The Electric Indian
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The Electric Indian
The Electric Indian was a studio group assembled and produced by the Dovells lead singer Len Barry which included Daryl Hall of Hall & Oates fame. Barry had an interest in Native American history, possibly inspired by watching ''The Lone Ranger'' TV series as a child. Their best-known song was "Keem-O-Sabe" which charted in 1969. "Keem-O-Sabe" was titled after the word (defined as faithful friend or trusty scout) that The Lone Ranger and his friend Tonto used to refer to each other. The song was released first on the small Marmaduke Inc. label where it gained regional airplay around Philadelphia. It was soon picked up for national release on the United Artists label in 1969 and reached the U.S. Top 20 in the ''Billboard'' Hot 100. It also made No. 6 on Billboard's Easy Listening survey, and crossed to the R&B chart. In Canada, the song reached No. 19 on the RPM Magazine top singles charts. "Keem-O-Sabe" was credited to Barry's mother, Bernice Borisoff, and Swan Records owner Bern ...
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Recording Studio
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound echoes that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or dialogue replacement in film, television, or animation, foley, or to record their accompanying musical soundtracks. The typical ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Sigma Sound
Sigma Sound Studios was a recording studio in Philadelphia, Pennsylvania, U.S.. It was founded in 1968 by recording engineer Joseph Tarsia. Located at 212 North 12th Street in Philadelphia, it was one of the first studios in the United States to offer 24-track recording capacity and the first anywhere to successfully employ console automation. Tarsia, formerly chief engineer at Philadelphia's Cameo-Parkway Studios, also opened Sigma Sound Studios of New York City in 1977, at the Ed Sullivan Theater building. History Recording From the beginning, Sigma Sound was strongly associated with Philadelphia soul and, in the 1970s, the sound of Gamble and Huff's Philadelphia International Records (its driving rhythm a precursor to disco music), as well as the classic, sophisticated productions of Thom Bell. Both featured large productions with strings and horns creating what became known as "The Sound of Philadelphia," or "T.S.O.P.", a term which became trademarked and was the title ...
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Joseph Tarsia
Joseph Dominick Tarsia (September 23, 1934 – November 1, 2022) was an American recording studio owner and engineer from Philadelphia who was credited on many classic pop music tracks, earning him over 150 gold and platinum record awards. He was the founder and owner of the Sigma Sound Studios, which was the recording base of Gamble and Huff's Philadelphia International Records. Tarsia's recordings between the 1960s and 1980s were noteworthy for their clarity and aural definition, achieved years before the digital era. Biography Tarsia took technical courses in high school before taking a position with the research department of Philco Corporation, which lasted for a decade. Later, he became a service technician for various Philadelphia recording studios. He traveled to New York City to mix with top audio engineers. Around 1961, he took an audio engineering position with Cameo Parkway Records. Cameo Parkway's artists included Chubby Checker, Bobby Rydell, The Orlons, The Tymes, D ...
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Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of Sound recording and reproduction, recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of music download, downloads, and the amount of streaming media, streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programmes is to run down a music chart. Chart hit A ''chart hit'' is a recording, identified by its inclu ...
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Land Of A Thousand Dances
"Land of a Thousand Dances" (or "Land of 1000 Dances") is a song written and first recorded by American rhythm and blues singer Chris Kenner in 1962. It later became a bigger hit in versions by Cannibal & the Headhunters and Wilson Pickett. A version by Thee Midniters reached #27 in Canada on March 22, 1965. The song references a number of dance styles/moves including the Twist, the Alligator, the Mashed Potato, the Watusi and the Pony. Background The original Chris Kenner recording, which peaked at No. 77 on the ''Billboard'' chart in 1963, mentions 16 dances: the Pony, the Chicken, the Mashed Potato, the Alligator, the Watusi, the Twist, the Fly, the Jerk, the Tango, the Yo-Yo, the Sweet Pea, the Hand Jive, the Slop, the Bop, the Fish, and the Popeye. Kenner's original recording included a brief, gospel-influenced, a capella introduction with the words: "Children, go where I send you / (Where will you send me?) / I'm gon' send you to that land / the land of a thousand dance ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ...
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William Tell Overture
The ''William Tell'' Overture is the overture to the opera ''William Tell'' (original French title ''Guillaume Tell''), whose music was composed by Gioachino Rossini. ''William Tell'' premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music). The overture is in four parts, each following without pause. There has been repeated use (and sometimes parody) of parts of this overture in both classical music and popular media. It was the theme music for ''The Lone Ranger'' in radio, television and film, and has become widely associated with horseback riding since then. Two different parts were also used as theme music for the British television series ''The Adventures of William Tell'', the fourth part (popularly identified in the US with ''The Lone Ranger'') in the UK, and the third part, rearranged as a stirring march, in the US. Franz Liszt prepared a piano transcripti ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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