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The Death Curse
''The Death Curse'' () is a 2003 comedy horror film. It was directed by Soi Cheang Pou-Soi and produced by Amy Tsui. Its popularity was due primarily to its cast, which contained several members of Hong Kong bands. Cast * Steven Cheung plays the part of Ben Ting, the youngest of eight * Gillian Chung plays the part of Linda Ting, the sixth sibling of eight * Kenny Kwan plays the part of Jerry Ting, the fifth sibling, who unknowingly used to date his younger half-sister Nancy * Raymond Wong Ho-Yin plays the part of Nick Ting, the fourth sibling. Nick is a gangster * Charlene Choi plays the part of Nancy Ting, the seventh sibling * Alex Fong Chung-Sun plays the part of Lawyer Cheung * Chen Xianda () plays the part of Ding Jihuai, a medical scientist who has spurned his relatives and has numerous failed marriages. Reception Sharon Wong of ''New Straits Times'' wrote, "You probably wouldn't be scared much, and although certain scenes do contain a chill factor, this quickly dissi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheang Pou-soi
Cheang Pou-soi (; born 11 July 1972), also known as his main credited as Soi Cheang or Bob Cheng, is a Hong Kong film director, assistant director, screenwriter, script supervisor, actor and film producer. Filmography As director * '' Mad Fate'' (TBD) * ''Kowloon Walled City'' (TBD) * ''Limbo'' (2021) * '' The Monkey King 3'' (2018) * ''The Monkey King 2'' (2016) * ''Unforgotten'' (2016) * ''SPL II (2015) * '' The Monkey King'' (2014) * ''Motorway'' (2012) * ''Accident'' (2009) * ''Shamo'' (2007) * ''Dog Bite Dog'' (2006) * ''Home Sweet Home'' (2005) * ''Hidden Heroes'' (2004) * ''Love Battlefield'' (2004) * ''The Death Curse'' (2003) * '' New Blood'' (2002) * '' Horror Hotline... Big Head Monster'' (2001) (as Cheang Soi) * ''Diamond Hill'' (2000) * ''Beach Girl'' (1999) * ''Our Last Day'' (1999) * ''The House of No Man'' (1999) As producer * ''Paradox'' (2017) * '' The Brink'' (2017) * '' The Monkey King 3'' (2018) * ''I'm Livin' It'' (2019) * ''Double World'' (2019) * ''The Sun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soi Cheang Pou-Soi
Cheang Pou-soi (; born 11 July 1972), also known as his main credited as Soi Cheang or Bob Cheng, is a Hong Kong film director, assistant director, screenwriter, script supervisor, actor and film producer. Filmography As director * ''Mad Fate'' (TBD) * ''Kowloon Walled City (film), Kowloon Walled City'' (TBD) * ''Limbo (2021 film), Limbo'' (2021) * ''The Monkey King 3'' (2018) * ''The Monkey King 2'' (2016) * ''Unforgotten'' (2016) * ''SPL II (2015) * ''The Monkey King (film), The Monkey King'' (2014) * ''Motorway (film), Motorway'' (2012) * ''Accident (2009 film), Accident'' (2009) * ''Shamo (film), Shamo'' (2007) * ''Dog Bite Dog'' (2006) * ''Home Sweet Home (2005 film), Home Sweet Home'' (2005) * ''Hidden Heroes'' (2004) * ''Love Battlefield'' (2004) * ''The Death Curse'' (2003) * '':zh:熱血青年, New Blood'' (2002) * '':zh:恐怖熱線之大頭怪嬰, Horror Hotline... Big Head Monster'' (2001) (as Cheang Soi) * ''Diamond Hill'' (2000) * ''Beach Girl'' (1999) * ''Our Last D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong Films
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely ava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Comedy Films
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Horror Films
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Comedy Horror Films
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s Cantonese-language Films
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the complica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong Cinemagic
Hong Kong Cinemagic, sometimes referred to as HKCinemagic, is a bilingual ( French and English) website providing a repository for information about Chinese language films from Hong Kong, China and Taiwan, and the people who created them. The website contains news, interviews, film reviews and a database of people, films and film studios as well as an illustrated glossary of terms. The web magazine has existed in various forms for over a decade. As of March 2009, the database contains over 10,000 films. The site was designed and is maintained by Marc Delcambre, Jean-Louis Ogé and Thomas Podvin. The key staff and editors are Stéphane Jaunin, Arnaud Lanuque, Van-Thuan Ly, Philippe Quevillart and David-Olivier Vidouze. History The original HKCinemagic1 site was created in late 1998 by Laurent Henry and Thomas Podvin, and initially hosted on Wanadoo France, it began as a site dedicated to directors Tsui Hark and Wong Kar-wai. As the site expanded with new contributors coming on board ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Derek Elley
