The Complete Jack Johnson Sessions
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The Complete Jack Johnson Sessions
''The Complete Jack Johnson Sessions'' were recorded in April 1970 by Miles Davis, and released in September 2003. These sessions formed the basis for the 1971 album '' Jack Johnson'', as well as some of the studio portions of '' Live-Evil''. Track listing All compositions by Miles Davis except where noted. * "Right Off" includes an excerpt from an unaccompanied trumpet solo from November 19 or 18, 1969 * "Yesternow" includes excerpts from the unaccompanied November 1969 trumpet solo with arco bass overdubbed, "Shhh/Peaceful" excerpt from February 18, 1969 session ''In a Silent Way'' and the unaccompanied November 1969 trumpet solo with the following overdubs: orchestra arranged by Teo Macero and narration by Brock Peters * "Willie Nelson (Remake Take 2)" and "Duran (Take 6)" were originally released on '' Directions''. * All takes of "Go Ahead John" were released as one assembled track on '' Big Fun''. * "Honky Tonk (Take 2)" was partially released on ''Get Up With It'' ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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The Village Voice
''The Village Voice'' is an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the ''Voice'' began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, the ''Voice'' reappeared in print as a quarterly in April 2021. Over its 63 years of publication, ''The Village Voice'' received three Pulitzer Prizes, the National Press Foundation Award, and the George Polk Award. ''The Village Voice'' hosted a variety of writers and artists, including writer Ezra Pound, cartoonist Lynda Barry, artist Greg Tate, and film critics Andrew Sarris, Jonas Mekas and J. Hoberman. In October 2015, ''The Village Voice'' changed ownership and severed all ties with former parent company Voice Media Group (VMG). The ''Voice'' announced on August 22, 2017, that it would cease p ...
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Steve Grossman (saxophonist)
Steven Mark Grossman (January 18, 1951August 13, 2020) was an American jazz fusion and hard bop saxophonist. Grossman was Wayne Shorter's replacement in Miles Davis's jazz-fusion band. He played with Chick Corea on the album "The Sun" in 1970, then, from 1971 to 1973, he was in Elvin Jones's band. In the late 1970s, he was part of the Stone Alliance trio with Don Alias and Gene Perla. The group released four albums during this period, including one featuring Brazilian trumpeter Márcio Montarroyos. The albums also feature an array of other musicians. They went on to release three live reunion albums during the 2000s. Personal life Grossman was born in Brooklyn, New York, United States, on January 18, 1951, to Rosalind, an amateur pianist, and Irving, an RCA salesman and later president of KLH Research and Development Corporation. He died of cardiac arrest in Glen Cove, New York, on August 13, 2020, at the age of 69. Discography As leader *1974: '' Some Shapes to Come'' ( PM ...
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Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is suppor ...
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Bennie Maupin
Bennie Maupin (born August 29, 1940) is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet. Maupin was born in Detroit, Michigan, United States. He is known for his participation in Herbie Hancock's Mwandishi sextet and Headhunters band, and for performing on Miles Davis's seminal fusion record, ''Bitches Brew''. Maupin has collaborated with Horace Silver, Roy Haynes, Woody Shaw, Lee Morgan and many others. He is noted for having a harmonically-advanced, "out" improvisation style, while having a different sense of melodic direction than other "out" jazz musicians such as Eric Dolphy. Maupin was a member of Almanac, a group with Cecil McBee (bass), Mike Nock (piano) and Eddie Marshall (drums). Discography As leader/co-leader * '' The Jewel in the Lotus'' ( ECM, 1974) * ''Almanac'' (Improvising Artists, 1977) with Mike Nock, Cecil McBee, Eddie Marshall – recorded in 1967 * '' Slow Traffic to the Right'' (Mercury, 1977) * ''Moonscape ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Get Up With It
''Get Up with It'' is a compilation album by American jazz trumpeter, bandleader, and composer Miles Davis. Released by Columbia Records on November 22, 1974, it compiled songs Davis had recorded in sessions between 1970 and 1974, including those for the studio albums '' Jack Johnson'' (1971) and ''On the Corner'' (1972). In ''The Rolling Stone Album Guide'' (2004), J. D. Considine described the compilation's music as "worldbeat fusion". Recordings "He Loved Him Madly" was recorded by Davis as his tribute to then-recently deceased Duke Ellington, who used to tell his audiences "I love you madly." British musician Brian Eno cited it as an influence on his work in ambient music in the liner notes to his 1982 release ''On Land.'' One track, "Honky Tonk", was recorded in 1970 with musicians such as John McLaughlin and Herbie Hancock. "Red China Blues" had been recorded in 1972 before ''On the Corner,'' while "Rated X" and "Billy Preston" were recorded later that year with the band he ...
