The Bunch And Judy
   HOME
*





The Bunch And Judy
''The Bunch and Judy'' is a musical comedy in two acts with book by Anne Caldwell and R. H. Burnside, lyrics by Anne Caldwell, and music by Jerome Kern. The story centered on a Broadway starlet, who marries a Scottish nobleman, only to grow disenchanted and return to show business and the man she loves. The show was produced by Charles Dillingham at the Globe Theater, and opened November 28, 1922.Mantle, Burns (ed.) "The Best Plays of 1922–1923", Dodd, Mead & Company, p. 495. The musical director was Victor Baravalle and the music was orchestrated by Stephan Jones and Victor Baravalle. The show was staged by Fred G. Latham. Scenic design by Frank E. Gates, and Edward A. Morange. Costume design by Wanamaker, Paul Poiret, and George Barber. It ran for 63 performances, closing on January 20, 1923.''The Bunch and Judy''
Internet Broadway D ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Anne Caldwell
Anne Marsh Caldwell (August 30, 1867 – October 22, 1936), also known as Anne Caldwell O'Dea, was an American playwright and lyricist. She wrote both pop songs and Broadway shows, sometimes working with composer Jerome Kern. Biography Anne Marsh Caldwell was born in Boston, Massachusetts. She began her career at the Juvenile Opera Co. as one of only four female songwriters active in the early 1900s. She was a charter member of the American Society of Composers, Authors and Publishers, where her output between 1907 through 1928 focused mainly on Broadway scores. In 1929, lured by producer William LeBaron, she went to Hollywood where she became a script doctor and write lyrics for RKO Pictures. It was announced that she was engaged by Max Hart to write songs with Harry Tierny. By October, she was signed to write the lyrics for the film '' Dixiana''. From 1900 to the mid-1920s, she mostly collaborated with composer Jerome Kern. Her first collaboration with Kern was the musical ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Charles Dillingham
Charles Bancroft Dillingham (May 30, 1868 – August 30, 1934) was an American theatre manager and producer of over 200 Broadway shows. Biography Charles Bancroft Dillingham was born on May 30, 1868 in Hartford, Connecticut to Edmund Bancroft Dillingham, an Episcopalian clergyman and Josephine Potter. He graduated from the Hartford schools and went to work for a newspaper in Hartford, which sent him to Washington D.C. as a correspondent. He then went to Chicago where he joined the staff of the Chicago Times-Herald. He subsequently moved to New York City and was hired by The Evening Sun for $15 per week. He became a theater critic for the New York Post. In 1896 he wrote a play "Ten P.M." which was produced at the Bijou Theater. The producer Charles Frohman saw it and offered Dillingham a job as a advertising agent. They formed a theatrical alliance and a friendship that lasted until Frohman died in the 1915 sinking of the RMS Lusitania. After leaving the employ of Frohman ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Lunt-Fontanne Theatre
The Lunt-Fontanne Theatre, originally the Globe Theatre, is a Broadway theater at 205 West 46th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1910, the Lunt-Fontanne Theatre was designed by Carrère and Hastings in the Beaux-Arts style for Charles Dillingham. The theater is named after theatrical couple Alfred Lunt and Lynn Fontanne; its original name was inspired by that of the Globe Theatre, London's Shakespearean playhouse. The current configuration of the interior, dating to 1958, has about 1,519 seats across two levels and is operated by the Nederlander Organization. The facade is a New York City landmark. The theater's only surviving facade is on 46th Street and was once the carriage entrance. The ground level contains the theater's entrance on the east, as well as exits from the auditorium and stage house. On the upper stories, the facade contains a five- bay-wide central pavilion with arches, flanked by simpler pavilions on either side ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Victor Baravalle
Victor Baravalle (1885–1939) was an Italian born composer, music director, and conductor, best known for his work on both the stage and film productions of the Jerome Kern and Oscar Hammerstein II musical, ''Show Boat''. Baravalle worked as musical director and conductor for several Broadway musicals, including as conductor for the Greenwich Village Follies in 1921. He conducted the Broadway premiere production of ''Show Boat'' in 1927, as well as for the original stage productions of nine other Jerome Kern shows, among them '' The Cat and the Fiddle'', ''Music in the Air'', and ''Roberta''. He continued a connection with Jules Bledsoe, the star of ''Show Boat'', and conducted the New York Philharmonic Orchestra for Bledsoe's concert in 1929. Among the other stage musicals that he conducted was the first American production of ''White Horse Inn''. In 1929, he was Musical Director for RKO Pictures, at the time known as Radio Pictures, until Max Steiner took over in 1930. He cond ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Fred Astaire
