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The Dave Clark Five Return!
''The Dave Clark Five Return!'' is the second US studio album by the English rock band the Dave Clark Five. It features the single "Can't You See That She's Mine" and covers of "Rumble" by Link Wray & His Wray Men, " On Broadway" by The Drifters and the Disney song "Zip-a-Dee-Do-Dah". Ten of the twelve tracks were taken from the DC5's first UK album, '' A Session with The Dave Clark Five''. Reception In his AllMusic retrospective review of the release, Bruce Eder wrote, "Aside from the hit 'Can't You See That She's Mine,' and everything is filler, whether the covers of 'Rumble,' 'Zip-a-Dee-Doo-Dah,' and 'On Broadway,' or trite, diddling originals, including a flight into a near-Muzak instrumental ("Theme Without a Name"). Among the originals, 'I Need You, I Love You' and 'Forever and a Day' aren't too bad, but you're best off leaving this in the bin of overpriced collector items in which you'll probably find the record." Track listing All tracks written by Dave Clark, Mike S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backing Vocals
A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles. Solo artists may employ professional backing vocalists in studio recording sessions as well as during concerts. In many rock and metal bands (e.g., the power trio), the musicians doing backing vocals also play instruments, such as guitar, electric bass, drums or keyboards. In Latin or Afro-Cuban groups, backing singers may play percussion instruments or shakers while singing. In some pop and hip hop groups and in musical theater, they may be required to perform dance routines while singing through headset microphones. Styles of background vocals vary according to the type of song and genre of music. In pop and country songs, backing vocalists may sing harmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and "King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spector. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cynthia Weil
Cynthia Weil (born October 18, 1940) is an American songwriter who wrote many songs together with her husband Barry Mann. Life and career Weil was born in New York City, and was raised in a Conservative Jewish family. Her father was Morris Weil, a furniture store owner and the son of Lithuanian-Jewish immigrants, and her mother was Dorothy Mendez, who grew up in a Sephardic Jewish family in Brooklyn. Weil trained as an actress and dancer, but soon demonstrated a songwriting ability that led to her collaboration with Barry Mann, whom she married in August 1961. The couple has one daughter, Jenn Mann. Weil became one of the Brill Building songwriters of the 1960s, and one of the most important writers during the emergence of rock and roll. She and her husband went on to create songs for many contemporary artists, winning several Grammy Awards as well as Academy Award nominations for their compositions for film. As their Rock and Roll Hall of Fame biography put it, in part: "Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Mann
Barry Mann (born Barry Imberman; February 9, 1939) is an American songwriter and musician, and part of a successful songwriting partnership with his wife, Cynthia Weil. He has written or co-written 53 hits in the UK and 98 in the US. Early life Mann was born to a Jewish family in Brooklyn, New York City, United States. He was born two days before fellow songwriter Gerry Goffin. Career His first successful song as a writer was "She Say (Oom Dooby Doom)", a Top 20 chart-scoring song composed for the band The Diamonds in 1959. Mann co-wrote the song with Mike Anthony (Michael Logiudice). In 1961, Mann had his greatest success to that point with "I Love How You Love Me", written with Larry Kolber and a no. 5 scoring single for the band The Paris Sisters (seven years later, Bobby Vinton's version would reach the Top 10). The same year, Mann himself reached the Top 40 as a performer with a novelty song co-written with Gerry Goffin, " Who Put the Bomp", which parodied the nonsense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allie Wrubel
Elias Paul "Allie" Wrubel (January 15, 1905 – December 13, 1973) was an American composer and songwriter. Biography Wrubel was born to a Jewish family in Middletown, Connecticut, United States, the son of Regina (née Glasscheib) and Isaac Wrubel. His family founded the Wrubels department store in Middletown, Connecticut. He attended Wesleyan University and Columbia University before working in dance bands. "After earning his bachelor’s degree in 1926, Allie enrolled in graduate music studies at Columbia University. He roomed with his close friend, film actor James Cagney former Columbia undergrad and began playing with bands in Greenwich Village and making the rounds on Tin Pan Alley."Elias Paul "Allie" Wrubel.... Western States Jewish History. By Jonathan L. Friedmann. Retrieved February 5, 2013. He play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zip-a-Dee-Doo-Dah
"Zip-a-Dee-Doo-Dah" is a song composed by Allie Wrubel with lyrics by Ray Gilbert for the Disney 1946 live action and animated movie '' Song of the South'', sung by James Baskett. For "Zip-a-Dee-Doo-Dah", the film won the Academy Award for Best Original Song and was the second Disney song to win this award, after " When You Wish upon a Star" from ''Pinocchio'' (1940). In 2004, it finished at number 47 in '' AFI's 100 Years...100 Songs'', a survey of top tunes in American cinema. Disney historian Jim Korkis said the word "Zip-a-Dee-Doo-Dah" was reportedly invented by Walt Disney, who was fond of nonsense words such as "Bibbidi-Bobbidi-Boo" from ''Cinderella'' (1950) and "Supercalifragilisticexpialidocious" from ''Mary Poppins'' (1964). Ken Emerson, author of the book ''Doo-dah!: Stephen Foster And The Rise Of American Popular Culture'', believes that the song is influenced by the chorus of the pre-Civil War folk song "Zip Coon", a "Turkey in the Straw" variation: "O Zip a duden d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumble (instrumental)
"Rumble" is an instrumental by American group Link Wray & His Ray Men. Released in the United States on March 31, 1958, as a single (with "The Swag" as a B-side), "Rumble" utilized the techniques of distortion and tremolo, then largely unexplored in rock and roll. In 2018, the song was inducted into the Rock and Roll Hall of Fame in a new category for singles. History At a live gig in Fredericksburg, Virginia, in early 1958, attempting to work up a backing for The Diamonds' " The Stroll", Link Wray & His Ray Men came up with the instrumental "Rumble", which they originally called "Oddball". It was an instant hit with the live audience, which demanded four repeats that night. Eventually the instrumental came to the attention of record producer Archie Bleyer of Cadence Records, who hated it, particularly after Wray poked a pencil through the cone of his amplifier to make the recording sound more like the live version. But Bleyer's stepdaughter loved it, so he released it despite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
