The Devil Is A Woman (1935 Film)
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The Devil Is A Woman (1935 Film)
''The Devil Is a Woman'' is a 1935 American romance film directed and photographed by Josef von Sternberg, adapted from the 1898 novel '' La Femme et le pantin'' by Pierre Louÿs. The film was based on a screenplay by John Dos Passos, and stars Marlene Dietrich, Lionel Atwill, Cesar Romero, Edward Everett Horton, and Alison Skipworth. The movie is the last of the six Sternberg-Dietrich collaborations for Paramount Pictures. Plot summary During Carnival in early-twentieth century Spain, the boulevards of Seville are jammed with revelers wearing grotesque costumes and masks. A detachment of Civil Guards stagger among the masquerading merrymakers, bewildered by the "riotous disorder". A frenzied merriment prevails. Antonio Galvan, a young bourgeois revolutionary home from his exile in Paris to visit his parents, mixes with the crowds while evading the authorities pursuing him. He makes eye contact with the dazzling Concha, who is perched on a float in the parade. She flees into the ...
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Josef Von Sternberg
Josef von Sternberg (; born Jonas Sternberg; May 29, 1894 – December 22, 1969) was an Austrian-American filmmaker whose career successfully spanned the transition from the silent to the sound era, during which he worked with most of the major Hollywood studios. He is best known for his film collaboration with actress Marlene Dietrich in the 1930s, including the highly regarded Paramount/UFA production, ''The Blue Angel'' (1930). Sternberg's finest works are noteworthy for their striking pictorial compositions, dense décor, chiaroscuro illumination, and relentless camera motion, endowing the scenes with emotional intensity. He is also credited with having initiated the gangster film genre with his silent era movie ''Underworld'' (1927). Sternberg's themes typically offer the spectacle of an individual's desperate struggle to maintain their personal integrity as they sacrifice themselves for lust or love. He was nominated for the Academy Award for Best Director for ''Morocco'' ...
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Carnival
Carnival is a Catholic Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival typically involves public celebrations, including events such as parades, public street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity.Bakhtin, Mikhail. 1984. ''Rabelais and his world''. Translated by H. Iswolsky. Bloomington: Indiana University Press. Original edition, ''Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa'', 1965. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", rather, their stoc ...
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Capriccio Espagnol
''Capriccio espagnol'', Op. 34, is the common Western title for a five movement orchestral suite, based on Spanish folk melodies, composed by the Russian composer Nikolai Rimsky-Korsakov in 1887. It received its premiere on 31 October 1887, in St. Petersburg, performed by the Imperial Orchestra conducted by the composer. Rimsky-Korsakov originally intended to write the work for a solo violin with orchestra, but later decided that a purely orchestral work would do better justice to the lively melodies. The Russian title is ''Каприччио на испанские темы'' (literally, ''Capriccio on Spanish Themes''). Structure The work has five movements, divided into two parts comprising the first three and the latter two movements respectively.. # The first movement, Alborada, is a festive and exciting dance, typically from traditional Asturian music to celebrate the rising of the sun. It features the clarinet with two solos, and later features a solo violin with a solo ...
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Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical ...
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Ernst Lubitsch
Ernst Lubitsch (; January 29, 1892November 30, 1947) was a German-born American film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as his prestige grew, his films were promoted as having "the Lubitsch touch". Among his best known works are '' Trouble in Paradise'', ''Design for Living'', ''Ninotchka'', ''The Shop Around the Corner'', ''To Be or Not to Be'' and '' Heaven Can Wait''. In 1946, he received an Honorary Academy Award for his distinguished contributions to the art of the motion picture. Early life Lubitsch was born in 1892 in Berlin, the son of Simon Lubitsch, a tailor, and Anna (née) Lindenstaedt. His family was Ashkenazi Jewish; his father was born in Grodno in the Russian Empire (now Belarus), and his mother was from Wriezen outside Berlin. He turned his back on his father's tailoring business to enter the theater, and by 1911 was a member of Max Reinhar ...