Derek Elley (born c. 1955) is an American film and music critic and author, best known as the resident film critic for ''Variety'' until his departure in March 2010. With over 1200 reviews to his credit as of December 2014 on ''Rotten Tomatoes'', he specialises in reviewing Asian films and joined '' Film Business Asia'' as chief critic upon its inception after leaving ''Variety'' in 2010. Elley was a music critic in the 1970s and 1980s, and authored the annual International Music Guides. In 1986 he published ''Dimitri Tiomkin: The Man and His Music'' in conjunction with the National Film theatre. In 1977 he published ''World Filmography'' with Peter Cowie, and began authoring the annual Movie Guides for ''Variety'' from the 1990s. He co-founded the Udine Far East Film Festival and was its artistic director for the first three editions, starting in 1999. In 2013, Routledge published his ''The Epic Film: Myth and History'', a detailed insight into the making and history of epic films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variety (magazine)
''Variety'' is an American media company owned by Penske Media Corporation. The company was founded by Sime Silverman in New York City in 1905 as a weekly newspaper reporting on theater and vaudeville. In 1933 it added ''Daily Variety'', based in Los Angeles, to cover the motion-picture industry. ''Variety.com'' features entertainment news, reviews, box office results, cover stories, videos, photo galleries and features, plus a credits database, production charts and calendar, with archive content dating back to 1905. History Foundation ''Variety'' has been published since December 16, 1905, when it was launched by Sime Silverman as a weekly periodical covering theater and vaudeville with its headquarters in New York City. Silverman had been fired by ''The Morning Telegraph'' in 1905 for panning an act which had taken out an advert for $50. As a result, he decided to start his own publication "that ouldnot be influenced by advertising." With a loan of $1,500 from his father- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malay Mail
The ''Malay Mail'' is a newspaper in Kuala Lumpur, Malaysia, first published on 1 December 1896 when Kuala Lumpur was the capital of the then new Federated Malay States, making it the first daily newspaper to appear in the FMS. As of May 2014, it is a free lunchtime paper with 100,000 copies circulated around the Klang Valley. Their main target audiences are Professionals, Managers, Executives and Businessmen (PMEBs). During World War II, the paper was replaced by the Malai Sinpo. Overview The newspaper used to be an afternoon edition which focused on local happenings and was promoted as "The Paper That Cares". It was common to find local community news making the headlines. The paper also had featured a "Page 3 Girl" and was not taken too seriously as it had the image of a tabloid with the printing of many unsubstantiated news articles. The newspaper had a commanding presence in classified ads and in the 1990s it was common to find almost half the newspapers comprising clas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Straits Times
The ''New Straits Times'' is an English-language newspaper published in Malaysia. It is Malaysia's oldest newspaper still in print (though not the first), having been founded as ''The Straits Times'' on 15 July 1845. It was relaunched as the ''New Straits Times'' on 13 August 1974. The paper served as Malaysia's only broadsheet format English-language newspaper. However, following the example of British newspapers ''The Times'' and ''The Independent'', a tabloid version first rolled off the presses on 1 September 2004 and since 18 April 2005, the newspaper has been published only in tabloid size, ending a 160-year-old tradition of broadsheet publication. The ''New Straits Times'' currently retails at RM1.50 (~37 US cents) in Peninsular Malaysia. As of 2 January 2019, the group editor of the newspaper is Rashid Yusof. In 2020, the paper was listed as the 5th most trusted in a Reuters Institute for the Study of Journalism, Reuters Institute survey of 14 Malaysian media outlets. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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