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The End Of The World (painting)
''The End of the World'', commonly known as ''The Great Day of His Wrath'', is an 1851–1853 oil painting on canvas by the English painter John Martin (painter), John Martin. Leopold Martin, John Martin's son, said that his father found the inspiration for this painting on a night journey through the Black Country. This has led some scholars to hold that the rapid industrialisation of England in the early nineteenth century influenced Martin. Some authors have used the painting as the front cover for their books; examples include ''Mass of the Apocalypse'' and ''Studies in the Book of Revelation''. The painting is one of three works that together form a triptych entitled ''The Last Judgment (Martin painting), The Last Judgement''. Description According to Frances Carey, Deputy Keeper in the Department of Prints and Drawings, British Museum, the painting shows the destruction of Babylon and the material world by natural cataclysm.Frances Carey,'' The Apocalypse and the Shape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Martin (painter)
John Martin (19 July 1789 – 17 February 1854) was an English Romanticism, Romantic painter, engraver and illustrator. He was celebrated for his typically vast and dramatic paintings of religious subjects and fantasy art, fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general publicin 1821 Thomas Lawrence referred to him as "the most popular painter of his day"but were lambasted by John Ruskin and other critics. Early life Martin was born in July 1789, in a one-room cottage, at Haydon Bridge, near Hexham in Northumberland, the fourth son of Fenwick Martin, a one-time fencing master. He was apprenticed by his father to a coachbuilder in Newcastle upon Tyne to learn heraldry, heraldic painting, but owing to a dispute over wages the indentures were cancelled, and he was placed instead under Boniface Musso, an Italian artist, father of the enamel painter Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of The Art Institute Of Chicago
The School of the Art Institute of Chicago (SAIC) is a private art school associated with the Art Institute of Chicago (AIC) in Chicago, Illinois. Tracing its history to an art students' cooperative founded in 1866, which grew into the museum and school, SAIC has been accredited since 1936 by the Higher Learning Commission, by the National Association of Schools of Art and Design since 1944 (charter member), and by the Association of Independent Colleges of Art and Design (AICAD) since the associations founding in 1991. Additionally it is accredited by the National Architectural Accrediting Board. In a 2002 survey conducted by Columbia University's National Arts Journalism Program, SAIC was named the “most influential art school” in the United States. Its downtown Chicago campus consists of seven buildings located in the immediate vicinity of the AIC building. SAIC is in an equal partnership with the AIC and shares many administrative resources such as design, construction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Art
English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom. Medieval English painting, mainly religious, had a strong national tradition and was influential in Europe. The English Reformation, which was antipathetic to art, not only brought this tradition to an abrupt stop but resulted in the destruction of almost all wall-paintings. Only illuminated manuscripts now survive in good numbers. There is in the art of the English Renaissance a strong interest in portraiture, and the portrait miniature was more popular in Englan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Frank
Robert Frank (November 9, 1924 – September 9, 2019) was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled ''The Americans'', earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in ''The Guardian'' in 2014, said ''The Americans'' "changed the nature of photography, what it could say and how it could say it. nbsp;... it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage. Background and early photography career Frank was born in Zürich, Switzerland, the son of Rosa (Zucker) and Hermann Frank. His family was Jewish. Robert states in Gerald Fox's 2004 documentary ''Leaving Home, Coming Home'' that his mother, Rosa (other sources state her name as Regina), had a Swiss passpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Judgement (Martin Paintings)
''The Last Judgement'' is a triptych of oil paintings by the British artist John Martin, created in 1851–1853. The work comprises three separate paintings on a theme of the end of the world, inspired by the Book of Revelation. The paintings, ''The Plains of Heaven'', ''The Last Judgement'', and ''The Great Day of His Wrath'', are generally considered to be among Martin's most important works, and have been described by some art critics as his masterpiece. The paintings were Martin's last major works before his death in 1854. They were exhibited to the public from the time of his death until the 1870s to advertise the sale of prints from engravings of the works, being displayed in galleries and exhibition halls all over the UK, in New York in 1856–57 and in Australia in 1878–79. It has been claimed that up to eight million people viewed the paintings during their extensive tours. Martin's style of didactic expository art was rarely praised by art critics but remained pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Klingender
