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The Dream Team (Jimmy McGriff Album)
''The Dream Team'' is an album by organist Jimmy McGriff recorded in 1996 and released on the Milestone label the following year.Jazzlists:Milestone Records 9000 Series accessed October 23, 2018 Reception 's Richard S. Ginell said: "Everybody swings, everybody listens intuitively to each other and feels the down-home churchy grooves, and they recorded it all in one day at Rudy Van Gelder's studio. This has the ingredients for ranking as an instant classic in this idiom". On All About Jazz, Douglas Payne noted "It's nice to he ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McGriff
James Harrell McGriff (April 3, 1936 – May 24, 2008) was an American hard bop and soul-jazz organist and organ trio bandleader. Biography Early years and influences Born in Germantown, Philadelphia, Pennsylvania, Germantown, Pennsylvania, United States, McGriff started playing piano at the age of five and by his teens had also learned to play Vibraphone, vibes, alto sax, drums and upright bass. He played bass in his first group, a piano trio. When he joined the United States Army, McGriff served as a military policeman during the Korean War. He later became a police officer in Philadelphia for two years. Music kept drawing McGriff's attention away from the police force. His childhood friend, organist Jimmy Smith (musician), Jimmy Smith, had begun earning a substantial reputation in jazz for his Blue Note Records, Blue Note albums (the two played together once in 1967) and McGriff became entranced by the organ sound while Richard "Groove" Holmes played at his sister's wedding. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and baske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Purdie
Bernard Lee "Pretty" Purdie (born June 11, 1939) is an American drummer, and an influential R&B, soul and funk musician. He is known for his precise musical time keeping and his signature use of triplets against a half-time backbeat: the "Purdie Shuffle." He was inducted into the ''Modern Drummer'' Hall of Fame in 2013. Purdie recorded ''Soul Drums'' (1968) as a band leader and although he went on to record ''Alexander's Ragtime Band'', the album remained unreleased until ''Soul Drums'' was reissued on CD in 2009 with the ''Alexander's Ragtime Band'' sessions. Other solo albums include ''Purdie Good!'' (1971), '' Soul Is... Pretty Purdie'' (1972) and the soundtrack for the blaxploitation film ''Lialeh'' (1973). In the mid-1990s he was a member of The 3B's, with Bross Townsend and Bob Cunningham. Biography Purdie was born on June 11, 1939 in Elkton, Maryland, US, the eleventh of fifteen children. At an early age he began hitting cans with sticks and learned the elements of dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Brown (guitarist)
Mel Brown (October 7, 1939March 20, 2009) was an American-born blues guitarist and singer. He is best remembered for his decade long backing of Bobby Bland, although in his own right, Brown recorded over a dozen albums between 1967 and 2006. Career Brown was born in Jackson, Mississippi, United States, and was presented with his first guitar as a teenager while recovering from a bout of meningitis. By 1955, after performing backing duties for both Sonny Boy Williamson II and Jimmy Beasley, Brown had a two year long stint backing Johnny Otis. This led to work with Etta James, where he swapped his Gibson Les Paul for an ES-175 to give him a richer and fuller tone to his guitar work, that set him apart from his contemporaries. The stress of constant touring led him to Los Angeles, California, to resume work with Otis, spending an extended residency at the Club Sands. Further session duties saw Brown back Bobby Darin and Bill Cosby among others, as well as performing on T-Bone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Holloway
James Wesley "Red" Holloway (May 31, 1927 – February 25, 2012) was an American jazz saxophonist. Biography Born in Helena, Arkansas,Daniel E. Slotnik"Red Holloway, Swinger of the Sax, Dies at 84" ''The New York Times'', February 28, 2012. Holloway started playing banjo and harmonica, switching to tenor saxophone when he was 12 years old. He graduated from DuSable High School in Chicago, where he had played in the school big band with Johnny Griffin and Eugene Wright, and went on to attend the city's Conservatory of Music. He joined the Army when he was 19 and became bandmaster for the U.S. Fifth Army Band, and after completing his military service returned to Chicago and played with Yusef Lateef and Dexter Gordon, among others. In 1948, he joined blues vocalist Roosevelt Sykes, and later played with other rhythm & blues musicians such as Willie Dixon, Junior Parker, and Lloyd Price. In the 1950s, he played in the Chicago area with Billie Holiday, Muddy Waters, Chuck Berry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David "Fathead" Newman
David "Fathead" Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles. The AllMusic Guide to Jazz wrote that "there have not been many saxophonists and flutists more naturally soulful than David 'Fathead' Newman." Newman was a leading exponent of the "Texas Tenor" saxophone style, a big-toned, bluesy approach popularized by jazz tenor players from that state. Early life Newman was born in Corsicana, Texas, United States, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname "Fathead" in school when "an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercer Ellington
Mercer Kennedy Ellington (March 11, 1919 – February 8, 1996) was an American musician, composer, and arranger. His father was Duke Ellington, whose band Mercer led for 20 years after his father's death. Biography Early life and education Ellington was born in Washington, D.C., United States. He was the only child of the composer, pianist, and bandleader Duke Ellington and his high school sweetheart Edna Thompson (d. 1967). Ellington grew up primarily in Harlem from the age of eight. By the age of eighteen, Ellington had written his first piece to be recorded by his father ("Pigeons and Peppers"). Ellington attended New College for the Education of Teachers at Columbia University, New York University and the Juilliard School. Career In 1939, 1959, and 1946 through 1949, Ellington led his own bands, many of whose members later performed with his father, or achieved a successful career in their own right (including Dizzy Gillespie, Kenny Dorham, Idrees Sulieman, Chico Hamilto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Things Ain't What They Used To Be
"Things Ain't What They Used to Be" is a 1942 jazz standard with music by Mercer Ellington and lyrics by Ted Persons. Background In 1941 there was a strike against the American Society of Composers, Authors and Publishers, of which Duke Ellington was a member. Because of the strike he could not air his songs on the radio. Instead, he used songs written by his son Mercer and pianist Billy Strayhorn. Strayhorn's compositions of this time include "Take the 'A' Train", "Chelsea Bridge" and "Day Dream". Mercer wrote "Things Ain't What They Used to Be", "Blue Serge" and "Moon Mist"."Things Ain't What They Used to Be" at ''jazzstandards.com'' - retrieved on 27 May 2009 Jazz musician and historian Chris Tyle argues that most likely Mercer Ellington came up with the melody and his fathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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