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The Brat (punk Band)
The Brat was a Chicano punk rock ensemble originating from the barrios of East Los Angeles, California. Its three core members were lead singer Teresa Covarrubias, lead guitarist Rudy Medina, and alternate lead and rhythm guitarist Sidney Medina. From their conception in late 1978 to their eventual break-up in 1985, The Brat contributed to the customization and intermeshing of multiple musical and cultural models that culminated in the distinct East Los Angeles, Chicano punk sound. Along with being pioneers in the East Los Angeles punk movement, they are best known for their five song EP ''Attitudes'', released in 1980 through the independent label Fatima Records, while contributing to the understanding of the many ways culture transforms and challenges dominant hegemonic ideologies. Early Beginnings Teresa Covarrubias was a Chicana who was born and raised in the Boyle Heights section of East Los Angeles. She attended Boyle heights Elementary School and Resurrection school, Sacred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicano Rock
Chicano rock is rock music performed by Mexican American (Chicano) groups or music with themes derived from Chicano culture. Chicano Rock, to a great extent, does not refer to any single style or approach. Some of these groups do not sing in Spanish at all, or use many specific Latin instruments or sounds. The subgenre is defined by the ethnicity of its performers, and as a result covers a wide range of approaches. Overview There are three basic styles of Chicano rock. 1) The earliest Chicano rock emerged as a distinctive style of rock and roll performed by Mexican Americans from East Los Angeles and Southern California, containing themes from their cultural experience. Although the genre is broad and diverse, encompassing a variety of styles and subjects, the overarching theme of early Chicano rock is its rhythm and blues influence and incorporation of brass instruments like the saxophone and trumpet, Farfisa or Hammond B3 organ, funky basslines, and its blending of Mexican voc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Dolls
New York Dolls were an American rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although the band never achieved much commercial success and their original line-up fell apart quickly, the band's first two albums—''New York Dolls'' (1973) and '' Too Much Too Soon'' (1974)—became among the most popular cult records in rock. The line-up at this time consisted of, vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain, and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. On stage, they donned an androgynous wardrobe, wearing high heels, eccentric hats, satin, makeup, spandex, and dresses. Nolan described the group in 1974 as "the Dead End Kids of today". According to the ''Encyclopedia of Popular Music'' (1995), the New York Dolls predated the punk and glam metal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transculturation
Transculturation is a term coined by Cuban anthropologist Fernando Ortiz in 1940 (from the article Our America by José Martí) to describe the phenomenon of merging and converging cultures. Transculturation encompasses more than transition from one culture to another; it does not consist merely of acquiring another culture (acculturation) or of losing or uprooting a previous culture (deculturation). Rather, it merges these concepts and instead carries the idea of the consequent creation of new cultural phenomena ( neoculturation) in which the blending of cultures is understood as producing something entirely new. Although transculturation is somewhat inevitable, cultural hegemony has historically shaped this process. Particularly, Ortiz referred to the devastating effects of Spanish colonialism on Cuba's indigenous peoples as a "failed transculturation". Further, he affirmed "that when cultures encounter each other, each of the parties invariably exerts a strong influence on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Customization (anthropology)
Customization is the process in which an individual or a group appropriates a product or practice of another culture and makes it their own. Introduction In the introduction to their book ''The Anthropology of Globalization: a Reader'', Inda and Rosaldo examine the dynamics of cultural customization in the face of globalization. They argue that as more people and cultures "are being cast into intense and immediate contact with each other" (2 Inda and Rosaldo), culture begins to lose its geographic associations, and becomes re-attached to another location. The authors refer to this as reterritorialization, the "process of reinscribing culture in new time-space contexts, of relocalizing it in specific cultural environments” (12 Inda and Rosaldo). Within this argument, they make clear that in being reterritorialized, cultural materials are often changed and customized according to the receiving culture, that “they are interpreted, translated, and appropriated according to local c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Larriva
Humberto "Tito" Larriva (born 1953) is a Mexican/American songwriter, singer, musician, and actor. He came to prominence leading The Plugz, one of the earliest Los Angeles punk rock groups. Since the 1990s, his main musical outlet has been the Tito & Tarantula. Early life Larriva was born in Ciudad Juárez, Chihuahua, and grew up in Fairbanks, Alaska, and El Paso, Texas. As a child he played the violin in the school orchestra and sang in the church and school choirs where he met his wife Janet Carroll. In 1972 Larriva snuck into Yale University for a full term without being noticed. After being kicked out of the Ivy League university, he moved to Mexico City and in 1975 moved to Los Angeles, California. He now lives in Austin, Texas, with his wife and daughter and continues to work in the music and film industries. Music career The Plugz Larriva was the vocalist and rhythm guitarist for punk band The Plugz. He formed The Plugz in Hollywood, California in 1978. Their presence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cruzados
The Cruzados were a 1980s rock band from Los Angeles, California. History The Cruzados were formed in 1983 by the members of The Plugz, featuring members Tito Larriva, Tony Marsico, Steven Hufsteter, Chalo Quintana, The band's self-titled album on Arista Records, ''Cruzados'', was released in 1985 as well as their second album After Dark in 1987. The Cruzados also performed the song "Don't Throw Stones" in the 1989 movie '' Road House''. In 2021 the Cruzados released their third studio album “She’s Automatic” Tito Larriva performs with his band Tito & Tarantula and are best known for their appearance in the film “From Dusk Till Dawn”. Steven Hufsteter performed with his band Shrine” as well as with Tito & Tarantula. Quintana played drums for Bob Dylan, Izzy Stradlin & the JuJu Hounds and Social Distortion. Quintana died in 2018. Marsico became bassist for Bob Dylan, Matthew Sweet, Neil Young, Roger Daltrey and Marianne Faithfull. Rohner became guitarist for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Plugz
