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The Call Is Strong
''The Call Is Strong'' is the only album by Bristolian soul singer Carlton, released by FFRR Records in January 1991. Produced by Smith & Mighty, the album explores a relaxed style of soul and dance music flavoured by reggae, hip hop and house, featuring prominent electronic beats and sine bass, while Carlton sings love songs in falsetto. Recording sessions in London were fractious due to creative disagreements between Smith & Mighty and the label. On release, ''The Call Is Strong'' was commercially unsuccessful, but featured three charting singles, including the minor hit "Love and Pain". Music critics drew attention to the album's distinctive sound and production, which received comparisons to Soul II Soul. The album has gone on to be considered among the greatest "lost" albums in British soul and the Bristol underground scene, and was named among the best albums of the 1990s by ''Fact''. Background and recording In 1988, Bristol-based singer Carlton debuted as the sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlton (singer)
Carlton McCarthy, known mononymously as Carlton, is a singer and songwriter from Bristol, England. He is known for singing on Massive Attack's debut single "Any Love" (1987), also the first production by Smith & Mighty. It was later named one of Smith & Mighty's best productions by '' Fact''. In 1991, he released his own album, the Smith & Mighty-produced '' The Call Is Strong'', later included by ''Fact'' in their list of the 1990s' greatest albums, and considered one of the finest albums of the Bristol underground scene. Three singles reached the UK Singles Chart; "Do You Dream" at number 81, "Cool with Nature" at number 90 in August and "Love and Pain" at number 56. In 1995, Bomb the Bass collaborated with Carlton on their single "1 to 1 Religion". Found on the former album's '' Clear'', it reached number 53 on the UK Singles Chart in March 1995. He released the single "Lovetime" on 4 November 1996. In 1999, he collaborated with speed garage act Serious Danger on "Do U Dream ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massive Attack
Massive Attack are an English trip hop collective formed in 1988 in Bristol by Robert "3D" Del Naja, Adrian "Tricky" Thaws, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall. The debut Massive Attack album ''Blue Lines'' was released in 1991, with the single "Unfinished Sympathy" reaching the charts and later being voted the 63rd greatest song of all time in a poll by ''NME''. 1998's ''Mezzanine'' (containing the top 10 single " Teardrop") and 2003's '' 100th Window'' charted in the UK at number one. Both ''Blue Lines'' and ''Mezzanine'' feature in ''Rolling Stone''s list of the 500 Greatest Albums of All Time. The group has won numerous music awards throughout their career, including a Brit Award—winning Best British Dance Act, two MTV Europe Music Awards, and two Q Awards. They have released five studio albums that have sold over 13 million copies worldwide. Throughout their history, Massive Attack have been supporters and activists for political, human rights a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Music
Electro (or electro- funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave Music
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-808 (large)
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples. The 808 was a commercial failure, as electronic music had yet to become mainstream and many producers wanted more realistic drum sounds. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the emerging electronic, dance, and hip hop g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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