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The Circus (Erasure Album)
''The Circus'' is the second studio album by English synth-pop duo Erasure, released on 30 March 1987 by Mute Records in Germany and the United Kingdom and on 7 July 1987 by Sire Records in the United States. It was Erasure's second consecutive album to be produced by Flood. ''The Circus'' became the duo's breakthrough in the UK, spawning four successful singles and reaching number six. It was an immediate success thanks to the number two UK placing of the first single " Sometimes", six months earlier. The album remains Erasure's longest-running on the UK charts. Although mainstream success in the US did not occur with this album, it did generate two hits (including a number-one) on ''Billboard'' Hot Dance Music/Club Play chart. It also became their first record to enter the ''Billboard'' 200. '' The Two Ring Circus'', also released in 1987, is a double 12-inch remix album that served as a companion piece to ''The Circus''. It includes remixes and re-recordings along with live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erasure
Erasure () is an English synth-pop duo formed in London in 1985, consisting of lead vocalist and songwriter Andy Bell with songwriter, producer and keyboardist Vince Clarke, previously known as co-founder of the band Depeche Mode and a member of synth-pop duo Yazoo. From their fourth single, " Sometimes" (1986), Erasure established themselves on the UK Singles Chart, becoming one of the most successful acts of the mid-1980s to the mid-1990s. From 1986 to 2007, the pair achieved 24 consecutive top-40 entries in the UK singles chart. By 2009, 34 of their 37 chart-eligible singles and EPs had made the UK top 40, including 17 climbing into the top 10. At the 1989 Brit Awards, Erasure won the Brit Award for Best British Group. Beyond this mainstream commercial success, Erasure are also popular within the LGBT community, for whom the openly gay singer Andy Bell has become an icon in the UK. Overview Erasure made their debut with the studio album ''Wonderland'' in 1986, however ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Dance Music/Club Play
Dance Club Songs is a chart published weekly by ''Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Official Finnish Charts
The Official Finnish Charts ( fi, Suomen virallinen lista; sv, Finlands officiella lista) are national record charts in Finland compiled and published by Musiikkituottajat – IFPI Finland. The name ''Suomen virallinen lista/Finlands officiella lista'' (lit. "the Official Finnish Chart"), which is singular in both Finnish and Swedish, is used generically to refer to both the albums and the singles chart, and the context (albums or songs) reveals which chart is meant. History The first charts were published in 1951. In January 1991, the Yle radio station Radiomafia started to compile the first weekly chart in Finland called ''Radiomafian lista'', which was broadcast on the radio every Sunday. Prior to that, all singles and album charts in Finland had been either monthly or biweekly published sales charts. ''Radiomafian lista'' became the official Finnish charts in January 1994 when they began a partnership with Suomen Ääni- ja kuvatallennetuottajat (ÄKT) (now known as Musiik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Top 100 Albums
The European Top 100 Albums chart was the European adaptation of the ''Billboard'' 200 albums chart. It ran from March 1984 until December 2010. Also commonly referred to as Eurochart Top 100 Albums, the chart showcased the sales of an act in 19 European countries based on IFPI data. The European Top 100 combined album sales (both retail and digital) of new and older albums. The methodology was different from the US ''Billboard'' 200, where albums would only be allowed to chart if they weren't 18 months old. If an album older than 18 months had enough sales to enter the 200 chart after having already dropped out of the 100th position, it would chart on The ''U.S. Billboard'' Catalog Albums. Later ''Billboard'' reviewed the criteria and decided the older albums would also be allowed to chart in the 200, as it should show what's being sold. The chart update and issue dating followed the rules of the ''Billboard'' 200: sales tracking week began on Monday and ended on Sunday. A new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PIAS Recordings
PIAS Recordings (formerly Play It Again Sam) is a Belgian record label founded in 1983 by Kenny Gates and Michel Lambot. Play It Again Sam expanded along with other European independent labels in the early 1980s. Play It Again Sam's prominent early artists were electronic-rock acts like Front 242, Meat Beat Manifesto and The Young Gods. They later added artists such as The Sound, Soulwax/2ManyDJ's, Sigur Rós and Mogwai. History The first release on the label in 1984 was the mini album ''Faces in the Fire'' by the cult experimental psychedelic band The Legendary Pink Dots. This was immediately followed by the 'Four Your Ears Only' EP, an aural map of Northern England, featuring Red Lorry Yellow Lorry, Red Guitars, Party Day and Luddites. This laid the ground for releases from many other artists with very diverse musical backgrounds and geographical origins, including the Butthole Surfers, Parade Ground, The Neon Judgement, The Sound, Skinny Puppy, Taxi Girl, Bill Pritchard an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Light At The End Of The World
