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The Complete Blue Note 45 Sessions
''The Complete Blue Note 45 Sessions'' is a compilation album by American saxophonist Ike Quebec. The album focuses on Quebec's 45 RPMs recorded between 1959 and 1962 and aimed at the juke box market. The songs were successful, marking the start of a comeback for the saxophonist who had fallen into obscurity since his early career in 1940s. The compilation was first issued on Mosaic MR3/MD2-121 in 1988, then re-released on a now out-of-print Blue Note CD in 2005. Despite the fact this is a compilation, all the pieces couldn't be found anywhere else at the time of the release, and still remain so, not counting ''From Hackensack to Englewood Cliffs'' which, however, includes only a part of this collection. The July 1 session marks the last day of recording at the original Van Gelder Studio, based in Hackensack. Van Gelder would move the studio to Englewood Cliffs soon after. Background In the early 1950s, the jukebox was becoming a fundamental way to foster jazz, and record co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ike Quebec
Ike Abrams Quebec (August 17, 1918 – January 16, 1963) was an American jazz tenor saxophonist. He began his career in the big band era of the 1940s, then fell from prominence for a time until launching a comeback in the years before his death. Critic Alex Henderson wrote, "Though he was never an innovator, Quebec had a big, breathy sound that was distinctive and easily recognizable, and he was quite consistent when it came to down-home blues, sexy ballads, and up-tempo aggression." Biography Quebec was born in Newark, New Jersey, United States. An accomplished dancer and pianist, he switched to tenor sax as his primary instrument in his early twenties, and quickly earned a reputation as a promising player. His recording career started in 1940, with the Barons of Rhythm. Later on, he recorded or performed with Frankie Newton, Hot Lips Page, Roy Eldridge, Trummy Young, Ella Fitzgerald, Benny Carter and Coleman Hawkins. Between 1944 and 1951, he worked intermittently with Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Arnheim
Gus Arnheim (September 4, 1897 – January 19, 1955) was an American pianist and an early popular band leader. He is noted for writing several songs with his first hit being "I Cried for You" from 1923. He was most popular in the 1920s and 1930s. He also had a few small acting roles. Career Arnheim was born in Philadelphia, Pennsylvania, United States. In 1919, three men who all would become famous band leaders played together at the Sunset Inn in Santa Monica, California. Arnheim played piano, Abe Lyman played the drums, and Henry Halstead played violin. Arnheim grew up in Chicago and at one point was accompanist to vaudevillian Sophie Tucker. When Lyman organized a full dance orchestra, Arnheim came along as pianist, leaving to start his own group in 1927. Arnheim's orchestra made at least three film short subjects for Warner Brothers' Vitaphone Corporation in 1928–29. Arnheim first recorded for OKeh in 1928–1929, when he signed with Victor in 1929 and stayed through 1933 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Long Has This Been Going On?
"How Long Has This Been Going On?" is a song composed by George Gershwin, with lyrics by Ira Gershwin, for the musical ''Funny Face'' in 1927. History According to Ira Gershwin in his book ''Lyrics on Several Occasions'', after the premiere of ''Funny Face'' in Philadelphia he received a call from the then professional manager of Shapiro, Bernstein and Co. asking him to remove the song because ''“It doesn't mean anything”'' and because ''“Well, we've bought a song with the same title and we're about to publish it. Yours doesn't get you anywhere, so how about taking it out of the show?”'' Eventually the song was deleted as Ira Gershwin indicates, ''“Well, he had'' his ''wish. A couple of weeks later on the road (either in Atlantic City or Washington) ''"How Long..."'' was out, replaced by "''He Loves and She Loves''"”. Replaced by "He Loves and She Loves" in ''Funny Face'', it was eventually introduced in the musical '' Rosalie'' (1928) by Bobbe Arnst as Mary O'Brien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Of Me (Ruth Etting Song)
"All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931. Composition and characteristics Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. It has an ABAC structure, and is written in the key of B-flat major. There is a 20-bar introductory verse, but this is routinely omitted. "The melody ..combines the contradictory possibilities of the song. The downward thrusts of the opening phrases hint at emotional despair while the closing line, with its repeated high notes, seems almost jubilant." It is usually performed at a medium tempo. The harmony is relatively straightforward, and has served as the basis for Lennie Tristano's "Line Up", Warne Marsh's "Background Music", and Bill Dobbins's "Lo Flame". Successful recordings "All of Me" first came to public awareness when a performance by Belle Baker was broadcast over the radio in 1931. Paul Whiteman and His Orchestra recorded the song on December 1 that year, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I've Got The World On A String
