The Descent From The Cross (Rubens) (other)
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The Descent From The Cross (Rubens) (other)
''The Descent from the Cross'' may refer to one of several paintings by Peter Paul Rubens: * ''The Descent from the Cross'' (Rubens, 1600–1602), Siegerland-Museum, Siegen, Oberes Schloss * ''The Descent from the Cross'' (Rubens, 1612–1614), Antwerp Cathedral * ''The Descent from the Cross'' (Rubens, 1617), Palais des Beaux-Arts de Lille * ''The Descent from the Cross'' (Rubens, 1618), Hermitage Museum, St Petersburg {{DEFAULTSORT:Descent from the Cross (Rubens) Descent Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ...
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The Descent From The Cross (Rubens, 1600–1602)
''Descent from the Cross'' is an oil-on-canvas painting of 1600–1602 by the Flemish artist Peter Paul Rubens. It was his first major commissioned work made for the private chapel of Eleonora de’ Medici Gonzaga (1567–1611), duchess of Mantua. The painting remained somewhat obscure until 2001, when it was discovered by German art historian Justus Müller-Hofstede, a specialist on Rubens' early work. Description The large-size altarpiece revolutionizes the usual illustrations of Jesus' Descent from the Cross of the Cinquecento and engrosses the idea of the holy Eucharist: The kneeling lady in the foreground as a symbolic embodiment of the duchess who receives the Body of Christ like a lover for supper (cf. ). Stylistically, the painting is comparable to another early work created approximately at the same time: ''The Elevation of the Cross'' for the chapel of the church Santa Croce in Gerusalemme, which offers the same perspective to the mourning group of women. Hist ...
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The Descent From The Cross (Rubens, 1612–1614)
''The Descent from the Cross'' is the central panel of a triptych painting by the Baroque artist Peter Paul Rubens in 1612–1614. It is still in its original place, the Cathedral of Our Lady, Antwerp, Belgium. The painting is considered to be one of Rubens' masterpieces. The painting depicts the moment when the body of Jesus Christ is taken down from the cross after his crucifixion. The subject was one Rubens returned to again and again in his career. The artwork was commissioned on September 7, 1611, by the Confraternity of the Arquebusiers, whose patron saint was St. Christopher. History In general, the painting has its origins in the Italian artistic tradition, influenced by the Mannerist style of artists such as Francesco Salviati, 726,_Pisan A_special_assembly_(''conventus'')_was_held_i ..., Federico Barocci">726,_Pisan A_special_assembly_(''conventus'')_was_held_i ..., Federico Barocci, Jacopino del Conte, Cigoli">Federico Barocci, Jacopino del Conte">Federico Ba ...
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The Descent From The Cross (Rubens, 1617)
''The Descent from the Cross'' is a painting by Peter Paul Rubens, executed around 1616–1617 for the chapel of the Capuchin convent in Lille, France. It was seized by France and was part of the founding collection of the Palais des Beaux-Arts de Lille, where it is still housed. See also * ''The Descent from the Cross'' (Rubens), for other paintings by Rubens of the same title External links''The Descent from the Cross'' at the Palais des Beaux-Arts de Lille {{DEFAULTSORT:Descent from the Cross, The 1617 paintings Paintings by Peter Paul Rubens Rubens, 1617 Paintings of the Virgin Mary Paintings in the Palais des Beaux-Arts de Lille ...
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The Descent From The Cross (Rubens, 1618)
''The Descent from the Cross'' is a c.1618 oil on canvas painting by Peter Paul Rubens and his studio. The broad free brushstrokes of the old man's body and robes point to Rubens' pupil Anthony van Dyck. It is now in the Hermitage Museum in St Petersburg. The work was commissioned for the high altar of the Capuchin church in Lier near Antwerp and based on his successful earlier work on the subject for Antwerp Cathedral. Two preparatory drawings for it survive, one each in the EV Thaw collection in New York (previously in the Wrangham collection in the United Kingdom) and the Museum of Fine Arts, Boston. It hung in the chapel until 1794, when it was hidden from the French invaders by the monks. It was next recorded as being given by Bruges to Josephine Beauharnais's collection at Château de Malmaison. It and the rest of her collection were bought in 1814 for the Hermitage. See also * ''The Descent from the Cross'' (Rubens), for other paintings by Rubens of the same title ...
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Paintings By Peter Paul Rubens
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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