The Devil's Man
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The Devil's Man
''The Devil's Man'' ( it, Devilman Story) is a 1967 Italian science fiction film directed by Paolo Bianchini. Plot Journalist Mike Harway decides to help his friend Christine Becker in her search for her father, professor Baker. Her father, a leading brain specialist, is in Rome for a conference but has mysteriously disappeared. After some time, their investigation brings them to Africa. While in Africa as they're traversing a deserted they are captured by nomads and brought to the abandoned fort at El Faiu . Within the fort is a hidden laboratory designed by the twisted mind of Devilman, Devilman dreams of swapping his natural brain with an artificial one that he believes will make him perfect. Mike, Christine and Professor Baker make a desperate attempt to escape from the fortress before the transfer occurs. They are rescued by an army of Moors. Cast * Guy Madison as Mike Harway * Luisa Baratto as Christine Becker * Alan Collins as Kew * Diana Lorys as Yasmin * Giovanni C ...
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Paolo Bianchini
Paolo Bianchini (born 1931) is an Italian director and screenwriter. Life and career Born in Rome, Bianchini began his career in 1953 working as assistant director of a number of notable directors, including Mario Monicelli, Luigi Comencini, Vittorio De Sica, Mauro Bolognini and particularly Luigi Zampa, with whom he collaborated several times. From the second half of the 1960 Bianchini was also active as a director and a screenwriter, specializing in low-budget genre films. Starting from the 1970s he focused his work on television and advertising commercials. Selected filmography * ''Our Men in Bagdad'' (1966) * '' Massacre Mania'' (1967) * '' The Devil's Man'' (1967) * '' Superargo and the Faceless Giants'' (1968) * '' I Want Him Dead'' (1968) * '' God Made Them... I Kill Them'' (1968) * '' Gatling Gun'' (1968) * ''Hey Amigo! A Toast to Your Death ''Hey Amigo! A Toast to Your Death'' ( it, Ehi amigo... sei morto!, also known as ''Ehi amigo... Rest in Peace'') is a ...
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Monthly Film Bulletin
''The Monthly Film Bulletin'' was a periodical of the British Film Institute published monthly from February 1934 to April 1991, when it merged with ''Sight & Sound''. It reviewed all films on release in the United Kingdom, including those with a narrow arthouse release. History ''The Monthly Film Bulletin'' was edited in the mid-1950s by David Robinson, in the late 1950s and early 1960s by Peter John Dyer, and then by Tom Milne. By the end of the 1960s, when the character and tone of its reviews changed considerably with the arrival of a new generation of critics influenced by the student culture and intellectual tumult of the time (not least the overthrow of old ideas of "taste" and quality), David Wilson was the editor. It was then edited by Jan Dawson (1938Richard Roud (ed) ''Cinema: a Critical Dictionary; The Major Film Makers'', 1980, Secker & Warburg, p. v – 1980), for two years from 1971, and from 1973 until its demise by the New Zealand-born critic Richard Combs. ...
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picture info

Films Directed By Paolo Bianchini
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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