The Dock Of The Bay (album)
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The Dock Of The Bay (album)
''The Dock of the Bay'' is the first of a number of posthumously released Otis Redding albums, and his seventh studio album. It contains a number of singles and B-sides dating back to 1965, as well as one of his best known songs, the posthumous hit "(Sittin' On) The Dock of the Bay". Recording of the album finished just two days before Redding's death in a plane crash on December 10, 1967. In 2003, the album was ranked number 161 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. Track listing Personnel *Otis Redding – vocals *Booker T. Jones – keyboards, piano *Isaac Hayes – keyboards, piano *Steve Cropper – guitar *Donald Dunn – bass guitar *Al Jackson Jr. – drums * Wayne Jackson – trumpet *Joe Arnold – tenor saxophone *Carla Thomas Carla Venita Thomas (born December 21, 1942) is an American singer, who is often referred to as the Queen of Memphis Soul. Thomas is best known for her 19 ...
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Otis Redding
Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the " King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. Redding was born in Dawson, Georgia, and at age two, moved to Macon. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first hit single, " These Arms of Mine", in 1962. Stax released Redding's debut album, '' Pain ...
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Billy Hill (songwriter)
Billy Hill (July 14, 1899 – December 24, 1940) was an American songwriter, violinist, and pianist who found fame writing Western songs such as "They Cut Down the Old Pine Tree", "The Last Round-Up", "Wagon Wheels", and " Empty Saddles". Hill's most popular song was " The Glory of Love", recorded by Benny Goodman in 1936, and subsequently by Peggy Lee, Otis Redding, Paul McCartney, and others. Early years William Joseph Hill was born on July 14, 1899 in the Jamaica Plain neighborhood of Boston, Massachusetts. He studied the violin at the New England Conservatory of Music under Karl Muck, and played with the Boston Symphony Orchestra. Hill left home at the age of seventeen and headed west, where he worked as a cowboy in Montana, and as a surveyor and prospector in Death Valley, California. He returned to music and played violin and piano in dance halls until forming his own jazz band in Salt Lake City, Utah. Songwriting career In 1930, Hill moved to New York City seeking suc ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Donald "Duck" Dunn
Donald "Duck" Dunn (November 24, 1941 – May 13, 2012) was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell (singer), William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. He is ranked number 40 on ''Bass Player'' magazine's list of "The 100 Greatest Bass Players of All Time". Early life Dunn was born in Memphis, Tennessee. His father nicknamed him "Donald Duck, Duck" while watching Walt Disney Pictures, Disney cartoons with him one day. Dunn grew up playing sports and riding his bike with another future professional musician, Steve Cropper. Career 1960s: First ban ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Isaac Hayes
Isaac Lee Hayes Jr. (August 20, 1942 – August 10, 2008) was an American singer, actor, songwriter, and composer. He was one of the creative forces behind the Southern soul music label Stax Records, where he served both as an in-house songwriter and as a session musician and record producer, teaming with his partner David Porter during the mid-1960s. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame. " Soul Man", written by Hayes and Porter and first performed by Sam & Dave, was recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame. It was also honored by The Rock and Roll Hall of Fame, by ''Rolling Stone'' magazine, and by the Recording Industry Association of America (RIAA) as one of the Songs of the Century. During the late 1960s, Hayes also be ...
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Ole Man Trouble
"Ole Man Trouble" is a song written by Otis Redding and the first track from his 1965 album Otis Blue: Otis Redding Sings Soul. It was released as the B-side to his hit single " Respect", the second track from ''Otis Blue''. The song is a sign of Redding's emerging mature and reflective side that was to culminate in his posthumous single " (Sittin' On) The Dock of the Bay". "Ole Man Trouble" was also released on Redding's posthumous album '' The Dock of the Bay''. As the "Dock of the Bay" represents a search for a place to settle down and find peace or a home, an old man is used as a personification for the trouble that can find a person after they have already endured it for some part of their life. Crafted as a blues song with a classic soul melody set to country overtones, "Ole Man Trouble" helped Redding capture the growing white blues/soul market. The song was covered by a group called Hills Barbata Ethridge on their album L.A. Getaway in 1971, and by the Jon Spencer Blue ...
