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The Connection (1959 Play)
''The Connection'' is a 1959 play by Jack Gelber. It was first produced by the Living Theatre, directed by Living Theatre co-founder Judith Malina, and designed by co-founder Julian Beck. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music. The music for the original production was composed by jazz pianist Freddie Redd. Original cast *Jim Dunn – Leonard Hicks *Jaybird – Ira Lewis *Leach – Warren Finnerty *Solly – Jerome Raphel *Sam – John McCurry *Ernie – Garry Goodrow *1st Musician – Freddie Redd (composer, piano) *4th Musician – Michael Mattos (bass) *First P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Gelber
Jack Gelber (April 12, 1932 – May 9, 2003) was an American playwright best known for his 1959 drama '' The Connection'', depicting the life of drug-addicted jazz musicians. The first great success of the Living Theatre, the play was translated into five languages and produced in ten nations. Gelber continued to work and write in New York, where he also taught writing, directing and drama as a professor, chiefly at Brooklyn College, City University of New York, where he created the MFA program in playwriting. In 1999 he received the Edward Albee Last Frontier Playwright Award in recognition of his lifetime of achievements in theatre. Early life and education Jack Gelber was born April 12, 1932 in Chicago, the first of three sons of Molly (Singer) and Harold Gelber, a Jewish American couple of Russian and Romanian descent. Harold was a sheet metal worker, a trade the younger Gelber would briefly adopt to finance his education at the University of Illinois. While at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil Payne
Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazz baritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespie and Randy Weston, in addition to his solo work as bandleader. Biography Payne received his first saxophone aged 13, asking his father for the instrument after hearing " Honeysuckle Rose" performed by Count Basie with Lester Young soloing. Payne took lessons from a local alto sax player, Pete Brown, and studied at Boys High School, Bedford-Stuyvesant. Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he also began playing with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the swing category, until Gillespie hired him. Payne stayed on board until 1949, heard performing solos on "Ow!" and "Stay On It". In the early 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Clarke
Shirley Clarke (née Brimberg; October 2, 1919 – September 23, 1997) was an American filmmaker. Life Born Shirley Brimberg in New York City, she was the daughter of a Polish-immigrant father who made his fortune in manufacturing. Her mother was the daughter of a multimillionaire Jewish manufacturer and inventor. The eldest of three daughters, her sister was the writer Elaine Dundy. Her interest in dance began at an early age, but met with the disapproval of her father, a violent bully.Philip PurseObituary of Clarke's sister, Elaine Dundy ''The Guardian'', 8 May 2008. Clarke attended Stephens College, Johns Hopkins University, Bennington College, and University of North Carolina. As a result of dance lessons at each of these schools, she trained under the Martha Graham technique, the Humphrey-Weidman technique, and the Hanya Holm method of modern dance. She married Bert Clarke to escape her father's control, so she could study dance under the masters in New York City. Their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis M
Lewis may refer to: Names * Lewis (given name), including a list of people with the given name * Lewis (surname), including a list of people with the surname Music * Lewis (musician), Canadian singer * "Lewis (Mistreated)", a song by Radiohead from ''My Iron Lung'' Places * Lewis (crater), a crater on the far side of the Moon * Isle of Lewis The Isle of Lewis ( gd, Eilean Leòdhais) or simply Lewis ( gd, Leòdhas, ) is the northern part of Lewis and Harris, the largest island of the Western Isles or Outer Hebrides archipelago in Scotland. The two parts are frequently referred to a ..., the northern part of Lewis and Harris, Western Isles, Scotland United States * Lewis, Colorado * Lewis, Indiana * Lewis, Iowa * Lewis, Kansas * Lewis Wharf, Boston, Massachusetts * Lewis, Missouri * Lewis, Essex County, New York * Lewis, Lewis County, New York * Lewis, North Carolina * Lewis, Vermont * Lewis, Wisconsin Ships * USS Lewis (1861), USS ''Lewis'' (1861), a sailing ship * USS Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Connection (1961 Film)
''The Connection'' is a 1961 found footage feature film directed by the American experimental filmmaker Shirley Clarke. The film was Clarke's first feature; she had made several short films over the previous decade. Jack Gelber wrote the screenplay, adapting his play of the same name. The film was the subject of significant court cases regarding censorship. It is the first known movie shot in the found footage format and beginning with a found footage title card. Plot A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden ( Roscoe Lee Browne) working for the acclaimed documentary filmmaker Jim Dunn ( William Redfield), who has disappeared. Leach (Warren Finnerty) a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy ( Carl Lee), their drug connection, to appear. As the men grow increasingly nervous, waiting for their fix, some of them s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama Desk Award
