The Bride Of The Incapacitated
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The Bride Of The Incapacitated
''The Bride of the Incapacitated'' (german: Die Braut des Entmündigten) is a 1919 German silent film directed by Erik Lund.Bock & Bergfelder p. 74 The film's art direction was by Siegfried Wroblewsky. Cast * Wilhelm Diegelmann * Eva May * Hermann Thimig Hermann Thimig (3 October 1890 – 7 July 1982) was an Austrian stage and film actor. He appeared in 102 films between 1916 and 1967. Biography Thimig came from a famous family of actors. His father, Hugo Thimig, was an actor, director and ... References Bibliography * External links * Films of the Weimar Republic German silent feature films Films directed by Erik Lund German black-and-white films 1910s German films {{1910s-Germany-film-stub ...
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Erik Lund (director)
Manfred Liebenau (16 September 1893 – 13 June 1958), known professionally as Erik Lund, was a German film director and film producer, producer of the silent era. He was married to the actress Eva May.Barton p.47 Selected filmography * ''Sadja'' (1918) * ''The Foolish Heart'' (1919) * ''The Last Sun Son'' (1919) * ''Between Two Worlds (1919 film), Between Two Worlds'' (1919) * ''Black Pearls (film), Black Pearls'' (1919) * ''The Fairy of Saint Ménard'' (1919) * ''The Bride of the Incapacitated'' (1919) * ''The World Champion'' (1919) * ''Irrlicht (film), Irrlicht'' (1919) * ''The Golden Lie'' (1919) * ''The Heart of Casanova'' (1919) * ''A Man's Word'' (1919) * ''Devoted Artists'' (1919) * ''All Souls (film), All Souls'' (1919) * ''The Bodega of Los Cuerros'' (1919) * ''Only a Servant'' (1919) * ''State Attorney Jordan (1919 film), State Attorney Jordan'' (1919) * ''The Enchanted Princess (film), The Enchanted Princess'' (1919) * ''In the Whirl of Life'' (1920) * ''President B ...
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Wilhelm Diegelmann
Wilhelm Diegelmann (28 September 1861 – 1 March 1934) was a German actor. Career Diegelmann's first stage appearance was in 1878 in the chorus for the Frankfurt Opera. In 1881 he debuted at the Frankfurt City Theater, playing King Lear, William Tell, and other title characters. Sometime around 1900, Diegelmann relocated to Berlin. Here, he appeared at a variety of theaters, including the Deutsches Theater, the Großes Schauspielhaus, and the Deutsches Künstlertheater. Diegelmann was introduced to film in 1913 by Max Reinhardt. he became a prolific actor of supporting roles, often as a father figure. He performed in the well-known film '' Der Blaue Engel'' (The Blue Angel), where he played a ship captain who flirts with the lead actress (Marlene Dietrich). The final film he starred in was the Theodor Storm adaptation of ''Der Schimmelreiter'' (The Rider on the White Horse). He continued to make stage appearances after this, with his last role being in ''Rembrandt vor Gericht ...
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Eva May
Eva Maria Mandl (29 May 1902 – 10 September 1924), known professionally as Eva May, was an Austrian actress. She was the daughter of the film director Joe May and his wife Mia May. In 1924, she committed suicide by gunshot. Biography Eva Maria Mandl was born on 29 May 1902, the daughter of Austrian actress Mia May and the Austrian-Jewish film director Joe May. Her parents had married seven weeks prior to her birth. She took the name of Eva May and made her film debut in ''Die geheimnisvolle Villa'' (1914), which was directed by her father. From 1918 onwards she worked for the Ring-Film GmbH, managed by Manfred Liebenau, who was working as a director under the nom de plume Erik Lund. The two married when May was 16 years old. During this time, May appeared in films such as ''Erträumtes'' (1918), '' Sadja'' (1918), and '' The Bride of the Incapacitated'' (1919). Lund and May soon created their own Eva May serial, in which May wrote the scripts for. In the 1920s, May worked wi ...
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Hermann Thimig
Hermann Thimig (3 October 1890 – 7 July 1982) was an Austrian stage and film actor. He appeared in 102 films between 1916 and 1967. Biography Thimig came from a famous family of actors. His father, Hugo Thimig, was an actor, director and director of the Vienna Burgtheater. His siblings Helene Thimig and Hans Thimig, with whom he trained at the theater and worked together several times in films, were accomplished actors. During his early days in elementary school and high school in Vienna, and in various land reform schools, Thimig performed with amateur theater groups and private performances. After military service as a one-year volunteer in Vienna he made his debut in December 1910 at the Meiningen Court Theatre and remained there until his contract was disrupted in 1914 by the outbreak of the First World War. In 1915 due to severe Furunculosis, (boils), was declared unfit for front. While on duty he used his home leave to the Royal Theater in Berlin to make guest ap ...
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Curt Courant
Curt Courant (11 May 1899 – 20 April 1968) was a German cinematographer who worked on over a hundred films during the silent and early sound eras. Courant worked in several European countries, collaborating with figures such as Alfred Hitchcock and Fritz Lang. As he was of Jewish ancestry, Courant was forced to leave Germany in 1933 and go into exile following the Nazi takeover of power. Courant worked at several of the leading British studios during the mid-1930s. He is the uncle of Willy Kurant who also became a cinematographer. Selected filmography * ''The Onyx Head'' (1917) * ''Waves of Fate'' (1918) *'' The Sacrifice'' (1918) * '' The World Champion'' (1919) * '' The Enchanted Princess'' (1919) * ''The Foolish Heart'' (1919) * '' State Attorney Jordan'' (1919) * ''Only a Servant'' (1919) * '' Irrlicht'' (1919) * ''A Man's Word'' (1919) * ''The Heart of Casanova'' (1919) * '' Between Two Worlds'' (1919) * ''The Bodega of Los Cuerros'' (1919) * ''The Golden Lie'' (1919) * '' ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Art Direction
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas and inconsistencies bet ...
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Siegfried Wroblewsky
Siegfried is a German-language male given name, composed from the Germanic elements ''sig'' "victory" and ''frithu'' "protection, peace". The German name has the Old Norse cognate ''Sigfriðr, Sigfrøðr'', which gives rise to Swedish ''Sigfrid'' (hypocorisms ''Sigge, Siffer''), Danish/Norwegian ''Sigfred''. In Norway, ''Sigfrid'' is given as a feminine name.nordicnames.de
official statistics at Statistisk Sentralbyrå, National statistics office of Norway, http://www.ssb.no; Statistiska Centralbyrån, National statistics office of Sweden, http://www.scb.se/ The name is medieval and was borne by the legendary dragon-slayer also known as . It did survive in marginal use into the modern period, but after 1876 it enjoyed renewed popularity d ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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