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Jimmy Cox
James Cox (July 28, 1882 – March 3, 1925) was an American vaudeville performer, and songwriter famous for his Roaring Twenties hit, "Nobody Knows You When You're Down and Out", written in 1923. Jimmy Cox's daughter, Gertrude "Baby" Cox, sang with Duke Ellington Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based ...'s orchestra in 1928. References External links * 1882 births 1925 deaths Songwriters from Virginia Musicians from Richmond, Virginia {{US-songwriter-stub ...
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Nobody Knows You When You're Down And Out
"Nobody Knows You When You're Down and Out" is a blues standard written by pianist Jimmie Cox in 1923 and originally performed in a Vaudeville-blues style. The lyrics in the popular 1929 recording by Bessie Smith are told from the point of view of somebody who was once wealthy during the Prohibition era and reflect on the fleeting nature of material wealth and the friendships that come and go with it. Since her 1929 recording, the song has been interpreted by numerous musicians in a variety of styles. Lyrics and composition When the song was composed in 1923, the "Roaring Twenties" were coming into full swing. Cox's publisher Clarence Williams Music filed a copyright registration on December 17, 1923 listing the title as "Nobody knows you when you are down and out" (no contraction). After the post-World War I recession, a new era of prosperity was experienced in the U.S. and elsewhere. However, in the face of all the optimism, the known lyrics form a cautionary tale about the f ...
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Andy Gibson
Albert "Andy" Gibson (November 6, 1913 – February 11, 1961) was an American jazz trumpeter, arranger, and composer. Career Gibson played violin early on before settling on trumpet. Although he played professionally in many orchestras, he did not solo and worked more often as an arranger. His associations include Lew Redman (1931), Zack Whyte (1932–33), McKinney's Cotton Pickers (1934–35), Blanche Calloway, Willie Bryant, and Lucky Millinder. He quit playing in 1937 to arrange and compose full-time, working with Duke Ellington, Count Basie, Cab Calloway, Charlie Barnet, and Harry James. He led a big band while serving in the United States Army from 1942-45. After his discharge, he continued working with Barnet but focused primarily on R&B music. He was musical director for King Records from 1955–60 and recorded four songs as a leader in 1959 which were released by RCA Camden. He composed "I Left My Baby" (popularized by Count Basie), "The Great Lie", and "The Huckleb ...
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Roy Alfred
Roy Alfred (May 14, 1916 – 2008) was an American Tin Pan Alley lyricist whose successful songs included "The Hucklebuck", " Rock and Roll Waltz", " Who Can Explain?", and "Let's Lock the Door (And Throw Away the Key)". His first major success as a lyricist was "The Best Man", written with Fred Wise, and a hit for Nat "King" Cole in 1946. In 1949, Alfred wrote the words for "The Hucklebuck", a tune originally written as an instrumental credited to Andy Gibson, which was first recorded by Paul Williams and his Hucklebuckers. The vocal version became a hit for Roy Milton, the Tommy Dorsey Orchestra, and Frank Sinatra in 1949, and was later also successful for Chubby Checker (1960) and in Britain for Coast to Coast (1981). Songs written by Roy Alfred, ''MusicVF.com''
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The Huckle-Buck
"The Hucklebuck" (sometimes written "The Huckle-Buck") is a jazz and R&B dance tune first popularized by Paul Williams and His Hucklebuckers in 1949. The composition of the tune was credited to Andy Gibson, and lyrics were later added by Roy Alfred. The song became a crossover hit and a dance craze, in many ways foreshadowing the popular success of rock and roll a few years later. It was successfully recorded by many other musicians including Lucky Millinder, Roy Milton, Tommy Dorsey, Frank Sinatra, Lionel Hampton, Louis Armstrong, Chubby Checker, Bo Diddley, Otis Redding, Quincy Jones, Canned Heat, Coast to Coast, Brendan Bowyer and Crystal Swing. Original recordings The tune, structured around a twelve-bar blues progression, was originally recorded by Paul Williams and his band, credited as His Hucklebuckers, in New York City, on December 15, 1948, with producer Teddy Reig. The composition was credited to Andy Gibson, and the recording was released by Savoy Records. The ...
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