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The Death Of Procris
''The Death of Procris'', ''A Satyr mourning over a Nymph'' or simply ''A Mythological Subject'' are names given to an unsigned, undated panel painting in the National Gallery in London, United Kingdom, securely attributed to Piero di Cosimo (who never signed his works). Its date is uncertain, and its subject has been a matter of dispute. The name ''The Death of Procris'' (Italian: ''Morte di Procri'') has been used since the 19th century, and is supposed to have been inspired by Ovid's tale of the death of Procris at the hands of her husband Cephalus, in ''Metamorphoses'' VII. The National Gallery has rejected this title since at least Cecil Gould's catalogue of 1951, since when it has preferred to describe the subject as "''A Mythological Subject''" or "''A Satyr mourning over a Nymph''".Gould, 421 Despite the uncertainty surrounding the subject matter, the painting, which shows a satyr mourning over the body of a young woman, has been one of the most popular works by Piero di C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Di Cosimo
Piero di Cosimo (2 January 1462 – 12 April 1522), also known as Piero di Lorenzo, was an Italian painter of the Renaissance. He is most famous for the mythological and allegorical subjects he painted in the late Quattrocento; he is said to have abandoned these to return to religious subjects under the influence of Savonarola, the preacher who exercised a huge sway in Florence in the 1490s, and had a similar effect on Botticelli. The High Renaissance style of the new century had little influence on him, and he retained the straightforward realism of his figures, which combines with an often whimsical treatment of his subjects to create the distinctive mood of his works. Vasari has many stories of his eccentricity, and the mythological subjects have an individual and quirky fascination. He trained under Cosimo Rosselli, whose daughter he married, and assisted him in his Sistine Chapel frescos. He was also influenced by Early Netherlandish painting, and busy landscapes feat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cassone
A cassone (plural ''cassoni'') or marriage chest is a rich and showy Italian type of chest, which may be inlaid or carved, prepared with gesso ground then painted and gilded. ''Pastiglia'' was decoration in low relief carved or moulded in gesso, and was very widely used. The cassone ("large chest") was one of the trophy furnishings of rich merchants and aristocrats in Italian culture, from the Late Middle Ages onward. The cassone was the most important piece of furniture of that time. It was given to a bride and placed in the bridal suite. It would be given to the bride during the wedding, and it was the bride's parents' contribution to the wedding. There are in fact a variety of different terms used in contemporary records for chests, and the attempts by modern scholars to distinguish between them remain speculative, and all decorated chests are today usually called ''cassoni'', which was probably not the case at the time. For example, a ''forziere'' probably denoted a decorat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faun
The faun (, grc, φαῦνος, ''phaunos'', ) is a half-human and half-goat mythological creature appearing in Greek and Roman mythology. Originally fauns of Roman mythology were spirits (genii) of rustic places, lesser versions of their chief, the god Faunus. Before their conflation with Greek satyrs, they and Faunus were represented as nude men (e.g. the Barberini Faun). Later fauns, became copies of the satyrs of Greek mythology, who themselves were originally shown as part-horse rather than part-goat. By Renaissance times fauns were depicted as bipedal creatures with the horns, legs, and tail of a goat and the head, torso, and arms of a human; they are often depicted with pointed ears. These late-form mythological creatures borrowed their appearance from the satyrs, who in turn borrowed their appearance from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their Greek chieftain, Silenus, was a minor deity of Greek mythology. Origins Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spear
A spear is a pole weapon consisting of a shaft, usually of wood, with a pointed head. The head may be simply the sharpened end of the shaft itself, as is the case with fire hardened spears, or it may be made of a more durable material fastened to the shaft, such as bone, flint, obsidian, iron, steel, or bronze. The most common design for hunting or combat spears since ancient times has incorporated a metal spearhead shaped like a triangle, lozenge, or leaf. The heads of fishing spears usually feature barbs or serrated edges. The word '' spear'' comes from the Old English '' spere'', from the Proto-Germanic ''speri'', from a Proto-Indo-European root ''*sper-'' "spear, pole". Spears can be divided into two broad categories: those designed for thrusting as a melee weapon and those designed for throwing as a ranged weapon (usually referred to as javelins or darts). The spear has been used throughout human history both as a hunting and fishing tool and as a weapon. Along ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Di Cosimo, Morte Di Procri 03
Piero is an Italian given name. Notable people with the name include: *Piero Angela (1928–2022), Italian television host *Piero Barucci (born 1933), Italian academic and politician *Piero del Pollaiuolo (c. 1443–1496), Italian painter *Piero della Francesca (c1415–1492), Italian artist of the Early Renaissance * Piero De Benedictis (born 1945), Italian-born Argentine and Colombian folk singer *Piero Ciampi (1934–1980), Italian singer *Piero di Cosimo (1462-1522), also known as Piero di Lorenzo, Italian Renaissance painter *Piero di Cosimo de' Medici (1416–1469), ''de facto'' ruler of Florence from 1464 to 1469 *Piero Ferrari (born 1945), Italian businessman *Piero Focaccia (born 1944), Italian pop singer *Piero Fornasetti (1913–1988), Italian painter *Piero Gardoni (1934–1994), Italian professional footballer *Piero Golia (born 1974), Italian conceptual artist *Piero Gros (born 1954), Italian alpine skier *Piero the Unfortunate (1472–1503), Gran maestro of Florence *P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elixir Of Life
