The Devil Of A Wife
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The Devil Of A Wife
''The Devil of a Wife, or A Comical Transformation'' is a 1686 comedy play by the English writer and actor Thomas Jevon. It was first performed by the United Company at the Dorset Garden Theatre in London. The original Dorset Garden cast included Philip Griffin as Sir Richard Lovemore, John Bowman as Rowland, Carey Perin as Longmore, Richard Saunders as Butler, Thomas Percival as Cook, Henry Norris as The Ladies Father, George Powell as Noddy, Thomas Jevon as Jobson, John Freeman as Doctor, Sarah Cooke as Lady Lovemore, Emily Price as Jane, Susanna Percival as Nell.Van Lennep, p. 347-48. In 1724 the play was revived at the Lincoln's Inn Fields Theatre with a cast featuring John Ogden, William Bullock and Jane Egleton. In 1731 it was adapted into a ballad opera '' The Devil to Pay'', following the fashion for musical plays by ''The Beggar's Opera ''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christ ...
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Thomas Jevon
Thomas Jevon (1652–1688) was an English playwright, and one of the first English Harlequins. He began his career as a dancing master, but worked his way onto the stage, and played leading low-comedy parts in London between 1673 and 1688. His brother-in-law was the English playwright and poet laureate Thomas Shadwell. Jevon's only published play, the farce '' The Devil of a Wife, or, a Comical Transformation'' (with a plot borrowed from a Philip Sidney story, and possibly some assistance from Shadwell), was performed in 1686 at Dorset Garden, where Jevon usually acted. Jevon and George Powell played the two leading roles, and the piece achieved great success. Various versions with added music appeared later, and Charles Coffey Charles Coffey (late 17th century – 13 May 1745) was an Irish playwright, opera librettist and arranger of music from Westmeath. Following the initial failure of his ballad opera '' The Beggar’s Wedding'' (Dublin, Smock Alley Theatre, 24 Ma ... us ...
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Sarah Cooke
Sarah Cooke (died 1688) was an English stage actress of the seventeenth century. She was a member of the King's Company, based at the Theatre Royal, Drury Lane. She played a number of lead roles during the 1680s. Her aunt was the governess to the maids of honour of the Duchess of York in the 1660s. After some time working in this role alongside her aunt she was discovered by the Earl of Rochester, who promoted her theatrical career. In hear early years with the King's Company she mostly appeared on tour or with the nursery company, devoted to developing new talent. It was likely during this time she was under the management of John Coysh. In 1677 she played her first known role at Drury Lane in '' The Country Innocence'' and acted for the King's Company united 1682 when the merged United Company was formed and she was frequently employed by it until her death six years later.Highfill, Burnim & Langhans p.473-75 As with many actors of the era, the full number of her roles is unkno ...
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1686 Plays
Events January–March * January 3 – In Madras (now Chennai) in India, local residents employed by the East India Company threaten to boycott their jobs after corporate administrator William Gyfford imposes a house tax on residences within the city walls. Gyfford places security forces at all entrances to the city and threatens to banish anyone who fails to pay their taxes, as well as to confiscate the goods of merchants who refuse to make sales. A compromise is reached the next day on the amount of the taxes. * January 17 – King Louis XIV of France reports the success of the Edict of Fontainebleau, issued on October 22 against the Protestant Huguenots, and reports that after less than three months, the vast majority of the Huguenot population had left the country. * January 29 – In Guatemala, Spanish Army Captain Melchor Rodríguez Mazariegos leads a campaign to conquer the indigenous Maya people in the rain forests of Lacandona, departing fr ...
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The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lisle's Tennis Court, Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's ''Pomone (opera), Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera ...
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The Devil To Pay (opera)
''The Devil to Pay'' is a 1731 ballad opera by the Irish writer Charles Coffey and British writer John Mottley. Also known by the longer title ''The Devil to Pay: Or, The Wives Metamorphos'd'', it was part of a group of ballad operas produced in the wake of the success of John Gay's ''The Beggar's Opera''. The work is inspired by Thomas Jevon's 1686 play ''The Devil of a Wife''. The original Theatre Royal, Drury Lane, Drury Lane cast included Theophilus Cibber as Gaffer Dunfork, John Harper (actor), John Harper as Hobson, Richard Charke as Ananias, James Oates as Doctor, Edward Berry (actor), Edward Berry as Butler, Thomas Wright as Footman, Theodosia Mills as Lady Loverule and Kitty Clive as Nell. The published version in 1732 was dedicated to the Lionel Sackville, 1st Duke of Dorset, Duke of Dorset, the Lord Lieutenant of Ireland. References Bibliography

* Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinso ...
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Ballad Opera
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its distinguishing characteristic is the use of tunes in a popular style (either pre-existing or newly composed) with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported ''opera seria''. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song." Earliest ballad operas Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene."M. Lubbock, ''The Complete Book of Light Opera'' (New York: Appleton-Century-Crofts, 1962), pp. 467–68 It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberately ...
