The Complex Of Huế Monuments
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The Complex Of Huế Monuments
The Complex of Huế Monuments ( vi, Quần thể di tích Cố đô Huế) is a UNESCO World Heritage Site-listed relic complex located in the city of Huế, central Vietnam. Established as the capital of newly unified Vietnam in 1802 under the reign of emperor Gia Long, Hue played a vital role as the political, cultural, and religious center of the empire. The complex consists of Hoàng thành (the Imperial City), Kinh thành (the Citadel), and the Tử Cấm Thành (Purple Forbidden City), as well as associated monuments outside of the city, including the tombs of the emperors Gia Long, Minh Mạng, Thiệu Trị, Tự Đức, Dục Đức, Đồng Khánh, and Khải Định, and a string of temples, pagodas, and other spiritual sites. The structures of The Complex of Huế Monuments are carefully placed within the natural setting of the site and aligned with the concept of '' oriential geomancy'' and '' Five elements'' which including Five Cardinal Points (center, west ...
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Huế
Huế () is the capital of Thừa Thiên Huế province in central Vietnam and was the capital of Đàng Trong from 1738 to 1775 and of Vietnam during the Nguyễn dynasty from 1802 to 1945. The city served as the old Imperial City and administrative capital for the Nguyễn dynasty and later functioned as the administrative capital of the protectorate of Annam during the French Indochina period. It contains a UNESCO-designated site, the Complex of Huế Monuments, which is a popular tourist attraction. Alongside its moat and thick stone walls the complex encompasses the Imperial City of Huế, with palaces and shrines; the Forbidden Purple City, once the emperor's home; and a replica of the Royal Theater. Nearly 4.2 million visitors had visited the city in 2019 and many of its historic landmarks are still undergoing restoration. History The oldest ruins in Hue belong to the Kingdom of Lam Ap, dating back to the 4th century AD. The ruins of its capital, the ancient ci ...
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Dục Đức
Dục Đức (, ; born Nguyễn Phúc Ưng Ái, 23 February 1852 – 6 October 1883), was Emperor of Vietnam for three days, from 20 to 23 July 1883. He was the fifth emperor of the Nguyễn dynasty and father of Emperor Thành Thái, who ruled from 1889 to 1907. Early life Dục Đức was born Nguyễn Phúc Ưng Ái and at age 17 was renamed Nguyễn Phúc Ưng Chân ( 阮 福 膺 禛). He was the second son of Nguyễn Phúc Hồng Y, the fourth brother of Emperor Tự Đức. He and his two cousins, Chanh Mong (later Emperor Đồng Khánh) and Duong Thien (Kiến Phúc), sons of Tự Đức's twenty-sixth brother Thien Thai Vuong, were adopted by the emperor, who had no children of his own.Bruce M. Lockhart, William J. Duiker Historical Dictionary of Vietnam 2006 p113 "Dục Đức (1852-1884). Emperor (r. 1883) under the Nguyén dynasty." Page 154 "A younger brother and adopted son of Emperor Tự Đức, iép Hoasucceeded his nephew Dục Đức after the latter was depo ...
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History Of Vietnam
The history of Vietnam can be traced back to around 20,000 years ago, as the first modern humans arrived and settled on this land, known as the Hoabinhians, which can be traced to modern-day Negritos. Archaeological findings from 1965, which are still under research, show the remains of two hominins closely related to the '' Sinanthropus'', dating as far back as the Middle Pleistocene era, roughly half a million years ago. Pre-historic Vietnam was home to some of the world's earliest civilizations and societies—making them one of the world's first people who had practiced agriculture. The Red River valley formed a natural geographic and economic unit, bounded to the north and west by mountains and jungles, to the east by the sea and to the south by the Red River Delta. The need to have a single authority to prevent floods of the Red River, to cooperate in constructing hydraulic systems, trade exchange, and to repel invaders, led to the creation of the first legendary Vietnamese ...
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Palaces In Vietnam
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, wherea ...
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Buildings And Structures In Huế
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Chinese Art
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese culture, heritage, and history. Early " Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art. Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art. Decorative arts are extremely important in Chinese art, and much of the finest work was produced in large works ...
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Vietnamese Dynasties
Prior to the abdication of Bảo Đại on 30 August 1945 in the aftermath of the August Revolution, Vietnam was ruled by a series of dynasties of either local or Chinese origin. The following is a list of major dynasties in the history of Vietnam. Background Naming convention In Vietnamese historiography, dynasties are generally known to historians by the family name of the monarchs. For example, the Đinh dynasty (; ) is known as such because the ruling clan bore the family name (). Similar to Chinese dynasties, Vietnamese dynasties would adopt a (; "name of the state") upon the establishment of the realm. However, as it was common for several dynasties to share the same official name, referring to regimes by their official name in historiography would be potentially confusing. For instance, the "" () was used by the Lý dynasty (since the reign of Lý Thánh Tông), the Trần dynasty, the Later Trần dynasty, the Later Lê dynasty, the Mạc dynasty, and the Tây Sơn d ...