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Big Fun (Miles Davis Album)
''Big Fun'' is a compilation album by American jazz trumpeter Miles Davis. It was released by Columbia Records on April 19, 1974, and compiled recordings Davis had made in sessions between 1969 and 1972. Largely ignored in 1974, it was reissued on August 1, 2000, by Columbia and Legacy Records with additional material, which led to a critical reevaluation. Background and recording ''Big Fun'' presents music from three phases of Miles Davis's early-seventies "electric" period. Sides one and four ("Great Expectations/Orange Lady" and "Lonely Fire") were recorded three months after the ''Bitches Brew'' sessions and incorporate sitar, tambura, tabla, and other Indian instruments. They also mark the first time since the beginning of Miles Davis's electric period that he played his trumpet with the Harmon mute which had been one of his hallmarks, making it sound much like the sitar. This contributed to creating a very clear and lean sound, highlighting both the high and low registers, ...
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Directions (Miles Davis Album)
''Directions'' is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. ''Directions'' was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with ''The Man with the Horn'' in July 1981. Music ''Directions'' is a double album that features previously unreleased outtakes recorded over a 10-year period by Davis. Apart from "Song of Our Country" from the recording sessions for ''Sketches of Spain'' (1960), a 1961 recording of " 'Round Midnight", and "So Near, So Far" from 1963, the album's songs are from Davis' transitional period during 1967 to 1970, when he was experimenting with a fusion of jazz and rock. They feature sidemen such as saxophonist Wayne Shorter, guitarist John McLaughlin, and keyboardists Herbie Hancock, Joe Zaw ...
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In A Silent Way
''In a Silent Way'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, ''In a Silent Way'' has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances. Upon its release, the album was met by controversy among music critics, particularly those of jazz and rock music, who were divided in their reaction to its experimental musical structure and Davis's electric approach. Since its initial reception, it has been regarded by fans and critics as one of Davis's greatest and most influential works. In 2001, Columbia Legacy and Sony Music released t ...
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Live-Evil (Miles Davis Album)
''Live-Evil'' is an album of both live and studio recordings by American jazz musician Miles Davis. Parts of the album featured music from Davis' concert at the Cellar Door in 1970, which producer Teo Macero subsequently edited and pieced together in the studio. They were performed as lengthy, dense jams in the jazz-rock style, while the studio recordings consisted mostly of renditions of Hermeto Pascoal compositions. The album was originally released on November 17, 1971. Background A number of famous jazz musicians feature on the album, including Keith Jarrett and Jack DeJohnette. One of the key musicians on the album, John McLaughlin, was not a regular member of Miles Davis's band during the time of recording. Davis called McLaughlin at the last minute to join the band for the last of four nights they recorded live at the Cellar Door, as Davis was "looking for an element he hadn't quite nailed down" on the previous nights. Davis had originally intended the album to be a spir ...
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Jack Johnson (album)
''Jack Johnson'' (also known as ''A Tribute to Jack Johnson'' on reissues) is a studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971, by Columbia Records. The album was conceived by Davis for Bill Cayton's documentary of the same name, on the life of boxer Jack Johnson. Its two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at 30th Street Studio in New York City. Davis was inspired by the political and racial subtext of Johnson's saga as well as the hard rock and funk sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, bass clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham. ''Jack Johnson'' performed modestly on the record charts and was generally well received by contemporary critics. It has since been regarded a ...
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