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The Delta Sweete
''The Delta Sweete'' is the second studio album by American singer-songwriter Bobbie Gentry. It was released on February 5, 1968, by Capitol Records. The album was produced by Kelly Gordon. Background One week after "Ode to Billie Joe" concluded its four-week reign at the top of the '' Billboard'' Hot 100, Gentry returned home to the South. September 30, 1967 was declared "Bobbie Gentry Day" in Houston, Mississippi, which is the county seat of Chickasaw County. It was estimated that 5,000 people attended. ''Life'' magazine turned up to interview Gentry for a feature story that would appear in the November issue accompanied by a photograph of Gentry on the Tallahatchie Bridge. Gentry returned to California the following month to begin work on her second album. Recording The earliest recording on the album, "Penduli Pendulum", was recorded on July 16, 1967, during one of Gentry's first sessions at Capitol Studios after being signed to Capitol Records. "Okolona River Bottom Band" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nashville Sound
The Nashville Sound originated during the mid-1950s as a subgenre of American country music, replacing the chart dominance of the rough honky tonk music, which was most popular in the 1940s and 1950s, with "smooth strings and choruses", "sophisticated background vocals" and "smooth tempos" associated with traditional pop. It was an attempt "to revive country sales, which had been devastated by the rise of rock 'n' roll" as a distinct genre from the rockabilly spawned from it. Origins The Nashville Sound was pioneered by staff at RCA Victor, Columbia Records and Decca Records in Nashville, Tennessee. RCA Victor manager, producer and musician Chet Atkins, and producers Steve Sholes, Owen Bradley and Bob Ferguson, and recording engineer Bill Porter invented the form by replacing elements of the popular honky tonk style (fiddles, steel guitar, nasal lead vocals) with "smooth" elements from 1950s pop music (string sections, background vocals, crooning lead vocals), and using "slick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louisiana Man
"Louisiana Man" is a song originally written and recorded by American country artist Doug Kershaw in 1961. It peaked at #10 that year on the ''Billboard'' Hot Country Singles chart when Kershaw and his brother released it as Rusty and Doug. In 1970 American country music artist Connie Smith reached #14 with a cover version. The single spawned the release of her 1970 studio album ''I Never Once Stopped Loving You'', on which the song was included. The song was recorded as a single by Jan & Dean in 1966 and was planned to be released on their album ''Carnival of Sound'' in 1968. That was not released until 2010. Other versions were recorded as an album track that year by The Seekers, Rick Nelson, and Gene Pitney. Bobbie Gentry covered the song on a 1968 single. Harpers Bizarre recorded it on their 1967 album Anything Goes. It was also recorded by The Hollies. The song is repeatedly mentioned in the chorus of the Alabama (We dare defend our rights) , anthem = "Alabama (state ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobacco Road (song)
"Tobacco Road" is a blues song written and first recorded by John D. Loudermilk in December 1959 and released in 1960. This song became a hit for The Nashville Teens in 1964 and has since become a standard across several musical genres. Loudermilk original Originally framed as a folk song, "Tobacco Road" was a semi-autobiographical tale of growing up in Durham, North Carolina. Released on Columbia Records, it was not a hit for Loudermilk, achieving only minor chart success in Australia. Other artists, however, immediately began recording and performing the song. Nashville Teens hit The English group The Nashville Teens' garage rock/blues rock rendering was a bold effort featuring prominent piano, electric guitar, and bass drum parts and a dual lead vocal. Mickie Most produced it with the same tough-edged-pop feel that he brought to The Animals' hits. "Tobacco Road" was a trans-Atlantic pop hit in 1964, reaching number 6 on the UK singles chart and number 14 on the U.S. sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
