|
The Daughters Of Edward Darley Boit
''The Daughters of Edward Darley Boit'' (originally titled ''Portraits d'enfants'')Gallati, p. 79 is a painting by John Singer Sargent. The painting depicts four young girls, the daughters of Edward Darley Boit, in their family's Paris apartment. It was painted in 1882 and is now exhibited in the new Art of the Americas Wing of the Museum of Fine Arts, Boston, Museum of Fine Arts in Boston. The painting hangs between the two tall blue-and-white Japanese vases depicted in the work; they were donated by the heirs of the Boit family. It has been described as "Arguably the most psychologically compelling painting of Sargent's career".Gallati, p. 81 Though the painting's unusual composition was noted from its earliest viewings, initially its subject was interpreted simply as that of girls at play, but it has subsequently been viewed in more abstract terms, reflecting Freudian analysis and a greater interest in the ambiguities of adolescence. Edward Boit was the son-in-law of John P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Singer Sargent
John Singer Sargent (; January 12, 1856 – April 14, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His ''oeuvre'' documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida. Born in Florence to American parents, he was trained in Paris before moving to London, living most of his life in Europe. He enjoyed international acclaim as a portrait painter. An early submission to the Paris Salon in the 1880s, his ''Portrait of Madame X'', was intended to consolidate his position as a society painter in Paris, but instead resulted in scandal. During the next year following the scandal, Sargent departed for England where he continued a successful career as a portrait artist. From the beginning, Sargent's work is ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans Hals
Frans Hals the Elder (, , ; – 26 August 1666) was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century group Portrait painting, portraiture. He is known for his loose painterly brushwork. Biography Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen ( 1542–1610) and his second wife Adriaentje van Geertenryck.Frans Hals iat the Netherlands Institute for Art History Like many, Hals's parents fled during the Fall of Antwerp (1584–1585) from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life. Hals studied under Flemish people, Flemi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By John Singer Sargent
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Group Portraits By American Artists
A group is a number of persons or things that are located, gathered, or classed together. Groups of people * Cultural group, a group whose members share the same cultural identity * Ethnic group, a group whose members share the same ethnic identity * Religious group (other), a group whose members share the same religious identity * Social group, a group whose members share the same social identity * Tribal group, a group whose members share the same tribal identity * Organization, an entity that has a collective goal and is linked to an external environment * Peer group, an entity of three or more people with similar age, ability, experience, and interest Social science * In-group and out-group * Primary, secondary, and reference groups * Social group * Collectives Science and technology Mathematics * Group (mathematics), a set together with a binary operation satisfying certain algebraic conditions Chemistry * Functional group, a group of atoms which provide s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Portraits
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1882 Paintings
Year 188 (CLXXXVIII) was a leap year starting on Monday of the Julian calendar. At the time, it was known in the Roman Empire as the Year of the Consulship of Fuscianus and Silanus (or, less frequently, year 941 ''Ab urbe condita''). The denomination 188 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Publius Helvius Pertinax becomes pro-consul of Africa from 188 to 189. Japan * Queen Himiko (or Shingi Waō) begins her reign in Japan (until 248). Births * April 4 – Caracalla (or Antoninus), Roman emperor (d. 217) * Lu Ji (or Gongji), Chinese official and politician (d. 219) * Sun Shao, Chinese general of the Eastern Wu state (d. 241) Deaths * March 17 – Julian, pope and patriarch of Alexandria * Fa Zhen (or Gaoqing), Chinese scholar (b. AD 100) * Lucius Antistius Burrus, Roman politician (executed) * Ma Xiang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geneviève Lacambre
Geneviève Lacambre (born 1937) is a French honorary general curator of heritage, and has been the Chargée de mission at the Musée d'Orsay. Career Curator at the department of paintings of the Louvre Museum from 1965 to 1979, then at the Musée d'Orsay until 2002. Lacambre has been for seventeen years director of the Musée national Gustave Moreau in Paris, from 1985 to 2002, a specialist of this Symbolist painter. She has published numerous articles and exhibition catalogues on Gustave Moreau and the Symbolists. She authored (, 1997) and organised the 1998 exhibition of Moreau at the Grand Palais in Paris before being presented in Chicago and New York. In addition to Symbolism, she also curated an exhibition in 2017 where Japonisme is the theme. It is outside the modes of his time that Gustave Moreau, trained in Renaissance art traditions, elaborated a complex and decorative art style, which combines a deep knowledge of all mythologies with a high awareness of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Prettejohn
Elizabeth Francesca Prettejohn (born 15 May 1961) is an art historian and author of several books about art history. Her books have included ''Rossetti and his Circle'' (1997), ''The Art of the Pre-Raphaelites'' (2000) and ''Art for Art's Sake'' (2007). She has also co-edited and co-authored several publications. She has written exhibition catalogues and papers for journals such as ''The Burlington Magazine'', ''Journal of Victorian Culture'' and ''Art Bulletin''. Education and career Prettejohn was the Professor of the history of art at the University of Bristol from 2005, before becoming head of the history of art at the University of York in 2012. She had also been the Professor of Modern Art at the University of Plymouth and (briefly) the curator of Paintings and Sculpture at Birmingham Museum and Art Gallery. She studied at Harvard University, where she got her Bachelor of Arts degree (summa cum laude), and at the Courtauld Institute of Art, where she got her Master of Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago University Press
The University of Chicago Press is the largest and one of the oldest university presses in the United States. It is operated by the University of Chicago and publishes a wide variety of academic titles, including ''The Chicago Manual of Style'', numerous academic journals, and advanced monographs in the academic fields. One of its quasi-independent projects is the BiblioVault, a digital repository for scholarly books. The Press building is located just south of the Midway Plaisance on the University of Chicago campus. History The University of Chicago Press was founded in 1890, making it one of the oldest continuously operating university presses in the United States. Its first published book was Robert F. Harper's ''Assyrian and Babylonian Letters Belonging to the Kouyunjik Collections of the British Museum''. The book sold five copies during its first two years, but by 1900 the University of Chicago Press had published 127 books and pamphlets and 11 scholarly journals, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinafore
A pinafore (colloquially a pinny in British English) is a sleeveless garment worn as an apron. Pinafores may be worn as a decorative garment and as a protective apron. A related term is ''pinafore dress'' (known as a ''jumper'' in American English), i.e. a sleeveless dress intended to be worn over a top or blouse. A key difference between a pinafore and a jumper dress is that the pinafore is open in the back. In informal British usage, however, a pinafore dress is sometimes referred to as simply a pinafore, which can lead to confusion. Nevertheless, this has led some authors to use the term "pinafore apron", although this is redundant as pinafore alone implies an apron. The name reflects the pinafore having formerly pinned (pin) to the front (afore) of a dress. The pinafore had no buttons and was simply "pinned on the front". Differentiations Pinafores are often confused with smocks. Some languages do not differentiate between these different garments. The pinafore dif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Bouquet_of_Flowers_in_a_Ceramic_Vase.jpg "Click for more on -> Still Life")
.jpg "Click for more on -> Edgar Degas")