Francis Donald Klingender (1907 D nald/nowiki> ] ''Dictionary of Art Historians'', 2013. Retrieved 14 August 2013Archived here./ref> – 9 July 1955"Editors' Foreword and Acknowledgments" in ''Animals in Art and Thought to the End of the Middle Ages''. Edited by Evelyn Antal and John Harthan. London: Routledge and Kegan Paul, 1971, pp. xxiii-xxiv. ) was a Marxist art historian and exponent of Kunstsoziologie whose uncompromising views meant that he never quite fitted into the British art history establishment. Klingender was born in Goslar, Germany, to British parents. At the start of the first World War, his father, Louis Henry Weston Klingender (1861-1950), was interned near Berlin on suspicion of spying for the British. The family moved back to England in the 1920s and Klingender supported them while attending night classes at the London School of Economics. He subsequently embarked on an academic career in sociology, becoming a lecturer in that subject at the University o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Destruction Of Sodom And Gomorrah
''The Destruction of Sodom and Gomorrah'' is a painting by the English painter John Martin from 1852. John Martin's painting, shows the biblical story of the destruction of the two cities of Sodom and Gomorrah, which was God's punishment for the two cities for people's immoral behavior. Only Lot and his daughters were saved. Lot's wife disobeyed God's instruction not to look back, and was turned into a pillar of salt. The fiery red color is characteristic of John Martin's dramatic scenes of destruction. The swirling storm in heaven was also a frequent feature of his paintings. Description It is 136.3 x 212.3 cm. in size. It is in the collection of the Laing Art Gallery in Newcastle upon Tyne. Apocalyptic theme Several other of Martin's paintings contain apocalyptic tendencies, including the ''Fall of Babylon'' (1831), ''The Fall of Nineveh'', ''Divine vengeance'', ''Pandemonium'' (1841) and ''The Eve of the Deluge'' (1840). File:The fall of Babylon; Cyrus the Great def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Testament
The New Testament grc, Ἡ Καινὴ Διαθήκη, transl. ; la, Novum Testamentum. (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus, as well as events in first-century Christianity. The New Testament's background, the first division of the Christian Bible, is called the Old Testament, which is based primarily upon the Hebrew Bible; together they are regarded as sacred scripture by Christians. The New Testament is a collection of Christian texts originally written in the Koine Greek language, at different times by various authors. While the Old Testament canon varies somewhat between different Christian denominations, the 27-book canon of the New Testament has been almost universally recognized within Christianity since at least Late Antiquity. Thus, in almost all Christian traditions today, the New Testament consists of 27 books: * 4 canonical gospels (Matthew, Mark, Luke, and John) * The Acts of the Apostl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Revelation
The Book of Revelation is the final book of the New Testament (and consequently the final book of the Christian Bible). Its title is derived from the first word of the Koine Greek text: , meaning "unveiling" or "revelation". The Book of Revelation is the only apocalyptic book in the New Testament canon. It occupies a central place in Christian eschatology. The author names himself as simply "John" in the text, but his precise identity remains a point of academic debate. Second-century Christian writers such as Papias of Hierapolis, Justin Martyr, Irenaeus, Melito of Sardis, Clement of Alexandria, and the author of the Muratorian fragment identify John the Apostle as the "John" of Revelation. Modern scholarship generally takes a different view, with many considering that nothing can be known about the author except that he was a Christian prophet. Modern theological scholars characterize the Book of Revelation's author as "John of Patmos". The bulk of traditional sources ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tate Gallery
Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK Department for Digital, Culture, Media and Sport. The name "Tate" is used also as the operating name for the corporate body, which was established by the Museums and Galleries Act 1992 as "The Board of Trustees of the Tate Gallery". The gallery was founded in 1897 as the National Gallery of British Art. When its role was changed to include the national collection of modern art as well as the national collection of British art, in 1932, it was renamed the Tate Gallery after sugar magnate Henry Tate of Tate & Lyle, who had laid the foundations for the collection. The Tate Gallery was housed in the current building occupied by Tate Britain, which is situated in Millbank, London. In 2000, the Tate Gallery transformed itself into the curre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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