|
The Decalogue (film)
''Dekalog'' (, also known as ''Dekalog: The Ten Commandments'' and ''The Decalogue'') is a 1988 Polish drama television miniseries directed by Krzysztof Kieślowski and co-written by Kieślowski with Krzysztof Piesiewicz, with music by Zbigniew Preisner. It consists of ten one-hour films, inspired by the decalogue of the Ten Commandments. Each short film explores characters facing one or several moral or ethical dilemmas as they live in an austere housing project in 1980s Poland. The series, Kieślowski's most acclaimed work, was said in 2002 to be "the best dramatic work ever done specifically for television" and has won numerous international awards, though it was not widely released outside Europe until the late 1990s. It is one of fifteen films listed in the category "Values" on the Vatican film list. In 1991, filmmaker Stanley Kubrick wrote an admiring foreword to the published screenplay. According to him, ''Dekalog'' is the only masterpiece he could ever think of. The en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krzysztof Kieślowski
Krzysztof Kieślowski (; 27 June 1941 – 13 March 1996) was a Polish film director and screenwriter. He is known internationally for ''Dekalog'' (1989), ''The Double Life of Veronique'' (1991), and the ''Three Colours'' trilogy (1993 –1994).Stok 1993, p. xiii. Kieślowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize (1988, 1991), and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994). In 1995, he received Academy Award nominations for Best Director and Best Original Screenplay. In 2002, Kieślowski was listed at number two on the British Film Institute's ''Sight & Sound'' list of the top ten film directors of modern times. In 2007, ''Total Film'' magazine ranked him at No. 47 on its "100 Greatest Film Directors Ever" list. Early life Kieślowski was born in Warsaw, Pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close-Up Film Centre
A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their subjects in long shots, similar to the stage. Film historians disagree as to the filmmaker who first used a close-up. One of the best claims is for George Albert Smith in Hove, who used medium close-ups in films as early as 1898 and by 1900 was incorporating extreme close-ups in films such as ''As Seen Through a Tele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White
White is the lightest color and is achromatic (having no hue). It is the color of snow, chalk, and milk, and is the opposite of black. White objects fully reflect and scatter all the visible wavelengths of light. White on television and computer screens is created by a mixture of red, blue, and green light. The color white can be given with white pigments, especially titanium dioxide. Symbolic meaning In ancient Egypt and ancient Rome, priestesses wore white as a symbol of purity, and Romans wore white togas as symbols of citizenship. In the Middle Ages and Renaissance a white unicorn symbolized chastity, and a white lamb sacrifice and purity. It was the royal color of the kings of France, and of the monarchist movement that opposed the Bolsheviks during the Russian Civil War (1917–1922). Greek and Roman temples were faced with white marble, and beginning in the 18th century, with the advent of neoclassical architecture, white became the most common color of new churche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(cropped).jpg "Click for more on -> Close-Up Film Centre")
