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The Bright Midnight Sampler
''The Bright Midnight Sampler'' (in Europe entitled Bright Midnight: Live in America), is a compilation CD of live performances by American rock band the Doors, released September 25, 2000. Background Recorded between July 1969 and August 1970, the collection contains 14 songs from 8 concerts performed in the United States. The CD, remastered by long-time Doors sound engineer and producer Bruce Botnick, was the first official publication released from the Bright Midnight Archives collection containing previously unreleased live concerts by the Doors. Bright Midnight: Live in America ''Bright Midnight: Live in America'' is the British version of the album which was released by Elektra on CD as a limited edition. The CD is the first American production by Bright Midnight Archives, and features an extract from the extensive archival material recorded live, which the band released in the following years with the label Bright Midnight Archives. Track listings Personne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Doors
The Doors were an American Rock music, rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were among the most controversial and influential rock acts of the 1960s, partly due to Morrison's lyrics and voice, along with his erratic stage persona. The group is widely regarded as an important figure of the counterculture of the 1960s, era's counterculture. The band took its name from the title of Aldous Huxley's book ''The Doors of Perception'', itself a reference to a quote by William Blake. After signing with Elektra Records in 1966, the Doors with Morrison recorded and released six studio albums in five years, some of which are generally considered among the greatest of all time, including The Doors (album), their self-titled debut (1967), ''Strange Days (The Doors album), Strange Days'' (1967), and ''L.A. Woman'' (1971). They were one of the most successful bands during that tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Special Edition
The terms special edition, limited edition, and variants such as deluxe edition, or collector's edition, are used as a marketing incentive for various kinds of products, originally published products related to the arts, such as books, prints, recorded music and films, and videogames, but now including clothing, cars, fine wine, and whisky, among other products. A limited edition is restricted in the number of copies produced, although in fact the number may be very low or very high. Suzuki (2008) defines limited edition products as those “sold in a state that makes them difficult to obtain because of companies limiting their availability to a certain period, quantity, region, or channel". A special edition implies there is extra material of some kind included. The term is frequently used on DVD film releases, often when the so-called "special" edition is actually the only version released. Collector's edition Collector's edition may just be another term for special edition a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Second Performance
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crystal Ship
"The Crystal Ship" is a song by American rock band the Doors, from their 1967 debut album ''The Doors'', and the B-side of the number-one hit single "Light My Fire". It was composed as a love song to Jim Morrison's first serious girlfriend, Mary Werbelow, shortly after their relationship ended. The song is inspired by the poem ''The Crystal Cabinet'' by William Blake. It is one of many of Morrison's songs inspired by Blake’s poetry. The song borrows from elements from baroque music. The lyrics in the opening verse resembles a conventional love song, while the later verses are vague in intention and contain more challenging imagery. A music video was later compiled from footage of the band performing on ''American Bandstand'', coupled with film of Morrison and Pamela Courson at Kern River, near Bakersfield, California. Lyrics Morrison's lyrics are often deliberately vague, and this, coupled with the song's dreamlike atmosphere, has led to speculation as to the meaning of "The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Touch Me (The Doors Song)
"Touch Me" is a song by the Doors from their 1969 album ''The Soft Parade''. Written by guitarist Robby Krieger in late 1968, it is notable for its extensive usage of brass and string instruments, including a solo by featured saxophonist Curtis Amy. It was released as a single in December 1968 and reached No. 3 on the ''Billboard'' Hot 100 (their last Top Ten hit in US) and No. 1 in the '' Cashbox'' Top 100 in early 1969 (the band's third American number-one single). The single also did well elsewhere, peaking at No. 1 in the ''RPM'' Canadian Singles Chart and at No. 10 in the Kent Music Report in Australia. However, despite the band's commercial success the previous year, "Touch Me" did not chart in the UK Singles Chart. Composition According to Bruce Botnick's liner notes, the song was initially referred to by its various working titles; "I'm Gonna Love You", from a line in the chorus, or "Hit Me", a reference to blackjack. The opening line was originally "C'mon, hit me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five To One