"I've Got The World on a String" is a 1932 popular jazz song composed by Harold Arlen, with lyrics written by Ted Koehler. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932, the first of the Cotton Club Parades. Recordings *The song was recorded and popularized by Cab Calloway who had a #18 hit in 1932. *Bing Crosby recorded the song on January 26, 1933, with the Dorsey Brothers and their Orchestra. *The song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording on April 30, 1953, with an orchestra conducted by Nelson Riddle reached #14 on ''Billboard'''s most played list. Other notable recordings *Bing Crosby – (1933) *Louis Armstrong – (1933) *Lee Wiley – "Manhattan Lights" circa 1940 * Ralph Young, with Jack Pleis and His Orchestra (1950) *Perry Como – So Smooth (1955) *Frank Sinatra – ''This is Sinatra!'' (1956) *Louis Prima – ''The Call of the Wildest'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If I Could Be With You
"If I Could Be with You (One Hour Tonight)" is a popular song. The music was written by James P. Johnson, the lyrics by Henry Creamer. The song was published in 1926 and first recorded by Clarence Williams' Blue Five with vocalist Eva Taylor in 1927. It was popularized by the 1930 recording by McKinney's Cotton Pickers, who used it as their theme song and by Louis Armstrong's record for Okeh Records (catalogue No.41448), both of which featured in the charts of 1930. Armstrong's recording of "If I Could Be with You" is defined by his sparse vocal style and ornamental virtuosic trumpet-playing. References See also *List of 1920s jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one m ... Songs with music by James P. Johnson Songs with lyrics by Henry Creamer 1926 songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create "Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ill Wind (Arlen-Koehler Song) ''
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Ill Wind may refer to: *Ill Wind (Arlen-Koehler song), a 1934 song by Harold Arlen and Ted Koehler *"Ill Wind", a song from the 1963 revue ''At the Drop of Another Hat'' *Ill Wind, a 1995 book written by Kevin J. Anderson and Doug Beason *"Ill Wind", a song by Radiohead released on the special edition of the 2016 album ''A Moon Shaped Pool ''A Moon Shaped Pool'' is the ninth studio album by the English rock band Radiohead. It was released digitally on 8 May 2016, and physically on 17 June 2016 through XL Recordings. It was produced by Radiohead's longtime producer Nigel Godrich. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
For All We Know (1934 Song)
"For All We Know" is a popular song published in 1934, with music by J. Fred Coots and lyrics by Sam M. Lewis. Popular versions in 1934 were by Hal Kemp (vocal by Skinnay Ennis) and Isham Jones (vocal by Joe Martin). Background There are alternative verses but the main lyrics start: "For all we know we may never meet again...". Other artists' recordings * 1958 Billie Holiday 1958 Lady in Satin album By Columbia Records *The version by Dinah Washington reached No. 88 on the chart in 1962. *A version by The Spinners in 1965 gave it a more contemporary sound and was included in the 1967 LP '' The Original Spinners''. *The Donny Hathaway version from the LP ''Roberta Flack & Donny Hathaway'' (Atlantic, 1972) has become one of the standout versions of the song. *A version by jazz pianist Bill Evans was recorded in his last studio album ''We Will Meet Again'' (Warner Bros. Records, 1979). *The song has been recorded by a host of artists, including: Nina Simone, Al Martino, The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What A Diff'rence A Day Made
"What a Diff'rence a Day Made", also recorded as "What a Difference a Day Makes", is a popular song originally written in Spanish by María Grever, a Mexican songwriter, in 1934 with the title "Cuando vuelva a tu lado" ("When I Return to Your Side") and first recorded by Orquesta Pedro Vía that same year. A popular version in Spanish was later recorded by trio Los Panchos with Eydie Gormé in 1964. The song is also known in English as "What a Diff'rence a Day Makes", as popularized by Dinah Washington in 1959. English adaptation The English lyrics were written by Stanley Adams, and was played by Harry Roy & his Orchestra. It was published in late 1934. The most successful early recording, in 1934, was by the Dorsey Brothers, although it was first recorded in English by Cleveland crooner Jimmy Ague. Dinah Washington version Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song. Her version was also inducted into the Grammy Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
