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The Cambridge History Of British Theatre
The Cambridge History of British Theatre is a non-fiction work consisting of three volumes in book form. It was originally published in 2004 by Cambridge University Press. It was later published online in 2008, also by Cambridge University Press. It is not an encyclopedia. Essay articles are in rough chronological order and have been compiled in the three volumes by various editors.Tollini, Frederick, et al. Renaissance Quarterly, vol. 58, no. 4, 2005, pp. 1430–1431. .Hornback, Robert B. The Sixteenth Century Journal, vol. 37, no. 2, 2006, pp. 488–489. . Retrieved December 27, 2019. About the books Volume 1 covers the British theater from its |
Cambridge University Press
Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing house specializing in monographs and scholarly journals. Most are nonprofit organizations and an integral component of a large research university. They publish work that has been reviewed by schola ... in the world. It is also the King's Printer. Cambridge University Press is a department of the University of Cambridge and is both an academic and educational publisher. It became part of Cambridge University Press & Assessment, following a merger with Cambridge Assessment in 2021. With a global sales presence, publishing hubs, and offices in more than 40 Country, countries, it publishes over 50,000 titles by authors from over 100 countries. Its publishing includes more than 380 academic journals, monographs, reference works, school and uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Scotland
Theatre in Scotland refers to the history of the performing arts in Scotland, or those written, acted and produced by Scots. Scottish theatre generally falls into the Western theatre tradition, although many performances and plays have investigated other cultural areas. The main influences are from North America, England, Ireland and from Continental Europe. Scotland's theatrical arts were generally linked to the broader traditions of Scottish and English-language literature and to British and Irish theatre, American literature and theatrical artists. As a result of mass migration, both to and from Scotland, in the modern period, Scottish literature has been introduced to a global audience, and has also created an increasingly multicultural Scottish theatre. Scottish theatre dates back at least as far as the Middle Ages. Because of the linguistic divide between Lowland Scots and Scottish Gaelic speakers and puritanism in the wake of the Scottish reformation, it has been a la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th Century In London
19 (nineteen) is the natural number following 18 and preceding 20. It is a prime number. Mathematics 19 is the eighth prime number, and forms a sexy prime with 13, a twin prime with 17, and a cousin prime with 23. It is the third full reptend prime, the fifth central trinomial coefficient, and the seventh Mersenne prime exponent. It is also the second Keith number, and more specifically the first Keith prime. * 19 is the maximum number of fourth powers needed to sum up to any natural number, and in the context of Waring's problem, 19 is the fourth value of g(k). * The sum of the squares of the first 19 primes is divisible by 19. *19 is the sixth Heegner number. 67 and 163, respectively the 19th and 38th prime numbers, are the two largest Heegner numbers, of nine total. * 19 is the third centered triangular number as well as the third centered hexagonal number. : The 19th triangular number is 190, equivalently the sum of the first 19 non-zero integers, that is also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th Century In London
18 (eighteen) is the natural number following 17 and preceding 19. In mathematics * Eighteen is a composite number, its divisors being 1, 2, 3, 6 and 9. Three of these divisors (3, 6 and 9) add up to 18, hence 18 is a semiperfect number. Eighteen is the first inverted square-prime of the form ''p''·''q''2. * In base ten, it is a Harshad number. * It is an abundant number, as the sum of its proper divisors is greater than itself (1+2+3+6+9 = 21). It is known to be a solitary number, despite not being coprime to this sum. * It is the number of one-sided pentominoes. * It is the only number where the sum of its written digits in base 10 (1+8 = 9) is equal to half of itself (18/2 = 9). * It is a Fine number. In science Chemistry * Eighteen is the atomic number of argon. * Group 18 of the periodic table is called the noble gases. * The 18-electron rule is a rule of thumb in transition metal chemistry for characterising and predicting the stability of metal complexes. In re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th Century In London
17 (seventeen) is the natural number following 16 and preceding 18. It is a prime number. Seventeen is the sum of the first four prime numbers. In mathematics 17 is the seventh prime number, which makes seventeen the fourth super-prime, as seven is itself prime. The next prime is 19, with which it forms a twin prime. It is a cousin prime with 13 and a sexy prime with 11 and 23. It is an emirp, and more specifically a permutable prime with 71, both of which are also supersingular primes. Seventeen is the sixth Mersenne prime exponent, yielding 131,071. Seventeen is the only prime number which is the sum of four consecutive primes: 2, 3, 5, 7. Any other four consecutive primes summed would always produce an even number, thereby divisible by 2 and so not prime. Seventeen can be written in the form x^y + y^x and x^y - y^x, and, as such, it is a Leyland prime and Leyland prime of the second kind: :17=2^+3^=3^-4^. 17 is one of seven lucky numbers of Euler which produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In Ireland
