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The Critic (play)
''The Critic: or, a Tragedy Rehearsed'' is a satire by Richard Brinsley Sheridan. It was first staged at Drury Lane Theatre in 1779. It is a burlesque on stage acting and play production conventions, and Sheridan considered the first act to be his finest piece of writing. One of its major roles, Sir Fretful Plagiary, is a comment on the vanity of authors, and in particular a caricature of the dramatist Richard Cumberland who was a contemporary of Sheridan. Based on George Villiers' '' The Rehearsal'', it concerns misadventures that arise when an author, Mr Puff, invites Sir Fretful Plagiary and the theatre critics Dangle and Sneer to a rehearsal of his play '' The Spanish Armada'', Sheridan's parody of the then-fashionable tragic drama. In 1911, Herbert Beerbohm Tree mounted a star-studded production of ''The Critic'' at Her Majesty's Theatre starring George Alexander, Cecil Armstrong, Beatrice Ferrar, Arthur Bourchier, C. Hayden Coffin, Kenneth Douglas, Lily Elsie, Winifre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mr Terry As Sir Fretful Plagiary
''Mister'', usually written in its contracted form ''Mr.'' or ''Mr'', is a commonly used English honorific for men without a higher honorific, or professional title, or any of various designations of office. The title 'Mr' derived from earlier forms of ''master'', as the equivalent female titles ''Mrs'', '' Miss'', and '' Ms'' all derived from earlier forms of ''mistress''. ''Master'' is sometimes still used as an honorific for boys and young men. The modern plural form is ''Misters'', although its usual formal abbreviation ''Messrs''(.) derives from use of the French title ' in the 18th century. ' is the plural of ' (originally ', "my lord"), formed by declining both of its constituent parts separately. Historical etiquette Historically, ''mister'' was applied only to those above one's own status if they had no higher title such as ''Sir'' or ''my lord'' in the English class system. That understanding is now obsolete, as it was gradually expanded as a mark of respect to tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth Douglas
Lieutenant-General Sir Kenneth MacKenzie Douglas, 1st Baronet (1754–1833), born Kenneth MacKenzie, was the first baronet of the Douglas of Glenbervie, Kincardine Baronetcy (second creation). He was created baronet in 1831. Born as Kenneth MacKenzie in Dundee in 1754, his father was Kenneth Mackenzie, of Kilcoy, Ross-shire, and his mother Janet, a daughter of Sir Robert Douglas, 6th Baronet of Glenbervie (first creation).David Gates‘Mackenzie, Kenneth (later Sir Kenneth Douglas, first baronet) (1754–1833)’ ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. Retrieved 19 June 2008 He was commissioned as an ensign in the 33rd Foot in 1767, and was promoted lieutenant in 1775. MacKenzie transferred to the 14th Foot in 1783. He served in Guernsey, the West Indies, Flanders, Gibraltar, and Egypt. He joined the 90th Foot in 1794, when, under Thomas Graham, (later Lord Lynedoch), he trained light company troops. On the death of Lieutenant-Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Tempest
Dame Mary Susan Etherington, (15 July 1864 – 15 October 1942), known professionally as Marie Tempest, was an English singer and actress. Tempest became a famous soprano in late Victorian light opera and Edwardian musical comedies. Later, she became a leading comic actress and toured widely in North America and elsewhere. She was, at times, her own theatre manager during a career spanning 55 years. She was also instrumental in the founding of the actors' union Equity in Britain. Life and career Tempest was born in London. Her parents were Edwin Etherington (1838–1880), a stationer, and his wife, Sarah Mary (''née'' Castle). She had a sister, Florence Etherington, who married the theatre manager Michael Levenston. Tempest was educated at Midhurst School and an Ursuline convent in Tildonk, Belgium. Later, she studied music in Paris and at the Royal Academy of Music in London, as a singing pupil of Manuel García, the tutor of Jenny Lind, Mathilde Marchesi and Charles San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtice Pounds
