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The Buck Stops Here (album)
''The Buck Stops Here'' is an album by saxophonist Buck Hill which was recorded in 1990 and released on the Muse label.Fitzgerald, MJazzdiscography: Buck Hill Leader Entry accessed March 20, 2019 Reception The AllMusic review by Les Line stated "he shares the solo spotlight with the rarely recorded Johnny Coles, who seldom plays a superfluous note on his warm-voiced flugelhorn. This is a nicely balanced set of pretty ballads and jaunty originals". Track listing # "Someone Like That in Your Life" (Buck Hill, Chips Bayen) – 5:24 # " I've Grown Accustomed to Her Face" (Frederick Loewe, Alan Jay Lerner) – 6:36 # "Breaks" (Hill) – 7:11 # " Harlem Nocturne" ( Earle Hagen, Dick Rogers) – 6:25 # "Wip Wap" (Johnny Coles) – 6:05 # " You Don't Know What Love Is" (Gene de Paul, Don Raye) – 8:53 # "R H Blues" (Hill) – 3:41 # " I Don't Stand a Ghost of a Chance with You" ( Victor Young, Ned Washington, Bing Crosby) – 7:54 Personnel * Buck Hill – tenor saxophone * John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buck Hill (musician)
Roger Wendell "Buck" Hill (February 13, 1927 – March 20, 2017) was an American jazz tenor and soprano saxophonist. Hill began playing professionally in 1943 but held a day job as a mailman in his birthplace of Washington, D.C. for over thirty years. He played with Charlie Byrd in 1958-59, but was only occasionally active during the 1960s. He began recording extensively as a leader in the 1970s, but continued recording with others, such as an album with the Washington-area trumpeter Allan Houser in 1973. Hill died at his home in Greenbelt, Maryland, at the age of 90. A tribute mural, sponsored by the District of Columbia Department of Public Works MuralsDC project and donated by Snell Properties, featuring Hill playing a saxophone in his mailman uniform, was unveiled on August 27, 2019, which Washington, DC Mayor Muriel Bowser declared “Roger Wendell Buck Hill Day” in the city. The mural, at just over 70 feet, is the tallest tribute mural in the nation's capital. It is lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Don't Stand A Ghost Of A Chance With You
"I Don't Stand a Ghost of a Chance With You" is a 1932 song recorded by Bing Crosby with Orchestral Accompaniment. The music was composed by Victor Young, with lyrics written by Ned Washington and Bing Crosby. The song is a jazz and pop standard recorded by many different artists. The song was recorded on October 14, 1932 by Bing Crosby in New York with Orchestral Accompaniment. Bing Crosby was accompanied by the ARC Brunswick Studio Orchestra led by Lennie Hayton, who also played the piano. Two master versions were recorded: B12474-A at 3:12 and B12474-B at 3:18. The recording was released as a 78 single as Brunswick 6454, b/w "Just an Echo in the Valley", and Columbia DB-2030, b/w "Cabin in the Cotton", and as a 45, Columbia 39524, b/w "Temptation". The Brunswick recording charted on January 21, 1933, reaching no. 5 on the US chart. Crosby performed the song in the 1933 film short ''Please'' directed by Arvid E. Gillstrom and he re-recorded the song in 1954 for his album '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muse Records Albums
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. R. S. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Washington (musician)
Kenny Washington (born May 29, 1958) is an American jazz drummer born in Staten Island, New York. His brother is bassist Reggie Washington. He grew up in the Stapleton Houses and attended P.S. 14. He studied at The High School of Music & Art, graduating in 1976. He has worked with Ronnie Mathews, Lee Konitz, Betty Carter, Johnny Griffin, Dizzy Gillespie, Clark Terry, George Cables, Benny Goodman, Lionel Hampton, Ahmad Jamal, Sonny Stitt, James Spaulding, Phil Woods, Bill Charlap, Bobby Watson, Curtis Lundy, and Tommy Flanagan. Washington serves on the faculty of SUNY Purchase and The Juilliard School. Discography As sideman With Ruby Braff *''Cape Codfather'' (Arbors, 2000) *''In the Wee, Small Hours in London and New York'' (Arbors, 2000) *''Music for the Still of the Night'' (Arbors, 2001) With Joshua Breakstone *''Self-Portrait in Swing'' (Contemporary, 1989) *''9 by 3'' (Contemporary, 1991) *'' Walk Don't Run'' (King, 1992) *''This Just In'' (Double-Time, 1999) With ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Drummond
Ray Drummond (born November 23, 1946 in Brookline, Massachusetts) is an American jazz bassist and teacher. He also has an MBA from Stanford University, hence his linkage to the Stanford Jazz Workshop. He can be heard on hundreds of albums and co-leads ''The Drummonds'' with Renee Rosnes and (not related) Billy Drummond. Drummond has been a resident of Teaneck, New Jersey, since 1980 with his wife, Susan, and his daughter, Maya. He is the elder brother of David Drummond, who served as senior vice president, corporate development and chief legal officer of Google Inc., until his retirement in 2020. Discography As leader accessed May 11, 2018 * 1984: ''Susanita'' ( [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Harris
Barry Doyle Harris (December 15, 1929 – December 8, 2021) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style. Life and career Harris was born in Detroit, Michigan, on December 15, 1929, to Melvin Harris and Bessie as the fourth of their five children. Harris took piano lessons from his mother at the age of four. His mother, a church pianist, asked him if he was interested in playing church music or jazz. Having picked the latter, he was influenced by Thelonious Monk and Bud Powell. In his teens, he learned bebop largely by ear, imitating solos by Powell. He described Powell's style as being the "epitome" of jazz. He performed for dances in clubs and ballrooms. He was based in Detroit through the 1950s and worked with Miles Davis, Sonny Stitt, and Thad Jones, and substituted for Junior Mance in the Gene Ammons band. In 1956, he toured briefly with Max Roach, after Richie Powell, the band's pianist and younger brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Coles
John Coles (July 3, 1926 – December 21, 1997) was an American jazz trumpeter. Early life Coles was born in Trenton, New Jersey on July 3, 1926. He grew up in Philadelphia and was self-taught on trumpet. Later life and career Coles spent his early career playing with R&B groups, including those of Eddie Vinson (1948–1951), Bull Moose Jackson (1952), and Earl Bostic (1955–1956). He was with James Moody (saxophonist), James Moody from 1956 to 1958, and played with Gil Evans's orchestra between 1958 and 1964, including for the album ''Out of the Cool''. After this he spent time with Charles Mingus in his sextet which also included Eric Dolphy, Clifford Jordan, Jaki Byard, and Dannie Richmond. Following this he played with Herbie Hancock (1968–1969), Ray Charles (1969–1971), Duke Ellington (1971–1974), Art Blakey (1976), Dameronia, Mingus Dynasty, and the Count Basie Orchestra under the direction of Thad Jones (1985–1986). In 1985 Coles settled in the San Francisco Bay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