The history of Irish theatre begins with the rise of the English administration in Dublin at the start of the 17th century. Over the next 400 years this small country was to make a disproportionate contribution to drama in English. In the early days of its history, theatrical productions in Ireland tended to serve the political purposes of the administration, but as more theatres opened and the popular audience grew, a more diverse range of entertainments were staged. Many Dublin-based theatres developed links with their London equivalents and performers and productions from the British capital frequently found their way to the Irish stage. However, almost all Irish playwrights from William Congreve to George Bernard Shaw found it necessary to leave their native island to establish themselves. At the beginning of the 20th century, theatres and theatre companies dedicated to the staging of Irish plays and the development of indigenous writers, directors and performers began to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In Scotland
Theatre in Scotland refers to the history of the performing arts in Scotland, or those written, acted and produced by Scots. Scottish theatre generally falls into the Western theatre tradition, although many performances and plays have investigated other cultural areas. The main influences are from North America, England, Ireland and from Continental Europe. Scotland's theatrical arts were generally linked to the broader traditions of Scottish and English-language literature and to British and Irish theatre, American literature and theatrical artists. As a result of mass migration, both to and from Scotland, in the modern period, Scottish literature has been introduced to a global audience, and has also created an increasingly multicultural Scottish theatre. Scottish theatre dates back at least as far as the Middle Ages. Because of the linguistic divide between Scots language, Lowland Scots and Scottish Gaelic speakers and puritanism in the wake of the Scottish reformation, it h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In The United Kingdom
Theatre of United Kingdom plays an important part in British culture, and the countries that constitute the UK have had a vibrant tradition of theatre since the Renaissance with roots going back to the Roman occupation. Beginnings Theatre was introduced from Europe to what is now the United Kingdom by the Romans and auditoriums were constructed across the country for this purpose (an example has been excavated at Verulamium). By the medieval period, theatre had developed with the mummers' plays, a form of early street theatre associated with the Morris dance, concentrating on themes such as Saint George and the Dragon and Robin Hood. These were folk tales re-telling old stories, and the actors travelled from town to town performing these for their audiences in return for money and hospitality. Medieval theatre: 500–1500 The medieval mystery plays and morality plays, which dealt with Christian themes, were performed at religious festivals. The most important work of lite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural History Of The United Kingdom
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Returning To Shakespeare
Returning to Shakespeare is a non-fiction book written by Brian Vickers the literary scholar, and published by Routledge, London, in 1989. The book's main focus is a collection of previously published critical essays by Vickers pertaining to Shakespeare. The book is also prefaced with an extensive autobiographical sketch that details Vickers' evolution within Shakespearean scholarship.Snow, H. J. Schaffer. "Book review" Renaissance Studies. vol. 5, no. 4, 1991. pp. 461–463. JSTOR, . Accessed September 4, 2021.Schmidgall, Gary. "Book review". Shakespeare Bulletin. vol. 8, no. 4. 1990. pp. 42–42. . Accessed September 4, 2021.McGuire, Philip C. "Book review". Shakespeare Quarterly ''Shakespeare Quarterly'' is a peer-reviewed academic journal established in 1950 by the Shakespeare Association of America. It is now under the auspices of the Folger Shakespeare Library. Along with book and performance criticism, ''Shakespeare Qu ..., vol. 43, no. 2, 1992, pp. 237–239 (3 pages). JST ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Renaissance Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Theatre
Theatre of United Kingdom plays an important part in British culture, and the countries that constitute the UK have had a vibrant tradition of theatre since the Renaissance with roots going back to the Roman occupation. Beginnings Theatre was introduced from Europe to what is now the United Kingdom by the Romans and auditoriums were constructed across the country for this purpose (an example has been excavated at Verulamium). By the medieval period, theatre had developed with the mummers' plays, a form of early street theatre associated with the Morris dance, concentrating on themes such as Saint George and the Dragon and Robin Hood. These were folk tales re-telling old stories, and the actors travelled from town to town performing these for their audiences in return for money and hospitality. Medieval theatre: 500–1500 The medieval mystery plays and morality plays, which dealt with Christian themes, were performed at religious festivals. The most important work of lite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
