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The Complete RCA Victor Recordings
''The Complete RCA Victor Recordings'' is a 1995 compilation 2-CD set of sessions led by Jazz trumpeter and composer Dizzy Gillespie recorded for the RCA Victor label between 1937 and 1949. Reception Writing for Allmusic, Richard S. Ginell states: "Although the sheer scope of this double-CD roundup of all of Dizzy's Victor sessions places it most obviously within the evolution of bebop, it is absolutely essential to Latin Jazz collections as well".Ginell, R. G.Allmusic Review accessed February 20, 2014 Music historian and Arts Administrator for the National Endowment for the Arts, A. B. Spellman recommended the album for the NPR Basic Jazz Record Library, stating: "Primarily, I say this for the big band, but that's not all that's on here. You have some very early Dizzy, when he's playing with the Teddy Hill Orchestra or with the Lionel Hampton Orchestra. You have some small group stuff from the 52nd Street time, when he was playing all the clubs there. And you also have a very ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Porter Stomp
"King Porter Stomp" is a jazz standard by pianist Jelly Roll Morton, first recorded in 1923. The composition is considered to be important in the development of jazz.Magee, Jeffrey. "'King Porter Stomp' and the Jazz Tradition", p.46, ''Current Musicology'', 71-73 (Spring 2001-Spring 2002), p. 22-53 It became a hit during the swing era, when it was recorded by Benny Goodman. History According to Jelly Roll Morton, the tune was composed in 1906 and was the first "stomp" in the history of jazz. Morton first recorded the number in 1923 as a piano solo, but did not file a copyright on the tune until 1924. That year, Morton recorded a duet version with Joe "King" Oliver on cornet. Morton said that he had actually written the tune almost 20 years earlier, and that it was named after his friend and fellow pianist Porter King. On July 1, 1935, Benny Goodman and his orchestra recorded Fletcher Henderson's arrangement of the number, backed with " Sometimes I'm Happy". It was released ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woody 'n You
"Woody 'n' You", is a 1942 jazz standard written by Dizzy Gillespie as an homage to Woody Herman. It was one of three arrangements Gillespie made for Herman's big band, although it was not used at the time; the other two were "Swing Shift" and "Down Under". It was introduced on record in 1944 by Coleman Hawkins initiated by Budd Johnson, Hawkins' musical director of his 12-man orchestra that included the bebop pioneers Oscar Pettiford, Max Roach and Gillespie. Structure The 32-bar composition is in AABA form. The A section "consists of three two-measure sequences on ii-V chords, ending on the tonic (D)": Gm7(5) – C7(9) – Fm7(5) – B7(9) – Em7(5) – A7(9) – Dmaj9 Covers *Miles Davis recorded the song three times, '' Miles Davis Volume 1'', '' Relaxin' with the Miles Davis Quintet'', and the rare ''Amsterdam Concert''. *Hampton Hawes played it in 1956 in his '' All Night Session! Vol. 2''. * Sonny Rollins played the song on his '' A Night at the Village Vanguard'' live alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lewis (pianist)
John Aaron Lewis (May 3, 1920 – March 29, 2001) was an American jazz pianist, composer and arranger, best known as the founder and musical director of the Modern Jazz Quartet. Early life John Lewis was born in La Grange, Illinois, and after his parents' divorce moved with his mother, a trained singer, to Albuquerque, New Mexico when he was two months old. She died from peritonitis when he was four and he was raised by his grandmother and great-grandmother. He began learning classical music and piano at the age of seven. His family was musical and had a family band that allowed him to play frequently and he also played in a Boy Scout music group. Lyons, p. 77. Even though he learned piano by playing the classics, he was exposed to jazz from an early age because his aunt loved to dance and he would listen to the music she played. He attended the University of New Mexico, where he led a small dance band that he formed Giddins, p. 378. and double majored in Anthropology and Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babs Gonzales
Babs Gonzales (October 27, 1919 – January 23, 1980), born Lee Brown, was an American bebop vocalist, poet, and self-published author. His books portrayed the jazz world that many black musicians struggled in, portraying disk jockeys, club owners, liquor, drugs, and racism. "There are jazz people whose influence can be described as minor," wrote Val Wilmer, "yet who are well-known to musicians and listeners alike ... You'd have to be hard-pressed to ignore the wealth of legend that surrounds Babs Gonzales." Jazz writer Jack Cooke explained that Gonzales "assumed the role of spokesman for the whole hipster world... ecomingsomething more than just a good and original jazz entertainer: the incarnation of a whole social group." Early life Gonzales was born Lee Brown in Newark, New Jersey New Jersey is a state in the Mid-Atlantic and Northeastern regions of the United States. It is bordered on the north and east by the state of New York; on the east, southeast, and south ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Feather
Leonard Geoffrey Feather (13 September 1914 – 22 September 1994) was a British-born jazz pianist, composer, and producer, who was best known for his music journalism and other writing. Biography Feather was born in London, England, into an upper middle-class Jewish family. He learned to play the piano and clarinet without formal training and started writing about jazz and film by his late teens. At the age of twenty-one, Feather made his first visit to the United States, and after working in the UK and the US as a record producer finally settled in New York City in 1939, where he lived until moving to Los Angeles in 1960. Feather was co-editor of ''Metronome'' magazine and served as chief jazz critic for the ''Los Angeles Times'' until his death. Feather made a significant contribution to the development of jazz broadcasting in Britain, first devising three ''Evergreens of Jazz'' programmes broadcast in August and September 1936, using George Scott-Wood and His Six Swingers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Tunisia
"A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1940–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. Composition Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. On the album '' A Night at Birdland Vol. 1'', Art Blakey introduced his 1954 cover version with this statement: "At this time we'd like to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
52nd Street Theme
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Biography Early life Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teddy Hill
Teddy Hill (December 7, 1909 in Birmingham, Alabama – May 19, 1978 in Cleveland, Ohio) was an American big band leader and the manager of Minton's Playhouse, a seminal jazz club in Harlem. He played a variety of instruments, including drums, clarinet, soprano and tenor saxophone. Life and career After moving to New York City, Hill had early gigs with the Whitman Sisters, George Howe and Luis Russell's orchestra in the 1920s, later forming his own band in 1934, which found steady work over the NBC radio network. Over several years it featured such major young musicians as Roy Eldridge, Bill Coleman, Frankie Newton and Dizzy Gillespie. Biography of Teddy Hill AllMusic Hill's band played at the Savoy Ballroom regularly, and toured England and France in the summer of 1937. After leaving the band business, Hill began to manage Minton's Playhouse in 1940, which became a hub for the bebop style, featuring such major musicians as Thelonious Monk and Kenny Clarke. Hill left Min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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