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The Creator Has A Master Plan
''The Creator Has a Master Plan'' is a live album by saxophonist Pharoah Sanders. It was recorded on April 23, 2003 at Wonder Station in Tokyo, Japan, and was released later that year by Venus Records. On the album, Sanders is joined by pianist William Henderson, bassist Ira Coleman, and drummer Joe Farnsworth. The title track first appeared on the 1969 album ''Karma''. Reception In a review for AllMusic, Judith Schlesinger called the album "a rare treat," and wrote: "If he's not quite as pyrotechnic as before, his sound and soul are undiminished, and he's still coming up with unusual timbres." The authors of ''The Penguin Guide to Jazz Recordings'' stated: "the title-piece is very well played, a lot fresher and more contemporary than the original sounds now. The new group also sharpens up the action considerably and there's a bite as well as romantic consideration to Pharoah's playing as a result." Track listing # "I Want to Talk About You" ( Billy Eckstine) – 7:13 # "Moon R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pharoah Sanders
Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world". Sanders' take on “spiritual jazz” was rooted in his inspiration from religious concepts such as Karma and Tawhid, and his rich, meditative performance aesthetic. This style was seen as a continuation of Coltrane's work on albums such as ''A Love Supreme''. As a result, Sanders was considered to have been a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Eckstine
William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of " I Apologize" (MGM, 1948) was given the Grammy Hall of Fame Award in 1999. ''The New York Times'' described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls." Early life and education Eckstine was born in Pittsburgh, Pennsylvania, United States, the son of William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress. Eckstine's paternal grandparents were William F. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Live Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's Easy To Remember (And So Hard To Forget)
"It's Easy to Remember (And So Hard to Forget)" is a popular song written by Richard Rodgers with lyrics by Lorenz Hart. History Published in 1935, the song was written for the 1935 film ''Mississippi'' starring Bing Crosby and W.C. Fields. Crosby introduced the song in the film and his recording for Decca Records made on February 21, 1935 with Georgie Stoll and his Orchestra and Rhythmettes and Three Shades of Blue topped the charts of the day. Crosby recorded the song again in 1954 for his album '' Bing: A Musical Autobiography''. The song is now considered a standard, with many recordings having been made by many artists. Other notable recordings * Jane Ira Bloom – in her double album '' Wild Lines: Improvising Emily Dickinson'' (2017) * Fred Astaire – in the album '' A Couple of Song and Dance Men'' (1975) * Rosemary Clooney – ''Rosie Sings Bing'' (1978) * John Coltrane – ''Ballads'' (1962) * Perry Como – recorded for his album ''We Get Letters'' (1957) * Doris D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Masser
Michael William Masser (March 24, 1941 – July 9, 2015) was an American songwriter, composer and producer of popular music. Early life Born to a Jewish family in Chicago to Ester Huff and William Masser, he attended the University of Illinois College of Law. He became a stockbroker, but left to pursue his interest in music. Career Masser's first major composition hit, co-written with Ron Miller, was "Touch Me in the Morning", recorded by Diana Ross. He co-wrote several other hit songs in the 1970s and 1980s, including four made famous by Whitney Houston, "Didn't We Almost Have It All", "Saving All My Love for You", " All at Once" and "Greatest Love of All", originally recorded as "The Greatest Love of All" by George Benson for the 1977 film '' The Greatest''. Other Masser's songs by Benson are "In Your Eyes" (George Benson, Jeffrey Osborne), "Nothing's Gonna Change My Love for You" (George Benson, Glenn Medeiros) and "You Are the Love of My Life" (George Benson and Roberta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Greatest Love Of All
"The Greatest Love of All" is a song written by Michael Masser, who composed the music, and Linda Creed, who wrote the lyrics. It was originally recorded in 1977 by George Benson, who made the song a substantial hit, peaking at number two on the US Hot Soul Singles chart that year, the first R&B chart top-ten hit for Arista Records. The song was written and recorded to be the main theme of the 1977 film '' The Greatest,'' a biopic of the boxer Muhammad Ali, and is performed during the opening credits. Benson's original recording was released in 1977 in the United States, Japan, France, Germany, New Zealand, Australia, Italy, Brazil, Netherlands, the United Kingdom and Thailand, on an extended play (EP). He officially recorded the song four times; in addition to the studio single, Benson also recorded three live versions, the last time in a duet with Luciano Pavarotti in 2001. Since 1977, a great number of artists have recorded this song, including Shirley Bassey, Oleta Adams, Ale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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