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The Scarlet Empress
''The Scarlet Empress'' is a 1934 American historical drama film starring Marlene Dietrich and John Lodge about the life of Catherine the Great. It was directed and produced by Josef von Sternberg from a screenplay by Eleanor McGeary, loosely based on the diary of Catherine arranged by Manuel Komroff. Even though substantial historical liberties are taken, the film is viewed positively by modern critics. ''The Scarlet Empress'' is particularly notable for its attentive lighting and the expressionist art design that von Sternberg created for the Russian palace. The film stars Dietrich as Catherine, supported by Lodge, Sam Jaffe, Louise Dresser and C. Aubrey Smith. Dietrich's daughter Maria Riva plays Catherine as a child. Plot Princess Sophia Frederica is the innocent daughter of a minor East Prussian prince and an ambitious mother. She is brought to Russia by Count Alexei at the behest of Empress Elizabeth to marry her simple-minded nephew Grand Duke Peter. The overbearing El ...
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Luisa Espinel
Luisa Espinel (December 8, 1892 – February 2, 1963), born Luisa Ronstadt, was an American singer, dancer, and actress. She toured, taught, performed in vaudeville, and appeared in a movie with Marlene Dietrich. Early life Luisa Ronstadt was born in Tucson, Arizona in 1892, the daughter of Mexican-born businessman and musician Federico José María Ronstadt, and his wife Sara Levin. Her mother died in 1902, from a fever,Ronstadt Family Collection
Arizona Historical Society, Tucson AZ.
and her father remarried, to Lupe Dalton; one of their granddaughters was singer , who recalled "visits from Aunt Luisa" as "wonderfully exciting." Luisa Espine ...
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Tempe Pigott
Tempe Pigott (2 February 1869 – 6 October 1962) was an Australian silent and sound screen character actress. She was a stage actress in England and Australia, Canada and the United States for a number of years before entering motion pictures. In 1907, she was a member of the Lillian Meyers Dramatic Company which toured Australia; for some years thereafter, she remained in Australia and made a name for herself in the theatre in plays such as ''Nobody's Daughter'' (1911), Oscar Wilde's ''A Woman of No Importance'' (1912), and Sir Arthur Wing Pinero's ''His House in Order'' (1914). She is given one credit for her role as Mrs. Hubbard in Douglas Murray's Broadway stage play, ''Perkins'', which starred Ruth Chatterton, and ran for 23 performances at Henry Miller's Theatre in the fall of 1918. Her silent and sound film appearances were numerous. She is remembered mainly for playing the mother of John McTeague (Gibson Gowland) in Erich von Stroheim's ''Greed'' (1924) and the landlady ...
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Don Alvarado
Don Alvarado (born José Ray Paige, November 4, 1904 – March 31, 1967) was an American actor, assistant director and film production manager. Life and career Born Jose Paige in Albuquerque, New Mexico, Alvarado first studied agriculture on his father's sheep and cattle ranch. In 1922, at just age 18 he ran away from home and went to Los Angeles, hoping to find acting work in the fledgling silent film industry. He secured work in a sweet factory before getting into the films working as an extra. While in Los Angeles, he became close friends with the México-born actor, Luis Antonio Dámaso de Alonso, who would later be known as Gilbert Roland. The struggling young actors shared a place for a time. Alvarado soon met and fell in love with aspiring actress, sixteen-year-old Ann Boyar, the daughter of Russian Jewish immigrants. They married in 1924. Later that year they had a daughter, actress Joy Page. Studio head, Jack L. Warner, fell in love with Ann and convinced her t ...
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Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality is ...
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Station Master
The station master (or stationmaster) is the person in charge of a railway station, particularly in the United Kingdom and many other countries outside North America. In the United Kingdom, where the term originated, it is now largely historical or colloquial, with the contemporary term being station manager. However, the term ''station master'' remains current on many heritage railways, and also in many countries outside the United Kingdom, notably the extensive Indian Railways network. Historically a male occupation, women were sometimes appointed to the position, and the gender variation ''station mistress'' was sometimes employed in such cases. In the United States the role is commonly termed station agent. Job description The station master is responsible for the management of other station employees and holds responsibility for safety and the efficient running of the station. The term was historically employed across stations of all sizes, leading to variation in the preci ...
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Flashback (narrative)
A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special effects have evolved to alert the v ...
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