"Five to One" is a song by American rock band the Doors, from their 1968 album ''Waiting for the Sun''. The song's lyrics were written by lead singer Jim Morrison, though the songwriting credit identified each member of the Doors as songwriters. Composition Unlike some of the Doors tracks, "Five to One" was created in the studio. According to music journalist Gillian G. Gaar, the song originated during a session when Morrison asked drummer John Densmore to lay down a 4/4 beat to which he inserted the lyrics. The song is consistently applied at 4/4 time signature, accompanied by a distorted sound of drums and bass. The tune features a rhythm and blues rhyme, and has been considered as an origin of the heavy metal genre. Critic Matthew Greenwald of AllMusic described Robby Krieger's guitar playing as "a menacing, proto-heavy metal", and on "top of that, John Densmore's relentless, almost march-rhythm drums take the song through various sections with a convincing power." Lyrics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live In Pittsburgh 1970
''Live in Pittsburgh 1970'' is a live album by the American rock band the Doors. The concert was recorded at the Pittsburgh Civic Arena in Pittsburgh on May 2, 1970 and released in 2008 on Rhino Records. It is the sixth full-length live set released from the Bright Midnight Archives collection which contains a number of previously unreleased live concerts by the Doors. The concert is considered one of the better performances by the Doors with lead singer Jim Morrison providing a focused delivery of the songs. The album includes a 22-plus-minute version of " When the Music's Over" plus "Five to One" and " Break on Through". The group also performed covers of Robert Johnson's "Cross Road Blues" and the band’s signature cover of "Back Door Man". Before closing with an extended take of "Light My Fire", Manzarek took the microphone with backup by Morrison for " Close to You". Production ''Live In Pittsburgh 1970'' was mixed and mastered by long-time Doors' sound engineer/producer Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chester Burnett
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade career, he recorded in genres such as blues, rhythm and blues, rock and roll, and psychedelic rock. He also helped bridge the gap between Delta blues and Chicago blues. Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father's house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer, Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta. After going thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back Door Man
"Back Door Man" is a blues song written by Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album. Lyrics In Southern culture, the phrase "back-door man" refers to a man having an affair with a married woman, using the back door as an exit before the husband comes home. Dixon's lyrics include: The philandering "back-door man" is a theme of several blues songs, including those by Charley Patton, Lightnin' Hopkins, Blind Willie McTell and Sara Martin: "every sensible woman got a back-door man", Martin sang in "Strange Loving Blues" (1925). Recording and releases "Back Door Man" was recorded in Chicago in June 1960. Accompanying Howlin' Wolf on vocals is Otis Spann on piano, Hubert Sumlin on guitar, Willie Dixon on double bass, and Fred Below on d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Been Down So Long
"Been Down So Long" is a song by the American rock band the Doors. It appears as the third track on '' L.A. Woman'', the last studio album that lead singer Jim Morrison recorded with the group. It has been called, notably by critic Robert Christgau, as a "take-off" on the album. A live version recorded on May 8, 1970, at Cobo Arena in Detroit, appears on the 2000 compilation album '' The Bright Midnight Sampler''. Lyrics The song's lyrics were written by lead singer and frontman Jim Morrison, though the performance rights organization ASCAP, along with the actual album liner notes, has given the songwriting credit to all members of the group evenly. Morrison's lyrics draws upon themes of depression, liberation, and sexuality, referring to his imprisonments during live performances. The title makes reference to Richard Fariña's book ''Been Down So Long It Looks Like Up to Me'', and was influenced by the lyrics of Furry Lewis's 1928 song, " I Will Turn Your Money Green": "I be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live In Philadelphia '70
''Live in Philadelphia '70'' is a double live album recorded by American rock band the Doors in 1970. The performance took place in The Spectrum. This is part of previously unreleased material of the Bright Midnight Archives collection of live albums by the Doors. Track listing All tracks written by the Doors except where noted. Disc one #"Announcer 'Sit Down'" − 5:20 #"Tuning" − 1:25 #"Roadhouse Blues" (Jim Morrison) − 4:40 #" Break On Through (To the Other Side)" (Morrison) − 5:12 #"Back Door Man/Love Hides" ( Willie Dixon, Chester Burnett/Morrison) − 6:51 #"Ship of Fools" (Morrison) − 6:55 #"Universal Mind" (Morrison) − 4:31 #" When the Music's Over" − 14:27 #"Mystery Train (Junior Parker)/Away in India" − 13:21 #"Wake Up!" (Morrison) − 1:46 #"Light My Fire" (Krieger, Morrison) − 11:46 Disc two #"The Concert Continues" − 0:46 #"Maggie M'Gill" (Morrison) − 5:49 #"Roadhouse Blues" (Reprise) (Morrison) − 2:39 #" Been Down So Long / Rock Me Baby" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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