Charles Courtice Pounds (30 May 1861 Gänzl, Kurt"Pounds of Pyes, or mea culpa No. 2" Kurt Gänzl's blog, 4 May 2018. Note that hibirth registrationis in central London in the third quarter of 1861 – 21 December 1927), better known by the stage name Courtice Pounds, was an English singer and actor known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company and his later roles in Shakespeare plays and Edwardian musical comedies. As a young member of D'Oyly Carte, Pounds played tenor leads in the Gilbert and Sullivan operas in New York and on tour in Britain and continental Europe from 1881 to 1887. After being promoted to principal tenor at the Savoy Theatre, he created the principal tenor roles in ''The Yeomen of the Guard'' (1888), ''The Gondoliers'' (1889), '' The Nautch Girl'' (1891) and ''Haddon Hall'' (1892), and played other principal roles. After leaving D'Oyly Carte in 1895, Pounds became a prominent performer during the tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Payne
Edmund James "Teddy" Payne (14 December 1863 – 15 July 1914), was an English actor, comedian and singer best known for creating comic roles in a series of extremely successful Edwardian musical comedies. He was often paired with the comic actor George Grossmith, Jr. After about a decade touring and in stock productions, Payne joined the company at the Gaiety Theatre in London, gaining notice for creating a comic character in the musical '' In Town'' (1892). He spent more than two decades at the Gaiety, using his diminutive stature, malleable features, distinctive lisp and comic dance ability to his advantage. His further successes in the 1890s included lovable comic roles in such long-running shows as ''The Shop Girl'' (1894), ''The Circus Girl'' (1896) and ''A Runaway Girl'' (1898). In the new century, he created memorable characters in such hits as ''The Messenger Boy'' (1900), ''The Toreador'' (1902), ''The Orchid'' (1903), ''The Spring Chicken'' (1905), ''The Girls of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gertie Millar
Gertrude Ward, Countess of Dudley ( Millar; 21 February 1879 – 25 April 1952), known as Gertie Millar, was an English actress and singer of the early 20th century, known for her performances in Edwardian musical comedies. Beginning her career at age 13, Millar was a prominent star of musical comedies for two decades. In 1902, she married the composer Lionel Monckton, who wrote the scores of many of her shows and songs that she made famous. She was one of the most prominent West End theatre performers of the early 20th century, starring in such long-running hits as ''The Toreador'' (1901), ''The Orchid'' (1903) '' The Spring Chicken'' (1905), ''The New Aladdin'' (1906) ''The Girls of Gottenberg'' (1907), ''Our Miss Gibbs'' (1909), ''The Quaker Girl'' (1910), '' Gipsy Love'' (1912), '' The Dancing Mistress'' (1912), ''The Marriage Market'' (1913), and ''A Country Girl'' (1914). After Monckton died in 1924, Millar married the 2nd Earl of Dudley. Life and career Millar was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerald Du Maurier
Sir Gerald Hubert Edward Busson du Maurier (26 March 1873 – 11 April 1934) was an English actor and manager. He was the son of author George du Maurier and his wife, Emma Wightwick, and the brother of Sylvia Llewelyn Davies. In 1903, he married the actress Muriel Beaumont, with whom he had three daughters: writers Angela du Maurier (1904–2002) and Daphne du Maurier (1907–1989), and painter Jeanne du Maurier (1911–1997). His popularity was due to his subtle and naturalistic acting: a "delicately realistic style of acting that sought to suggest rather than to state the deeper emotions". His ''Times'' obituary said of his career: "His parentage assured him of engagements in the best of company to begin with; but it was his own talent that took advantage of them." Early life Gerald Hubert Edward Busson du Maurier was born on 26 March 1873 in Hampstead, London, the son of Emma (Wightwick) and George du Maurier, author and ''Punch'' cartoonist, who created the character ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyril Maude
