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The Box, Plymouth
The Box is a museum, gallery and archive in Plymouth, Devon, England, opened in 2020 housing a collection of about 2 million items. The core of the building was previously Plymouth City Museum and Art Gallery which closed in 2016. The building was created in 1907–1910 by Thornely and Rooke in Edwardian Baroque style. and was combined with the former Central Library building and St Luke's Church on Tavistock Place into The Box. Collections The Plymouth City Museum and Art Gallery's collections were transferred to The Box. They encompass fine and decorative arts, natural history and human history. The natural history collection consists of over 150,000 specimens and an historic natural history library and archive. Many prehistoric artefacts from Dartmoor, important Bronze Age and Iron Age material from Mount Batten and medieval and post-medieval finds from Plymouth are found in the human history collection alongside artifacts from ancient Egypt and other ancient cultures of Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devon
Devon ( , historically known as Devonshire , ) is a ceremonial and non-metropolitan county in South West England. The most populous settlement in Devon is the city of Plymouth, followed by Devon's county town, the city of Exeter. Devon is a coastal county with cliffs and sandy beaches. Home to the largest open space in southern England, Dartmoor (), the county is predominately rural and has a relatively low population density for an English county. The county is bordered by Somerset to the north east, Dorset to the east, and Cornwall to the west. The county is split into the non-metropolitan districts of East Devon, Mid Devon, North Devon, South Hams, Teignbridge, Torridge, West Devon, Exeter, and the unitary authority areas of Plymouth, and Torbay. Combined as a ceremonial county, Devon's area is and its population is about 1.2 million. Devon derives its name from Dumnonia (the shift from ''m'' to ''v'' is a typical Celtic consonant shift). During the Briti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Prout
Samuel Prout painted by John Jackson in 1831 Market Day by Samuel Prout A View in Nuremberg by Samuel Prout Utrecht Town Hall by Samuel Prout in 1841 Samuel Prout (; 17 September 1783 – 10 February 1852) was a British watercolourist, and one of the masters of watercolour architectural painting. Prout secured the position of Painter in Water-Colours in Ordinary to King George IV in 1829 and afterwards to Queen Victoria. John Ruskin, whose work often emulated Prout's, wrote in 1844, "Sometimes I tire of Turner, but never of Prout". Prout is often compared to his contemporaries: Turner, Constable and Ruskin, whom he taught. He was the uncle of the artist John Skinner Prout. Biography Samuel Prout was born at Plymouth, the fourth of fourteen children born to Samuel Prout Senior, a naval outfitter in the dockyard city, and Mary Cater.See Lockett. ''Samuel Prout (1783–1852)''. Attending Plymouth Grammar School he came under the influence of Headmaster Dr. John Bidlake w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Northcote (painter)
James Northcote (22 October 1746, in Plymouth – 13 July 1831, in London) was a British painter. Life and work Northcote was born in Plymouth, and was apprenticed to his father, Samuel Northcote, a watchmaker. In his spare time, he drew and painted. In 1769 he left his father's work and set up as a portrait painter. Four years later he went to London and was admitted as a pupil into the studio and house of Sir Joshua Reynolds. At the same time he attended the Royal Academy schools. In 1775 he left Reynolds' studio, and about two years later, having made some money by portrait painting back in Devon, he went to study in Italy. On his return to England, three years later, he revisited his native county, then settled in London, where John Opie and Henry Fuseli were his rivals. He was elected associate of the Academy in 1786, and full academician in the following spring. The ''Young Princes Murdered in the Tower'', his first important work on a historical subject, dates from 178 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Robert Haydon
Benjamin Robert Haydon (; 26 January 178622 June 1846) was a British painter who specialised in grand historical pictures, although he also painted a few contemporary subjects and portraits. His commercial success was damaged by his often tactless dealings with patrons, and by the enormous scale on which he preferred to work. He was troubled by financial problems throughout his life, which led to several periods of imprisonment for debt. He died by suicide in 1846. He gave lectures on art, and kept extensive diaries that were published after his death. Life Early years Haydon was born in Plymouth, the only son of another Benjamin Robert Haydon, a prosperous printer, stationer and publisher, and his wife Mary, the daughter of the Rev. Benjamin Cobley, rector of Dodbrooke, near Kingsbridge, Devon. At an early age he showed an aptitude for study, which was carefully fostered by his mother. At the age of six he was placed in Plymouth Grammar School, and at twelve in Plympton Gramma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrose Bowden Johns