The elixir of life, also known as elixir of immortality, is a potion that supposedly grants the drinker eternal life and/or eternal youth. This elixir was also said to cure all diseases. Alchemists in various ages and cultures sought the means of formulating the elixir. History Ancient Mesopotamia An early mention of an elixir of life is found in the Epic of Gilgamesh (from the 2nd millennium BC) in which Gilgamesh comes to fear his own declining years following the death of his beloved companion Enkidu. He seeks out Utnapishtim, a Noah-like figure in Mesopotamian mythology in which he was a servant of the great Alchemist of the rain who later became immortal, to seek out the advice of the King of Herod of the Land of Fire. Gilgamesh is directed by him to find a plant at the bottom of the sea which he does but seeks first to test it on an old man before trying it himself. Unfortunately, it is eaten by a serpent before he can do so. China Many rulers of ancient China so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosopher's Stone
The philosopher's stone or more properly philosophers' stone (Arabic: حجر الفلاسفة, , la, lapis philosophorum), is a mythic alchemical substance capable of turning base metals such as mercury into gold (, from the Greek , "gold", and , "to make") or silver. It is also called the elixir of life, useful for rejuvenation and for achieving immortality; for many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, enlightenment, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work"). History Antiquity The earliest known written mention of the philosopher's stone is in the ''Cheirokmeta'' by Zosimos of Panopolis (c. 300 AD). Alchemical writers assign a longer history. Elias Ashmole and the anonymous author of ''Gloria Mundi'' (1620) claim that its history goes back to Adam, who acquired t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arbor Philosophica
Arbor(s) or Arbour(s) may refer to: Arts and entertainment * ''Arbor'' (installation), a 2013 public artwork in Indianapolis, Indiana, US * Arbor, a counterweight-carrying device found in theater fly systems * ''The Arbor'', a 1980 play by Andrea Dunbar; also the title of a 2010 film about Dunbar * ''The Arbor'', a 1930 play by Hermann Ungar * The Arbors, a 1960s pop group Companies * Arbor Drugs, a defunct American drug store chain based in Troy, Michigan * Arbor Networks, an American software company * Arbors Records, an American jazz record label Horticulture * Arbor (garden), a landscape structure * Grove (nature), a small group of trees Places * Arbor, Missouri, US * Arbor, Nebraska, US * Arbor, Texas, or Arbor Grove, US Other uses * Arbor (tool) or mandrel * Arbour (surname) * Arbor, the central post of a fishing reel to which fishing line is attached * Arbor knot, a knot commonly used to attach fishing line to a fishing reel See also * Arbor Day, a day for planting t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermes Trismegistos
Hermes Trismegistus (from grc, Ἑρμῆς ὁ Τρισμέγιστος, "Hermes the Thrice-Greatest"; Classical Latin: la, label=none, Mercurius ter Maximus) is a legendary Hellenistic figure that originated as a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.A survey of the literary and archaeological evidence for the background of Hermes Trismegistus as the Greek god Hermes and the Egyptian god Thoth may be found in He is the purported author of the ''Hermetica'', a widely diverse series of ancient and medieval pseudepigraphical texts that lay the basis of various philosophical systems known as Hermeticism. The wisdom attributed to this figure in antiquity combined a knowledge of both the material and the spiritual world, which rendered the writings attributed to him of great relevance to those who were interested in the interrelationship between the material and the divine. The figure of Hermes Trismegistus can also be found in both Islamic an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alchemy
Alchemy (from Arabic: ''al-kīmiyā''; from Ancient Greek: χυμεία, ''khumeía'') is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practiced in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD.Principe, Lawrence M. The secrets of alchemy'. University of Chicago Press, 2012, pp. 9–14. Alchemists attempted to purify, mature, and perfect certain materials. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble metals" (particularly gold); the creation of an elixir of immortality; and the creation of panaceas able to cure any disease. The perfection of the human body and soul was thought to result from the alchemical ''magnum opus'' ("Great Work"). The concept of creating the philosophers' stone was variously connected with all of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo Rosselli
Cosimo Rosselli (; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large frescoes on the side walls. Though generally regarded as a lesser talent in comparison to Sandro Botticelli, Pietro Perugino, and Domenico Ghirlandaio, who were all also active at the Sistine Chapel, Rosselli was still able to win large and important commission throughout his career, a testament to his high level of activity in his native Florence. Important local commissions include a fresco in the cloister of Santissima Annunziata, Florence and those in the Chapel of the Holy Blood in Sant'Ambrogio, Florence. Biography Cosimo Rosselli was born in Florence. In 1453, at the age of fourteen, he became a pupil of Neri di Bicci, who also trained Cosimo's cousin Bernardo di Stefano Rosselli. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Procris2
In Greek mythology, Procris ( grc, Πρόκρις, ''gen''.: Πρόκριδος) was an Athenian princess as the third daughter of Erechtheus, king of Athens and his wife, Praxithea, daughter of Phrasimus and Diogeneia. Homer mentions her in the ''Odyssey'' as one of the many dead spirits Odysseus saw in the Underworld, and Sophocles wrote a tragedy called ''Procris'' which has been lost, as has a version contained in the Greek Cycle, but at least six different accounts of her story still exist. Family Procris's sisters were Creusa, Oreithyia, Chthonia, Protogeneia, Pandora and Merope while her brothers were Cecrops, Pandorus, Metion, and possibly Orneus, Thespius, Eupalamus and Sicyon. She married Cephalus, the son of King Deioneus of Phocis. Mythology Pherecydes The earliest version of Procris' story comes from Pherecydes of Athens. Cephalus remains away from home for eight years because he wanted to test Procris. When he returns, he succeeds in seducing her while disgui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