Cyril Francis Maude (24 April 1862 — 20 February 1951) was an English actor-manager. Biography Maude was born in London and educated at Wixenford and Charterhouse School. In 1881, he was sent to Adelaide, South Australia, on the clipper ship ''City of Adelaide'' to regain his health. He returned to Britain without having regained his health, but nursing the ambition to be an actor. He studied acting under Charles Cartwright and Roma Le Thiere, but was forced to leave the country again for health reasons. He travelled to Canada and America, fulfilling his acting ambition with Daniel Bandman's company in Denver, Colorado in 1884. From 1896 until 1905 he was co-manager of the Haymarket Theatre in London with Frederick Harrison. There he became known for his quietly humorous acting in many parts. In 1906 he went into management on his own account, and in 1907 he opened the Playhouse, also in London. Between 1911 and 1919 he acted largely in the United States where he played ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurence Sydney Brodribb Irving
Laurence Sydney Brodribb Irving (21 December 1871 – 29 May 1914) was an English dramatist and actor. He died along with his wife, Mabel, in the RMS Empress of Ireland disaster. Life and career Born in London, Laurence Irving was a son of the great Victorian actor-manager, Sir Henry Irving and his wife Florence (née O'Callaghan), and brother to actor manager Harry Brodribb Irving. He was educated at Marlborough College and the College Rollin in Paris, following which he was in Russia for three years studying for the Foreign Office. However, instead he took up acting, making his first appearance in 1891Phyllis Hartnoll and Peter FoundLaurence Sidney Brodribb Irving (1871–1914) – ''The Concise Oxford Companion to the Theatre'' (2 ed.), Oxford University Press, Print Publication Date: 1996 Print Published online: 2003 as Snug in ''The Dream'' in F. R. Benson's theatrical company – not counting childhood performances. In 1892 he appeared at Toole's Theatre in ''Daisy's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Haye
Helen Haye (born Helen Hay, 28 August 1874 – 1 September 1957) was a British stage and film actress. New York Times. 3 September 1957 Stage Hay began acting on the stage in 1898 and debuted in London in 1911 as Gertrude in ''''. In 1927, she starred in 's '''' at the . In 1950, she was in ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Hawtrey (stage Actor)
Sir Charles Henry Hawtrey (21 September 1858 – 30 July 1923) was an English actor, director, producer and manager. He pursued a successful career as an actor-manager, specialising in debonair, often disreputable, parts in popular comedies. He occasionally played in Sheridan and other classics, but was generally associated with new works by writers including Oscar Wilde and Somerset Maugham. Born to a long-established county family, Hawtrey was one of three of his parents' five sons to pursue a theatrical career. Before going on the stage he had considered joining the army, but failed to apply himself to the necessary studies to qualify for a commission. Once established as an actor he quickly took on the additional role of a manager, boosted by an early success with his own adaptation of a German farce presented in London as ''The Private Secretary'', which made his fortune. A lifelong gambler, both with theatrical productions and on horseracing, to which he was addicted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grossmith, Jr
George Grossmith Jr. (11 May 1874 – 6 June 1935) was an English actor, theatre producer and manager, director, playwright and songwriter, best remembered for his work in and with Edwardian musical comedies. Grossmith was also an important innovator in bringing "cabaret" and "revues" to the London stage. Born in London, he took his first role on the musical stage at the age of 18 in ''Haste to the Wedding'' (1892), a West End collaboration between his famous songwriter and actor father and W. S. Gilbert. Grossmith soon became an audience favourite playing "dude" roles. Early appearances in musicals included George Edwardes's hit ''A Gaiety Girl'' in 1893, and ''Go-Bang'' and ''The Shop Girl'' in 1894. In 1895, Grossmith left the musical stage, instead appearing in straight comedies, but after a few years he returned to performing in musicals and Victorian burlesques. Early in the new century, he had a string of successes in musicals for Edwardes, including ''The Toreador'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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