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The Double Distress
''The Double Distress: A Tragedy'' is a 1701 play by the English writer Mary Pix. Despite its title, it is a comedy. Plot The play takes place amidst conflict between the Persians and the Medes. Leamira is the daughter of the Persian king, Darius. Her father commands her to marry Tygranes (Prince of the Medes), but she loves the Persian general Cleomedon. At the end of the play, it is revealed that Cleomedon is actually the son of Astiages, King of the Medes. Leamira and Cleomedon are therefore free to marry. Original cast The original Lincoln's Inn Fields cast included John Bowman as Darius, Barton Booth as Cleomeden, John Verbruggen as Cyraxes, Benjamin Husband as Tyranges, Elizabeth Barry Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious ... as Leamires and Anne Bracegirdle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Pix
Mary Pix (1666 – 17 May 1709) was an English novelist and playwright. As an admirer of Aphra Behn and colleague of Susanna Centlivre, Pix has been called "a link between women writers of the Restoration and Augustan periods". Early years Mary Griffith Pix was born in 1666, the daughter of a rector, musician and Headmaster of the Royal Latin School, Buckingham, Buckinghamshire; her father, Roger Griffith, died when she was very young, but Mary and her mother continued to live in the schoolhouse after his death. She was courted by her father's successor Thomas Dalby, but he left with the outbreak of smallpox in town, just one year after the mysterious fire that burned the schoolhouse. Rumour had it that Mary and Dalby had been making love rather energetically and overturned a candle which set fire to the bedroom. In 1684, at the age of 18, Mary Griffith married George Pix (a merchant tailor from Hawkhurst, Kent). The couple moved to his country estate in Kent. Her first son, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medes
The Medes (Old Persian: ; Akkadian: , ; Ancient Greek: ; Latin: ) were an ancient Iranian people who spoke the Median language and who inhabited an area known as Media between western and northern Iran. Around the 11th century BC, they occupied the mountainous region of northwestern Iran and the northeastern and eastern region of Mesopotamia located in the region of Hamadan (Ecbatana). Their consolidation in Iran is believed to have occurred during the 8th century BC. In the 7th century BC, all of western Iran and some other territories were under Median rule, but their precise geographic extent remains unknown. Although they are generally recognized as having an important place in the history of the ancient Near East, the Medes have left no written source to reconstruct their history, which is known only from foreign sources such as the Assyrians, Babylonians, Armenians and Greeks, as well as a few Iranian archaeological sites, which are believed to have been occupied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields (theatre)
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bowman (actor)
John Bowman (1651–1739) was a British stage actor.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXVIII He began his career in the Duke's Company at the Dorset Garden Theatre. In 1692 he married Elizabeth Watson, who acted under the name Elizabeth Bowman. He later switched to act at the Drury Lane Theatre. He is also referred to as John Boman. Selected roles * Peter Santloe in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Saunter in '' Friendship in Fashion'' by Thomas Otway (1678) * Patroclus in '' The Destruction of Troy'' by John Banks (1678) * Pisander in '' The Loyal General'' by Nahum Tate (1679) * Crotchett '' The Virtuous Wife'' by Thomas D'Urfey (1679) * Patroclus in ''Troilus and Cressida'' by John Dryden (1679) * Mr Shatter in '' The Revenge'' by Aphra Behn (1680) * Duke of Clarence in ''The Misery of Civil War'' by John Crowne (1680) * Atticus in ''Theodosius'' by Nathaniel Lee (1680) * Dreswell in ''The City Heiress'' by Aphra Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barton Booth
Barton Booth (168210 May 1733) was one of the most famous dramatic actors of the first part of the 18th century. Early life Booth was the son of The Hon and Very Revd Dr Robert Booth (priest), Robert Booth, Dean of Bristol, by his first wife and distant cousin Ann Booth, daughter of Sir Robert Booth (judge), Robert Booth, Lord Chief Justice of Ireland, and was educated at Westminster School, where his success in the Roman comedy ''Andria (comedy), Andria'' gave him a gave him an inclination for the stage. He was intended for the church, and to attend Trinity College, Cambridge; but in 1698 he ran away and obtained employment in a theatrical company in Dublin, where he made his first appearance as the title character in Aphra Behn's ''Oroonoko''. London success After two seasons in Ireland he returned to London, where Thomas Betterton, who had previously failed to help him, probably out of regard for Booth's family, now gave him all the assistance in his power. At the Lincoln's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Verbruggen
John Baptista Verbruggen, d. 1708, was an English actor working in London. Verbruggen is first mentioned as a member of the United Company in a Lord Chamberlain's warrant in 1688. His name does not appear in any cast lists until October 1690. The ''Biographical Dictionary of Actors'' contains an inconclusive discussion of the statement in Thomas Davies's ''Dramatic Miscellanies'' (1784) that Verbruggen was identical to the actor referred to in 1680s and 90s cast lists as "Mr. Alexander", supposedly an alias based on the part of Alexander the Great in John Dryden's '' Rival Queens''. The evidence is confusing, and there is no independent support for Davies's anecdote, written down a century later. Verbruggen had never played the part of Alexander the Great and was not to do so until January 1703. One reason for Verbruggen to use a different name might have been that his own was often misspelled: Verbrugen, Verbrogell, Verkruggan, Verbrugger. As "John Verbuggin", he is recorded as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Husband
Benjamin Husband was a British stage actor of the eighteenth century. His surname is sometimes written as Husbands. Reportedly born in Pembrokeshire in 1672, he was a member of the Lincolns Inn Fields and Drury Lane companies during the 1700s. He was later in Dublin as part of the Smock Alley Theatre organisation. When he had a benefit there in 1746, he was described as the oldest living actor.Highfill, Burnim & Langhans p.63 Selected roles * Tyranges in ''The Double Distress'' by Mary Pix (1701) * Zama in ''Tamerlane'' by Nicholas Rowe (1702) * Alphonso in ''All for the Better'' by Francis Manning (1702) * Richemore in ''The Twin Rivals'' by George Farquhar (1702) * Lorenzo in '' The Patriot'' by Charles Gildon (1702) * Don Philip in ''She Would and She Would Not'' by Colley Cibber (1702) * Albovade in ''The Faithful Bride of Granada'' by William Taverner (1704) * Viceroy in ''The Revolution of Sweden'' by Catharine Cockburn (1706) * Bellmour in ''Adventures in Madrid'' by Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Bracegirdle
Anne Bracegirdle (possibly 167112 September 1748) was an English actress. Biography Bracegirdle was born to Justinian and Martha (born Furniss) Bracegirdle in Northamptonshire. She was baptised in Northampton on 15 November 1671, although her tombstone says that she died at the age of 85 (suggesting that she was born around 1663)."Anne was baptized, probably as an infant, at St Giles, Northampton, on 15 November 1671 and was about seventy-seven when she died in 1748, rather than eighty-five, as recorded on her tombstone in Westminster Abbey." J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> She was probably raised by actors Thomas and Mary Betterton from an early age,J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> and it is speculated tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1701 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By Mary Pix
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * Play (2005 film), ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan (filmmaker), David Kaplan * Play (2011 film), ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * Rush (2012 film), ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * The Play (film), ''The Play'' (film), a 2013 Bengali film Literature and pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