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Jane Egleton
Jane Egleton (died 1734) was a British stage actress of the eighteenth century associated with John Rich's company at the Lincoln's Inn Fields Theatre. He origins are not entirely clear, but she acted under the name Jane Giffard or Mrs Giffard until 1721 when she married John Egleton. She may either have been previously married to one of the members of the Giffard acting clan or been born into the family herself.Highfill, Burnim & Langhans p.199 In 1728 she was the original Lucy Lockit in John Gay's ''The Beggar's Opera''. She continued to act with Rich's company at Lincoln's Inn until 1732 and then remained for the first year after the switch to the new Covent Garden Theatre before retiring. Selected roles * Bettrice in ''The Lady's Triumph'' (1718) * Le Jupe in ''The Coquet'' (1718) * Lucy in '''Tis Well if it Takes'' (1719) * Lady Raleigh in '' Sir Walter Raleigh'' (1720) * Iris in '' Love and Duty'' (1722) * Mother Stubble in '' Hanging and Marriage'' (1722) * Salome in ' ...
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William Bullock (actor)
William Bullock (''c.'' 1657 – ''c.'' 1740) was an English actor, "of great glee and much comic vivacity." He played at all the London theatres of his time, and in the summer at a booth at Bartholomew Fair. Life Bullock's name is mentioned in Downes's "Roscius Anglicanus." He first appears in the cast of Colley Cibber's "Love's Last Shift," produced by the associated companies of Drury Lane and Dorset Garden, 1696. In Cibber's piece he played Sly. He had joined the companies the previous year. Among his original characters were Sir Tunbelly Clumsy in the "Relapse," 1697, and Soto in ''She Would and She Would Not'' 1702. He also played with success many parts in the plays of John Dryden, William Wycherley, Thomas Shadwell. Until 1706, he was at Drury Lane. He then went to the Haymarket, returning to Drury Lane in 1708. After another brief migration to the Haymarket, followed by a new return to Drury Lane, he quitted definitely the latter theatre, 1715–16, for Lincoln's Inn Field ...
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John Ogden (actor)
John Ogden (died 1732) was a British stage actor of the eighteenth century. He spent his entire stage career with John Rich's company at the Lincoln's Inn Fields Theatre which he joined in 1715. He was adept at playing both comedy and tragedy. During his time on the stage he had several runs in with the law and was arrested and sent to Newgate Prison for speaking "treasonable words". Presumably an opponent of the Hanoverian Succession, he was charged in January 1723 with resisting arrest, drawing his sword and threatening anybody who didn't support the Jacobite pretender James III. After serving three months he was released and returned to the theatre.Johanson p.410 Selected roles * Sir Jasper Manly in ''The Cobbler of Preston'' (1716) * Butler in '' Woman Is a Riddle'' (1716) * Lucilius in ''Scipio Africanus'' (1718) * Freeman in ''A Bold Stroke for a Wife'' (1718) * Petruchio in '' The Traitor'' (1718) * Wade in ''Sir Walter Raleigh'' (1719) * Duke of Bouillon in ''Henry IV of ...
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Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ...
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Susanna Verbruggen
Susanna Verbruggen (née Percival) (c. 1667–1703), aka Susanna Mountfort, was an England, English actress working in London. Life She was the daughter of Thomas Percival (actor), Thomas Percival, a member of the Duke's Company for more than a decade. Her first recorded stage appearance may have been as early as 1681 in Thomas D'Urfey, D'Urfey's ''Sir Barnaby Whigg''. In 1686 she married the actor William Mountfort, and after Mountfort's infamous murder in 1692, she married the actor John Verbruggen. She was a successful and popular comedian, known especially for her breeches roles. Her greatest success was as the main character Lucia in Thomas Southerne's ''Sir Anthony Love'', where Lucia partakes of the freedom of the roistering English Restoration, Restoration Rake (character), rake by disguising herself as "Sir Anthony". Both men and women in the audience loved her performance in these types of roles. She was one of the leading actresses at the United Company, but when the ...
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Emily Price (actress)
Emily Price was an English stage actress of the seventeenth century. She was a member of the Duke's Company between 1676 and 1682, acting at the Dorset Garden Theatre in London and then joined the merged United Company. She was a friend of the playwright Aphra Behn and appeared in several of her plays. She was billed as Mrs Price.Lanier p.72 Selected roles * Christina in '' Squire Oldsapp'' by Thomas D'Urfey (1678) * Helena in '' The Destruction of Troy'' by John Banks (1678) * Lucretia in '' Sir Patient Fancy'' by Aphra Behn (1678) * Violante in '' The Counterfeits'' by John Leanerd (1678) * Camilla in '' Friendship in Fashion'' by Thomas Otway (1678) * Edraste in '' The Loyal General'' by Nahum Tate (1679) * Adorna in '' Caesar Borgia'' by Nathaniel Lee (1679) * Sylvia in '' The Soldier's Fortune'' by Thomas Otway (1680) * Diana in '' The Revenge'' by Aphra Behn (1680) * Priscilla in ''Mr Turbulent'' by Anonymous (1680) * Security's Wife in ''Cuckold's Haven'' by Nahum Ta ...
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