The Disputation On The Trinity
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The Disputation On The Trinity
''The Disputation on the Trinity'' is an oil-on-canvas painting by the Italian Renaissance artist Andrea del Sarto, created ''c.'' 1517, now in the Galleria Palatina in Florence. At the top of the painting is a vision of the Holy Trinity. Seated in the foreground are Saint Sebastian and Mary Magdalene, the latter modelled on the artist's wife Lucrezia del Fede. Behind them stand four male saints, from left to right Augustine of Hippo (with his bishop's staff), Saint Lawrence (with the gridiron of his martyrdom), Peter Martyr (holding a book, wearing a Dominican habit and with a sword in his head) and Francis of Assisi (in his order's habit and bearing the stigmata). History Some art historians argue the work was commissioned by the Peri family due to its inclusion of saints linked to that family. It was the third painting Sarto produced for the Augustinian Church of San Gallo in Florence – the others were the ''San Gallo Annunciation'' and a '' Noli me tangere''. All th ...
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Andrea Del Sarto - Disputation On The Trinity - WGA0397
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia (Elias), Enea (Aeneas), Luca (Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it is consid ...
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San Gallo Annunciation
The San Gallo Annunciation is an oil on panel painting by Andrea del Sarto, executed ''c.'' 1513–1514, now in the Palatine Gallery in Florence. It was the middle of three works the artist produced for the Augustinian monastery the Church of San Gallo in Florence, between '' Noli me tangere'' and ''The Disputation on the Trinity'', as recorded in the Anonimo Magliabechiano manuscript and in Vasari's ''Lives of the Artists''. When Florence was besieged, that monastery's goods were moved to San Jacopo tra i Fossi within the city walls and its buildings razed in 1531 by Charles V's troops. The monastery rebuilt all its chapels at its new site in their former form. About a third of the painting was submerged in the 1557 flood, probably leading to the loss of the predella, though in 1986 (Serena?) Padovani theorised that that predella wholly or partly survived and is now divided up between the National Gallery of Ireland and Warwick Castle. Stylistically its monumental figures show ...
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Paintings Of Peter Of Verona
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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