''Light at the End of the World'' is the thirteenth studio album by English synth-pop duo Erasure, released on 14 May 2007 by Mute Records. The album's release was announced on the band's website on 26 January 2007 in a video message from members Vince Clarke and Andy Bell. It reached the UK top 30 upon its release. Background The album was first released in Japan on 14 May 2007, released by Mute Records in the United Kingdom on 21 May 2007 and in North America on the following day, 22 May. The Japanese release included bonus tracks and a music video. The album's first single, " I Could Fall in Love with You", was released in the UK on 2 April 2007, and in North America the following day. "Sunday Girl" is the second single, released in the UK on 11 June 2007 and in North America on 18 July. "Storm in a Teacup" and "Sucker for Love" were slightly remixed and released as promo singles. "When a Lover Leaves You" was originally intended to be the album's third (and final) single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BMG Rights Management
BMG Rights Management GmbH (also known simply as BMG) is an international music company based in Berlin, Germany. It combines the activities of a music publisher and a record label. BMG was founded in October 2008 after Bertelsmann sold its stake in Sony BMG. From 2009 to 2013, the investment firm KKR held 51% of the company, which became one of the world's largest music publishers during that time. BMG is 100% owned by Bertelsmann and one of the group's eight business divisions. The portfolio includes rights in songs and recordings by artists such as Kylie Minogue, Craig David, Avril Lavigne, The Rolling Stones, Tina Turner, The Cranberries, David Bowie, Roger Waters, Iggy Pop, Quincy Jones, Lenny Kravitz Morrissey, 5 Seconds of Summer, KSI, Eraserheads, Rivermaya. and Peter Frampton. History Music at Bertelsmann In the 1950s, Bertelsmann entered the music business when it added music to its book club. Ariola, a record label, was launched and Sonopress, a pressing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gimme! Gimme! Gimme! (A Man After Midnight)
"Gimme! Gimme! Gimme! (A Man After Midnight)" is a song by Swedish band ABBA. It was recorded in August 1979 in order to help promote their North American and European tour of that year, and was released on ABBA's '' Greatest Hits Vol. 2'' album as the brand new track. Original ABBA version History "Gimme! Gimme! Gimme! (A Man After Midnight)" was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog. Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different from her own existence. The melody line of the song was played on an ARP Odyssey synthesizer. Originally, ABBA had recorded another song, "Rubber Ball Man", which was planned as a single. It featured the typical "ABBA-arrangement" with both Fältskog and Anni-Frid Lyngstad on lead vocals and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edvard Grieg
Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the foremost Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues which depict his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home Troldhaugen is dedicated to his legacy. Background Edvard Hagerup Grieg was born in Bergen, Norway (then part of Sweden–Norway). His parents were Alexander Grieg (1806–1875), a merchant and the B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Hall Of The Mountain King
"In the Hall of the Mountain King" ( no, I Dovregubbens hall, , In the Dovre man's hall, link=no, italic=no) is a piece of orchestral music composed by Edvard Grieg in 1875 as incidental music for the sixth scene of act 2 in Henrik Ibsen's 1867 play ''Peer Gynt''. It was originally part of Opus 23 but was later extracted as the final piece of ''Peer Gynt'', Suite No. 1, Op. 46. Its easily recognizable theme has helped it attain iconic status in popular culture, where it has been arranged by many artists (See Grieg's music in popular culture). The English translation of the name is not literal. Dovre is a mountainous region in Norway, and "gubbe" translates into (old) man or husband. "Gubbe" is used along with its female counterpart "kjerring" to differentiate male and female trolls, "trollgubbe" and "trollkjerring". In the play, Dovregubben is a troll king that Peer Gynt invents in a fantasy. Setting The piece is played as the title character Peer Gynt, in a dream-like fanta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