The Plugz (also known as "Los Plugz") were a Latino punk band from Los Angeles that formed in 1977 and disbanded in 1984. They and The Zeros were among the first Latino punk bands, although several garage rock bands, such as Thee Midniters and Question Mark & the Mysterians, predated them. The Plugz melded the spirit of punk and Latino music. History The band was formed in 1977 and was a contemporary of the bands featured in the film ''The Decline of Western Civilization''. Their songs reflected the anger and angst of growing up Chicano, and this was reflected in their sardonic hi-speed version of Ritchie Valens' " La Bamba". The Plugz are generally acknowledged as being the first D.I.Y. punk band in L.A., having started their own PLUGZ RECORDS and later Fatima records. The band was initially composed of: *Tito Larriva (lead vocals/guitar) *Charlie Quintana (drums) (d. 2018) *Barry McBride (bass/backing vocals) This lineup recorded the band's first album, ''Electrify Me'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LA Weekly
''LA Weekly'' is a free weekly alternative newspaper in Los Angeles, California. It was founded in 1978 by Jay Levin, who served as president and editor until 1991. Voice Media Group sold the paper in late 2017 to Semanal Media LLC, whose parent company is listed as Street Media. The current Editor-in-Chief and Creative Director is Darrick Rainey. It covers Los Angeles music, arts, film, theater, culture, concerts, and events. In 1979 they established the LA Weekly Theater Awards which awards small theatre productions (99 seats or less) in Los Angeles. Starting in 2006, ''LA Weekly'' has hosted the LA Weekly Detour Music Festival every October. The entire block surrounding Los Angeles City Hall is closed off to accommodate the festival's three stages. Some of its best known writers were Pulitzer Prize-winning food writer Jonathan Gold, who left in early 2012, and Nikki Finke, who blogged about the film industry through the ''Weekly'' website and published a print column in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self Help Graphics & Art
Self-Help Graphics & Art, Inc. is a community arts center with a mix Beaux-Arts and vernacular architecture in East Los Angeles, California, United States. The building was built in 1927, and was designed by Postle & Postle. Formed during the cultural renaissance that accompanied the Chicano Movement, Self Help, as it is sometimes called, was one of the primary centers that incubated the nascent Chicano art movement, and remains important in the Chicano art movement, as well as in the greater Los Angeles community, today. SHG also hosts musical and other performances, and organizes Los Angeles's annual Day of the Dead festivities. Throughout its history, the organization has worked with well-known artists in the Los Angeles area such as Los Four and the East Los Streetscapers, but it has focused primarily on training and giving exposure to young and new artists, many of whom have gone on to national and international prominence. History In 1970, artist and Franciscan nun Karen B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Illegals
Los Illegals is an American Chicano punk band from Los Angeles. Formed in 1979 artist/muralist Willie Herrón (keyboards, vocals), civil rights activist Jesus "Xiuy" Velo (bass), drummer Bill Reyes, and guitarist brothers Manuel and Antonio "Tony" Valdez (who also perform with their Mariachi parents & relatives). They were one of the early framers of U.S. Roc en Espanol in the early 1980s. The Smithsonian Institution exhibition, American Sabor, called Los Illegals "one of the most important East L.A. bands of the 1980s". Background Released in 1981, the song "El Lay" featured Herron singing about his stepfather's arrest for washing dishes in L.A. The song became a Raza Anthem and brought the group's rising notoriety to Europe and Japan. Its cover art was meant to evoke the danger of the punk rock movement and the cultural roots of the group. The group was the first of the Club Vex groups to sign with a major label releasing ''Internal Exile'' produced by David Bowie's Mick Ron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Herrón
Willie Herrón III (born 1951) is an American Chicano muralist, performance artist and commercial artist. Biography Born in Los Angeles, Willie Herrón III's artistic career spans over forty years of performance and conceptual art, including music composition (member of Los Illegals and founder of ELA's Vex Club), as well as the design and execution of murals. Herrón was also one of the founding members of ASCO, the East Los Angeles based Chicano artists collective (1972 to 1987). He completed six restorations of the historic 1984 Olympic Freeway Murals, Los Angeles 2012-2017, commissioned by the Mural Conservancy of Los Angeles. Herrón restored Kent Twitchell's "Lita Albuquerque Monument" and Glenna Avila's "L.A. Freeway Kids" in 2012 and Frank Romero's "Going to the Olympics" in 2013. Including the 1973 "Moratorium: the Black and White Mural" in Estrada Courts, Los Angeles 2016-2017. Herrón’s artworks are seen in films, music performances and museums throughout the US ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Hollywood, California
West Hollywood is a city in Los Angeles County, California, United States. Incorporated in 1984, it is home to the Sunset Strip. As of the 2020 United States Census, 2020 U.S. Census, its population was 35,757. It is considered one of the most prominent gay villages in the United States. History Most historical writings about West Hollywood, Los Angeles, Hollywood begin in the late-18th century with European colonization when the Portuguese people, Portuguese explorer João Rodrigues Cabrilho arrived offshore and claimed the already inhabited region for Spain. Around 5,000 of the indigenous inhabitants from the Tongva people, Tongva Indian tribe canoed out to greet the ship. The Tongva tribe was a nation of hunter-gatherers known for their reverence for dance and courage. By 1771, these native people had been severely ravaged by the diseases brought in by the Europeans from across wide oceans. The Spanish mission system changed the tribal name to "Gabrielinos", in reference t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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