Ambrose Bowden Johns (1776 – 10 December 1858) was a British artist based in Plymouth whose work was in a similar style to his friend Turner. His house was base for artistic activity in Plymouth where he encouraged local artists including Benjamin Robert Haydon and Samuel Prout. Biography Johns was born in Plymouth, but nothing is known of him until he was training as a printer and publisher for the father of the history painter Benjamin Haydon who shared the same name as his son. Johns' landscape painting skills were encouraged by his friendship with Haydon, Turner and later local artist Charles Eastlake.L. H. Cust, ‘Johns, Ambrose Bowden (1776–1858)’, rev. L. R. Houliston, Oxford Dictionary of National Biography, Oxford University Press, 200accessed 22 Sept 2013/ref> Johns became a member of the Plymouth Society of Artists and Amateurs and would invite artists to stay. Turner stayed with him during the summer of 1813. Turner and Johns went on sketching trips together. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Everett Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting ''Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Brett (artist)
John Brett (8 December 1831 – 7 January 1902) was a British artist associated with the Pre-Raphaelite movement, mainly notable for his highly detailed landscapes. Life Brett was born near Reigate on 8 December 1831, the son of an army vet. His sister Rosa Brett was also an artist and during 1850 and 1851 they shared a studio. In 1851 he began lessons in art with James Duffield Harding, a landscape painter. He also studied with Richard Redgrave. In 1853 he entered the Royal Academy Schools, but was more interested in the ideas of John Ruskin and William Holman Hunt, whom he met through his friend the poet Coventry Patmore. Inspired by Hunt's ideal of scientific landscape painting, Brett visited Switzerland, where he worked on topographical landscapes and came under the further influence of John William Inchbold. In 1858 Brett exhibited ''The Stonebreaker'', the painting that made his reputation. This depicted a youth smashing stones to create a road-surface, sitting in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J M W Turner
Joseph Mallord William Turner (23 April 177519 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting. Turner was born in Maiden Lane, Covent Garden, London, to a modest lower-middle-class family. He lived in London all his life, retaining his Cockney accent and assiduously avoiding the trappings of success and fame. A child prodigy, Turner studied at the Royal Academy of Arts from 1789, enrolling when he was 14, and exhibited his first work there at 15. During this period, he also served as an architectural draftsman. He earned a steady in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terry Frost
Sir Terence Ernest Manitou Frost RA (13 October 1915 – 1 September 2003) was a British abstract artist, who worked in Newlyn, Cornwall. Frost was renowned for his use of the Cornish light, colour and shape to start a new art movement in England. He became a leading exponent of abstract art and a recognised figure of the British art establishment. Career Born in Leamington Spa, Warwickshire, in 1915, he did not become an artist until he was in his 30s. He left school aged fourteen and went to work at Curry's cycle shop and then at Armstrong Whitworth in Coventry. During World War II, he served in France, the Middle East and Greece, before joining the commandos. Whilst serving with the commandos in Crete in June 1941 he was captured and sent to various prisoner of war camps. As a prisoner of war at Stalag 383 in Bavaria, he met Adrian Heath who encouraged him to paint. Commenting later he described these years as a 'tremendous spiritual experience, a more aware or heig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Lorrain
Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology. By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work. His landscapes gradually became larger, but with fewer figures, more carefully painted, and produced at a lower rate.Kitson, 6 He was not generally an innovator in landscape painting, except in introducing the sun and streaming sunlight into many paintings, which had been rare befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John William Waterhouse
John William Waterhouse (6 April 184910 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend. Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Many of his paintings are based on authors such as Homer, Ovid, Shakespeare, Tennyson, or Keats. Waterhouse's work is displayed in many major art museums and galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009. Biography Early life Waterhouse was born in the city of Rome to English painters William and Isabella Water ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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