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The Chocolate Wheelchair Album
Aaron Funk (born January 11, 1975), known as Venetian Snares, is a Canadian electronic musician based in Winnipeg, Manitoba. He is widely known for innovating and popularising the breakcore genre, and is one of the most recognisable artists to be signed to Planet Mu, an experimental electronic music label. His signature style involves meticulously complex drums, eclectic use of samples, and odd time signatures, in particular, . His 2005 release ''Rossz Csillag Alatt Született'' combined breakbeats with orchestral samples, and was released to critical acclaim, helping bring the artist and genre into popularity within the experimental electronic music community. Funk is a very prolific musician, often releasing several records each year, sometimes on several different record labels, including Planet Mu, Hymen, Sublight, and his own imprint Timesig, and also under different aliases, including Last Step, Snares Man!, Snares, and Speed Dealer Moms. He has also explored other elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winnipeg, Manitoba
Winnipeg () is the capital and largest city of the province of Manitoba in Canada. It is centred on the confluence of the Red and Assiniboine rivers, near the longitudinal centre of North America. , Winnipeg had a city population of 749,607 and a metropolitan population of 834,678, making it the sixth-largest city, and eighth-largest metropolitan area in Canada. The city is named after the nearby Lake Winnipeg; the name comes from the Western Cree words for "muddy water" - “winipīhk”. The region was a trading centre for Indigenous peoples long before the arrival of Europeans; it is the traditional territory of the Anishinabe (Ojibway), Ininew (Cree), Oji-Cree, Dene, and Dakota, and is the birthplace of the Métis Nation. French traders built the first fort on the site in 1738. A settlement was later founded by the Selkirk settlers of the Red River Colony in 1812, the nucleus of which was incorporated as the City of Winnipeg in 1873. Being far inland, the local c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakcore
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
7 Sevens
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salt (Venetian Snares Album)
Aaron Funk (born January 11, 1975), known as Venetian Snares, is a Canadian electronic musician based in Winnipeg, Manitoba. He is widely known for innovating and popularising the breakcore genre, and is one of the most recognisable artists to be signed to Planet Mu, an experimental electronic music label. His signature style involves meticulously complex drums, eclectic use of samples, and odd time signatures, in particular, . His 2005 release ''Rossz Csillag Alatt Született'' combined breakbeats with orchestral samples, and was released to critical acclaim, helping bring the artist and genre into popularity within the experimental electronic music community. Funk is a very prolific musician, often releasing several records each year, sometimes on several different record labels, including Planet Mu, Hymen, Sublight, and his own imprint Timesig, and also under different aliases, including Last Step, Snares Man!, Snares, and Speed Dealer Moms. He has also explored other elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greg Hates Car Culture
''Greg Hates Car Culture'' is a breakcore EP released by Venetian Snares in 1999 on Minneapolis-based label History of the Future. It was his first official release and led to him being signed by Planet Mu. Twenty years later, a re-mastered version was re-released with three extra tracks on Timesig, a sublabel of Planet Mu as the twenty-fourth studio album of Venetian Snares. The tracks were originally made using an Amiga 500 and an effects pedal. Background Venetian Snares (real name Aaron Funk) grew up in Winnipeg, Canada. He started making music as a child and bought an Amiga 500 in 1992. The ''Greg Hates Car Culture'' EP was his first record, released by Minneapolis label History of the Future in 1999. Funk made the album mostly when improvising whilst using his Amiga 500 as a sampler feeding into an effects pedal and recording to DAT. At the time he was working as a delivery driver for a bakery. The EP begins with "Personal Discourse" which samples Funk calling a dominatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OctaMED
OctaMED is a popular music tracker for the Commodore Amiga, written by Teijo Kinnunen. The first version, 1.12, was released in 1989 under the name MED, which stands for Music EDitor. In April 1990, version 2.00 was released with MIDI support as the main improvement. In 1991 the first version with the name OctaMED was released, so-called as it could replay eight independent channels on the Amiga's four-channel sound chip. This was also the first commercial version of the software. The publisher throughout has been RBF Software of Southampton, UK which is run by Ray Burt-Frost. History The distinguishing feature of MED and OctaMED in comparison to other music trackers on the Amiga was that MED and OctaMED had native MIDI support for external instruments via the Amiga's serial port – this allowed many musicians to sequence a combination of outboard studio equipment and internally generated sounds to create studio quality releases such as "I Created Disco" by Calvin Harris. OctaM ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amiga 500
The Amiga 500, also known as the A500, is the first low-end version of the Amiga home computer. It contains the same Motorola 68000 as the Amiga 1000, as well as the same graphics and sound coprocessors, but is in a smaller case similar to that of the Commodore 128. Commodore announced the Amiga 500 at the January 1987 winter Consumer Electronics Showat the same time as the high-end Amiga 2000. It was initially available in the Netherlands in April 1987, then the rest of Europe in May. In North America and the UK it was released in October 1987 with a list price. It competed directly against models in the Atari ST line. The Amiga 500 was sold in the same retail outlets as the Commodore 64, as opposed to the computer store-only Amiga 1000. It proved to be Commodore's best-selling model, particularly in Europe. Although popular with hobbyists, arguably its most widespread use was as a gaming machine, where its graphics and sound were of significant benefit. It was followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghetto Blaster
A boombox is a transistorized portable music player featuring one or two cassette tape recorder/players and AM/FM radio, generally with a carrying handle. Beginning in the mid 1980s, a CD player was often included. Sound is delivered through an amplifier and two or more integrated loudspeakers. A boombox is a device typically capable of receiving radio stations and playing recorded music (usually cassettes or CDs usually at a high volume). Many models are also capable of recording onto cassette tapes from radio and other sources. In the 1990s, some boomboxes were available with minidisc recorders and players. Designed for portability, boomboxes can be powered by batteries as well as by line current. The boombox was introduced to the American market during the late 1970s. The desire for louder and heavier bass led to bigger and heavier boxes; by the 1980s, some boomboxes had reached the size of a suitcase. Some larger boomboxes even contained vertically mounted record turntab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid Techno
Acid techno, sometimes known generally as "acid", is a genre of techno that was derived from acid house and developed in Europe in the late 1980s to early 1990s. It saw younger artists apply the "squelching" synthesizer sound of Chicago acid house to harder-edged techno material. Acid Techno, ''Allmusic'', Macrovision Corporation, retrieved 22 November 2009 Characteristics The acid style was obtained largely through Roland instruments, most prominently the TB-303 bass synthesizer. The term ''Acid'' specifically refers to the harsh "acidic" squelching sound of the Roland 303.Nash, Rob (2009)Techno: Encyclopedia of Modern Music, ''The Sunday Times Culture's Encyclopedia of Modern Music'', 1 February 2009, retrieved 22 November 2009 The acid sound is achieved by turning up the filter resonance and turning down the cutoff frequency parameters of the synthesizer, along with programming the 303's accent, slide, and octave parameters; manipulating the filter in real-time as the track is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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