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The Book Of Alley
''The Book of Alley'' ( fa, کتاب کوچه, italic=yes, ''Ketâb-e Kucheh'') is a series of books about Persian language, Persian idioms and proverbs by Ahmad Shamlou coauthored with his wife Aida Sarkisian. History Ahmad Shamlou, Shamlou devoted four decades of his life to collecting and organizing Iranian folklore. Folklore from his perspective is a body of traditional beliefs, customs, and expressions. The language in general, and oral languages in particular, address it through different uses such as proverbs, laments, cries and so on. Therefore, the language could be used as an index to folklore as a body of tradition. The research work entitled ''Ketab Kuche ''(Translation: ''The Book of Alley'') indexes the Iranian folklore through the Persian language. The book is a multi-volume, multi-disciplinary work designed as a major source of information, providing a detailed and accurate picture of an important world civilization over a span of several thousand years. ''Ketab K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Language
Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutually intelligible standard varieties, namely Iranian Persian (officially known as ''Persian''), Dari Persian (officially known as ''Dari'' since 1964) and Tajiki Persian (officially known as ''Tajik'' since 1999).Siddikzoda, S. "Tajik Language: Farsi or not Farsi?" in ''Media Insight Central Asia #27'', August 2002. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate history in the cultural sphere of Greater Iran. It is written officially within Iran and Afghanistan in the Persian alphabet, a derivation of the Arabic script, and within Tajikistan in the Tajik alphabet, a der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmad Shamlou
Ahmad Shamlou ( fa, احمد شاملو, ''Ahmad Šāmlū'' , also known under his pen name A. Bamdad ( fa, ا. بامداد)) (December 12, 1925 – July 23, 2000) was an Iranian poet, writer, and journalist. Shamlou was arguably the most influential poet of modern Iran. His initial poetry was influenced by and in the tradition of Nima Youshij. In fact, Abdolali Dastgheib, Iranian literary critic, argues that Shamlou is one of the pioneers of modern Persian poetry and has had the greatest influence, after Nima, on Iranian poets of his era. Shamlou's poetry is complex, yet his imagery, which contributes significantly to the intensity of his poems, is accessible. As the base, he uses the traditional imagery familiar to his Iranian audience through the works of Persian masters like Hafez and Omar Khayyám. For infrastructure and impact, he uses a kind of everyday imagery in which personified oxymoronic elements are spiked with an unreal combination of the abstract and the concrete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida Sarkisian
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iranian Folklore
Iranian folklore encompasses the folk traditions that have evolved in Greater Iran. Oral legends Folktales Storytelling has an important presence in Iranian culture. In classical Iran, minstrels performed for their audiences at royal courts and in public theaters. A minstrel was referred to by the Parthians as in Parthian, and by the Sasanians as in Middle Persian. Since the time of the Safavid dynasty, storytellers and poetry readers appeared at coffeehouses. The following are a number of folktales known to the people of Iran. * ("Rolling Pumpkin") * ("Moon-brow") * ("Bitter Orange and Bergamot Orange") * ("Old Woman's Cold"), a period in the month of Esfand, at the end of winter, during which an old woman's flock is not impregnated. She goes to Moses and asks for an extension of the cold winter days, so that her flock might copulate. * ("Shangul and Mangul") * ("Auntie Cockroach") Below are a number of historical tale books that contain Iranian folktales. * ("Am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopædia Iranica
''Encyclopædia Iranica'' is a project whose goal is to create a comprehensive and authoritative English language encyclopedia about the history, culture, and civilization of Iranian peoples from prehistory to modern times. Scope The ''Encyclopædia Iranica'' is dedicated to the study of Iranian civilization in the wider Middle East, the Caucasus, Southeastern Europe, Central Asia, and the Indian subcontinent. The academic reference work will eventually cover all aspects of Iranian history and culture as well as all Iranian languages and literatures, facilitating the whole range of Iranian studies research from archeology to political sciences. It is a project founded by Ehsan Yarshater in 1973 and currently carried out at Columbia University's Center for Iranian Studies. It is considered the standard encyclopedia of the academic discipline of Iranistics. The scope of the encyclopedia goes beyond modern Iran (also known as "Persia") and encompasses the entire Iranian cultural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dehkhoda Dictionary
The ''Dehkhoda Dictionary'' ( fa, لغتنامهٔ دهخدا) is the largest comprehensive Persian encyclopedic dictionary ever published, comprising 200 volumes. It is published by the Tehran University Press (UTP) under the supervision of the Dehkhoda Dictionary Institute. It was first published in 1931. It traces the historical development of the Persian language, providing a comprehensive resource to scholars and academic researchers, as well as describing usage in its many variations throughout the world. The complete work is an ongoing effort that has taken over forty-five years of effort by Ali-Akbar Dehkhoda and a cadre of other experts. Although ''Dehkhoda'' covers a big part of literary terms and words in Persian, the first edition of it lacks most scientific and technology terms coined by the Academy of Persian Language and Literature during the past decades. However the newer editions cover them. Dehkhoda states in the preface of the first edition of the dictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folklore
Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging from traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