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Wuxing (Chinese Philosophy)
(; Japanese: (); Korean: (); Vietnamese: ''ngũ hành'' (五行)), usually translated as Five Phases or Five Agents, is a fivefold conceptual scheme that many traditional Chinese fields used to explain a wide array of phenomena, from cosmic cycles to the interaction between internal organs, and from the succession of political regimes to the properties of medicinal drugs. The "Five Phases" are Fire ( zh, c=, p=huǒ, labels=no), Water ( zh, c=, p=shuǐ, labels=no), Wood ( zh, c=, p=mù, labels=no), Metal or Gold ( zh, c=, p=jīn, labels=no), and Earth or Soil ( zh, c=, p=tǔ, labels=no). This order of presentation is known as the " Days of the Week" sequence. In the order of "mutual generation" ( zh, c=相生, p=xiāngshēng, labels=no), they are Wood, Fire, Earth, Metal, and Water. In the order of "mutual overcoming" ( zh, c=相克, p=xiāngkè, labels=no), they are Wood, Earth, Water, Fire, and Metal. The system of five phases was used for describing interactions and rel ...
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Khải Định
Khải Định (; chữ Hán: 啓定; born Nguyễn Phúc Bửu Đảo; 8 October 1885 – 6 November 1925) was the 12th emperor of the Nguyễn dynasty in Vietnam, reigning from 1916 to 1925. His name at birth was Prince Nguyễn Phúc Bửu Đảo. He was the son of Emperor Đồng Khánh, but he did not succeed him immediately. Biography Before Emperor Đồng Khánh's era came the eras of Emperor Thành Thái and Emperor Duy Tân, both of whom were exiled by the French for their resistance to the colonial regime. After this trouble, the French decided to enthrone Bửu Đảo as he was the son of the monarch who was the most submissive Nguyễn collaborator with the colonial regime, standing with the French colonizers and opposing any independence movements, Emperor Đồng Khánh. File:Prince Nguyễn Phúc Vĩnh Thụy (阮福永瑞) and the Khải Định Emperor (啓定帝) - Southern China Morning Post.jpg, Emperor Khải Định and crown prince Vĩnh Thụy. File:KD123 ...
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Đồng Khánh
Đồng Khánh (, vi-hantu, 同 慶, lit. "collective celebration"; 19 February 1864 – 28 January 1889), born Nguyễn Phúc Ưng Kỷ (阮福膺祺) or Nguyễn Phúc Ưng Đường (阮福膺禟), also known as Chánh Mông (正蒙), was the ninth emperor of the Nguyễn Dynasty of Vietnam. He reigned three years between 1885 and 1889. His royal temple name was Cảnh Tông (景宗). Biography Đồng Khánh was born on 19 December 1864 at Imperial City of Huế. He got the childhood name Chánh Mông when he was brought up in Chánh Mông palace. Đồng Khánh was the eldest son of Prince Nguyễn Phúc Hồng Cai (son of emperor Thiệu Trị) and Concubine Bùi Thị Thanh. As his uncle, Emperor Tự Đức, had no children, Đồng Khánh was adopted and given the title Kiên Giang quận công (Duke of Kiên Giang). Rule After the French armies captured the city of Huế and the Purple Forbidden City fell to the French, the court regents Nguyễn Văn Tường and ...
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Tự Đức
Tự Đức (, vi-hantu, 嗣 德, lit. "inheritance of virtues", 22 September 1829 – 19 July 1883) (personal name: Nguyễn Phúc Hồng Nhậm , also Nguyễn Phúc Thì) was the fourth emperor of the Nguyễn dynasty of Vietnam; he ruled from 1847 to 1883. Biography The son of Emperor Thiệu Trị, Prince Nguyễn Phúc Hồng Nhậm was born on 22 September 1829, and succeeded his father on the throne, with the reigning title of Tự Đức, but family troubles caused his era to have a violent start. Thiệu Trị had passed over his more moderate eldest son, Hồng Bảo, to give the throne to Tự Đức, known for his staunch Confucianism and opposition to foreigners and innovation. As a result, and due to the repressive policies of the previous Nguyễn dynasty emperor, there was now a great deal of dissatisfaction with Nguyễn rule and a legitimate royal figure to rally this opposition. Rule Cholera and dwindling In summer 1849, one year after Tu Duc's inaugurat ...
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