Master'' and published Thomas d'Urfey's ''Wit and Mirth'' and Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...'s ''Orpheus Britannicus''. Among his most signi ...
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Vihuela
The vihuela () is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings. A bowed version, the vihuela de arco (arco meaning bow), was conceived in Spain and made in Italy from 1480. One consequence was the phrase vihuela de mano being thereafter applied to the original plucked instrument. The term ''vihuela'' became "viola" in Italian ("viole" in Fr.; "viol" in Eng.), and the bowed vihuela de arco was to serve as a prototype in the hands of the Italian craftsmen for the " da gamba" family of fretted bowed string instruments, as developed starting in 1480. Their vihuela-inherited frets made these easier to play in tune than the rebec family (precursors of the " da braccio" family), and so they became popular for ...
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English Country Dance
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles. As a musical form written in or time, the contredanse was used by Beethoven and Mozart. Introduced to South America by French immigrants, Country Dance had great influence upon Latin American music as contradanza. The ''Anglais'' (from the French word meaning "English") or ''Angloise'' is another term for the English country dance. A Scottish country dance may be termed an . ...
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Under The Greenwood Tree, Sawny Was Tall, Westmorland, Well-Hall (PLAYFORD)
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Oxford Dictionary Of National Biography
The ''Dictionary of National Biography'' (''DNB'') is a standard work of reference on notable figures from British history, published since 1885. The updated ''Oxford Dictionary of National Biography'' (''ODNB'') was published on 23 September 2004 in 60 volumes and online, with 50,113 biographical articles covering 54,922 lives. First series Hoping to emulate national biographical collections published elsewhere in Europe, such as the '' Allgemeine Deutsche Biographie'' (1875), in 1882 the publisher George Smith (1824–1901), of Smith, Elder & Co., planned a universal dictionary that would include biographical entries on individuals from world history. He approached Leslie Stephen, then editor of the ''Cornhill Magazine'', owned by Smith, to become the editor. Stephen persuaded Smith that the work should focus only on subjects from the United Kingdom and its present and former colonies. An early working title was the ''Biographia Britannica'', the name of an earlier eightee ...
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