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The Dam
''The Dam'' (in French:''Le barrage'') is a painting by Luxembourg artist Dominique Lang from 1913. Description The 80.5 × 67 cm. picture is part of the collection of the National Museum of History and Art in Luxembourg. Analysis Dominique Lang was the only representative of Luxembourg in the first exhibition of the Impressionists in Paris. After completing his education at the Academy of Fine Arts in Antwerp in 1900, he began to paint in a symbolist style. After 1912–1913, he began using more refined technique and painted many landscapes in rural areas, where he lived. ''The Dam'' was shown at the Salon des Indépendants, 1914, where he received good feedback on the work and creativity. He managed to recreate the refraction of sunlight into the colors of the rainbow. His sense of nature and authenticity continued the tradition of Claude Monet and Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominique Lang
Dominique Lang (1874–1919) is considered to be Luxembourg's most important Impressionist painter. He painted both portraits and landscapes although he was employed as a high-school teacher."Lang, Dominique", ''Luxemburger Lexikon'', Editions Guy Binsfeld, Luxembourg, 2006. Career After completing his studies in 1901, he embarked on a Pre-Raphaelite phase when he painted the ''Baptism of Christ'', a fresco in the church at Junglinster followed by paintings for the stations of the cross in the new church at Dudelange. Travelling on a State grant, he then spent four months studying art in Florence and Rome. Back in Dudelange, he faced not just financial problems but negative criticism of his paintings from the ''Cercle artistique de Luxembourg''. He began to suffer from dreadful headaches, leading him into depression. His art was influenced by his reading Ruskin, Schopenhauer and Spengler, leading him into a Symbolist period where his work resembled that of the English Pre-Raphael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum Of History And Art
The National Museum of History and Art ( lb, Nationalmusée fir Geschicht a Konscht, french: Musée national d'histoire et d'art, german: Nationalmuseum für Geschichte und Kunst), abbreviated to MNHA, is a museum located in Luxembourg City, in southern Luxembourg. It is dedicated to displaying artworks and artefacts from all epochs of Luxembourg history. The museum is situated in Fishmarket, the historic heart of the city, in the Ville Haute quarter. History The first proposal for such a museum was made during the French occupation of the Revolutionary Wars, when Luxembourg was annexed into the département of Forêts. However, the museum was never opened, despite the expropriation of a number of artefacts from the church. With the affirmation of Luxembourg's independence under the 1839 Treaty of London came a greater interest by native Luxembourgers in promoting the history of their country. In 1845, historians and archaeologists formed the 'Society for the Study and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionists
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Fine Arts (Antwerp)
The Royal Academy of Fine Arts Antwerp ( nl, Koninklijke Academie voor Schone Kunsten van Antwerpen) is an art academy located in Antwerp, Belgium. It is one of the oldest of its kind in Europe. It was founded in 1663 by David Teniers the Younger, painter to the Archduke Leopold Wilhelm and Don Juan of Austria. Teniers was master of the Guild of St Luke—which embraced arts and some handicrafts—and petitioned Philip IV of Spain, then master of the Spanish Netherlands, to grant a royal charter to establish a Fine Arts Academy in Antwerp. It houses the Antwerp Fashion Academy. 19th century The Royal Academy developed into an internationally acclaimed institute for Fine Arts, Architecture and Design. From the nineteenth century on, the academy attracted young artists from abroad. Irish, German, Dutch, Polish artists looking for a solid classical training found their way to Antwerp. Under the direction of Gustave Wappers (1803-1874) and his registrar Hendrik Conscience, the academ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (arts)
Symbolism was a late 19th-century art movement of French art, French and Art of Belgium, Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against Naturalism (literature), naturalism and Realism (arts), realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock Trope (literature), tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related decadent movement, Decadents of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société Des Artistes Indépendants
The Société des Artistes Indépendants (''Society of Independent Artists'') or Salon des Indépendants was formed in Paris on 29 July 1884. The association began with the organization of massive exhibitions in Paris, choosing the slogan "''sans jury ni récompense''" ("without jury nor reward"). Albert Dubois-Pillet, Odilon Redon, Georges Seurat and Paul Signac were among its founders. For the following three decades their annual exhibitions set the trends in art of the early 20th century, along with the Salon d'Automne. This is where artworks were often first displayed and widely discussed. World War I brought a closure to the salon, though the ''Artistes Indépendants'' remained active. Since 1920, the headquarters has been located in the vast basements of the Grand Palais (next door to the ''Société des Artistes Français'', the ''Société Nationale des Beaux-Arts'', the Société du Salon d'Automne, and others). History The Salon des Indépendants (Salon des Artistes I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Monet
Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to ''plein air'' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting '' Impression, soleil levant'', exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1913 Paintings
Events January * January 5 – First Balkan War: Battle of Lemnos – Greek admiral Pavlos Kountouriotis forces the Turkish fleet to retreat to its base within the Dardanelles, from which it will not venture for the rest of the war. * January 13 – Edward Carson founds the (first) Ulster Volunteer Force, by unifying several existing loyalist militias to resist home rule for Ireland. * January 23 – 1913 Ottoman coup d'état: Ismail Enver comes to power. * January – Stalin (whose first article using this name is published this month) travels to Vienna to carry out research. Until he leaves on February 16 the city is home simultaneously to him, Hitler, Trotsky and Tito alongside Berg, Freud and Jung and Ludwig and Paul Wittgenstein. February * February 1 – New York City's Grand Central Terminal, having been rebuilt, reopens as the world's largest railroad station. * February 3 – The 16th Amendment to the United States Constitution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luxembourgian Culture
The culture of Luxembourg refers to the cultural life and traditions of Luxembourg. Most citizens are trilingual, speaking French and German in addition to the Germanic national language of Luxembourgish. Although its contributions to the arts are not largely known outside its borders, Luxembourg has a rich cultural history, especially in music, painting and photography. Its evolving museums, concert halls, theatres and galleries testify to its citizens' growing appreciation of culture. Arts Painting Jean-Baptiste Fresez and Nicolas Liez who both painted the City of Luxembourg and its surroundings were the country's most important 19th-century artists. Jean Jacoby, who was awarded two thousand Olympic Gold medals for his artwork and, above all, Joseph Kutter with his Expressionist landscapes and portraits, were notable during the first half of the 20th century. Kutter's brightly coloured painting of "Luxembourg", commissioned for the 1937 World Exposition in Paris reveals his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionist Paintings
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolist Paintings
Symbolism was a late 19th-century art movement of French art, French and Art of Belgium, Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against Naturalism (literature), naturalism and Realism (arts), realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock Trope (literature), tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related decadent movement, Decadents of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