Fred Astaire (born Frederick Austerlitz; May 10, 1899 – June 22, 1987) was an American dancer, choreographer, actor, and singer. He is often called the greatest dancer in Hollywood film history. Astaire's career in stage, film, and television spanned 76 years. He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. As a dancer, he was known for his uncanny sense of rhythm, creativity, and tireless perfectionism. Astaire's most memorable dancing partnership was with Ginger Rogers, whom he co-starred with in 10 Hollywood musicals during the classic age of Hollywood cinema. Astaire and Rogers starred together in ''Top Hat'' (1935), '' Swing Time'' (1936), and ''Shall We Dance'' (1937). Astaire's fame grew in films like ''Holiday Inn'' (1942), '' Easter Parade'' (1948), '' The Band Wagon'' (1953), '' Funny Face'' (1957), and ''Silk Stockings'' (1957). The American Film Institute named Astaire the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Adele Astaire
Adele Astaire Douglass (born Adele Marie Austerlitz, later known as Lady Charles Cavendish; September 10, 1896 – January 25, 1981), was an American dancer, stage actress, and singer. After beginning work as a dancer and vaudeville performer at the age of nine, Astaire built a successful performance career with her younger brother, Fred Astaire. The brother and sister act initially worked their way through vaudeville circuits, finally achieving a breakthrough with their first Broadway roles in 1917. Astaire became known for her talents as a skilled dancer and comedienne, starring in hit Broadway musicals such as '' Lady, Be Good!'' (1924), ''Funny Face'' (1927) and ''The Band Wagon'' (1931)''.'' The siblings took several of their more popular shows to Britain's West End during the 1920s, where they were soon international celebrities, meeting members of the British royal family and prominent figures from contemporary arts and literature circles. In 1932, after a 27-year p ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Philip Tonge
Philip Asheton Tonge (26 April 1897 – 28 January 1959) was an English actor. Born into a theatrical family, he was a child actor, making his stage debut at the age of five. Among the stars with whom he performed while he was a boy were Henry Irving, Herbert Beerbohm Tree, Ellen Terry and Johnston Forbes-Robertson. His colleagues as child actors included Hermione Gingold, Mary Glynne, Esmé Wynne-Tyson and Noël Coward. Tonge's adult acting career was in the US, where he and his parents settled after the First World War. He made numerous appearances in Broadway productions, including nine Coward plays. Among his films were ''Miracle on 34th Street'' (1947), ''Hans Christian Andersen'' (1952) and ''Witness for the Prosecution'' (1957). Life and career Early years Tonge was born in Hampstead, London, the son of the actor H. Asheton Tonge and his wife Lillian, ''née'' Brennard, an actressParker, p. 919–920 He made his first appearance on the stage at His Majesty's Theatre in ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Gerald Bordman
Gerald Martin Bordman (September 18, 1931 – May 9, 2011) was an American theatre historian, best known for authoring the reference volume ''The American Musical Theatre'', first published in 1978.Simonson, Robert (12 May 2011)Gerald Bordman, Theatre Scholar, Dies at 79 ''Playbill''Glover, William (11 January 1979)Showbiz addict compiles handbook on musical theater ''Eugene Register-Guard'' (Associated Press story) In reviewing an updated version of ''American Musical Theatre'' in 2011, ''Playbill'' wrote that the book had "altered the scope of American musical theatre history" and "remained the only book of its kind, and an invaluable one." Bordman grew up in the Wynnefield neighborhood of Philadelphia and graduated from Central High School and Lafayette College, later earning a master's degree and Ph.D. in medieval literature at the University of Pennsylvania. He published ''The American Musical Theatre'' four years after selling the family's business, Excell Chemical Products ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


1922 Musicals
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Broadway Musicals
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End theatre, West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (nam ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]