The Drama Desk Award is an annual prize recognizing excellence in New York theatre. First bestowed in 1955 as the Vernon Rice Award, the prize initially honored Off-Broadway productions, as well as Off-off-Broadway, and those in the vicinity. Following the 1964 renaming as the Drama Desk Awards, Broadway productions were included beginning with the 1968–69 award season. The awards are considered a significant American theater distinction. History The Drama Desk organization was formed in 1949 by a group of New York theater critics, editors, reporters and publishers, in order to make the public aware of the vital issues concerning the theatrical industry. They debuted the presentations of the ''Vernon Rice Awards''. The name honors the '' New York Post'' critic Vernon Rice, who had pioneered Off-Broadway coverage in the New York press. The name was changed for the 1963–1964 awards season to the ''Drama Desk Awards''. In 1974, the Drama Desk became incorporated as a not-for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obie Award
The Obie Awards or Off-Broadway Theater Awards are annual awards originally given by ''The Village Voice'' newspaper to theatre artists and groups in New York City. In September 2014, the awards were jointly presented and administered with the American Theatre Wing. As the Tony Awards cover Broadway productions, the Obie Awards cover off-Broadway and off-off-Broadway productions. Background The Obie Awards were initiated by Edwin (Ed) Fancher, publisher of ''The Village Voice,'' who handled the financing and business side of the project. They were first given in 1956 under the direction of theater critic Jerry Tallmer. Initially, only off-Broadway productions were eligible; in 1964, off-off-Broadway productions were made eligible. The first Obie Awards ceremony was held at Helen Gee's cafe.Aletti, Vince"Helen Gee 1919–2004" ''Village Voice'' (New York City), 12 October 2004, accessed on 21 November 2013 With the exception of the Lifetime Achievement and Best New American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dexter Calling
''Dexter Calling...'' is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label in 1962.Dexter Gordon discography accessed November 2, 2010. "Soul Sister", "I Want More" and "Ernie's Tune" were written for the Los Angeles production of the play The Connection by in 1960. ''Dexter Calling'' was Gordon's second album for Blue Note, and was recorded three days after Doin' Allright, his first album for the label. < ...
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Blue Note
In jazz and blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. Typically the alteration is between a quartertone and a semitone, but this varies depending on the musical context. Origins and meaning The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. The lowered fifth is also known as the raised fourth.Ferguson, Jim (1999). ''All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses'', p. 20. . Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of tonalities". A similar conflict occurs between the notes of the minor scale and the minor blues scale, as heard in songs such as " Why Don't You Do Right?", "Happy" and " Sweet About Me". In the case of the lowered third over the root (or the lowered seventh over the dominant), the resu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dexter Gordon
Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, bandleader, and actor. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was , so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned more than 40 years. Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He was known for inserting musical quotes into his solos, with sources as diverse as " Happy Birthday" and well known melodies from the operas of Wagner. This is not unusual in jazz improvization, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Persip
Charles Lawrence Persip (July 26, 1929 – August 23, 2020), known as Charli Persip and formerly as Charlie Persip (he changed the spelling of his name to Charli in the late 1960s), was an American jazz drummer. Biography Born in Morristown, New Jersey, United States, and raised in Newark, New Jersey, Persip attended West Side High School, preferring it over Newark Arts High School because he wanted to join the former's football team. He later studied drums with Al Germansky in Newark. After playing with Tadd Dameron in 1953, he gained recognition as a jazz drummer as he toured and recorded with Dizzy Gillespie's big and small bands between 1953 and 1958. He then joined Harry "Sweets" Edison's quintet and later the Harry James Orchestra before forming his own group, the Jazz Statesmen, with Roland Alexander, Freddie Hubbard, and Ron Carter in 1960. Around this time, Persip also recorded with other jazz musicians, including Lee Morgan, Melba Liston, Kenny Dorham, Zoot Sims, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), ''All Blues'' (1973), ''Spanish Blue'' (1974), '' Anything Goes'' (1975), '' Yellow & Green'' (1976), '' Pastels'' (1976), ''Piccolo'' (1977), ''Third Plane'' (1977), '' Peg Leg'' (1978), ''A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz musici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
