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The Bonesetter's Daughter
''The Bonesetter's Daughter'', published in 2001, is Amy Tan's fourth novel. Like much of Tan's work, this book deals with the relationship between an American-born Chinese woman and her immigrant mother. ''The Bonesetter's Daughter'' is divided into two major stories. The first is about Ruth, a Chinese-American woman living in San Francisco. She worries that her elderly mother, Lu Ling, is gradually becoming more and more demented. Lu Ling seems increasingly forgetful, and makes bizarre comments about her family and her own past. The second major story is that of Lu Ling herself, as written for Ruth. Several years earlier, Lu Ling had written out her life story in Chinese. Ruth arranges to have the document translated, and learns the truth about her mother's life in China. Much of the novel, like Tan's previous work, is based on her relationship with her own mother, and her mother and grandmother's life stories. The first-edition cover photo is an image of Tan's grandmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amy Tan
Amy Ruth Tan (born on February 19, 1952) is an American author known for the novel '' The Joy Luck Club,'' which was adapted into a film of the same name, as well as other novels, short story collections, and children's books. Tan has written several other novels, including '' The Kitchen God's Wife'', ''The Hundred Secret Senses'', '' The Bonesetter's Daughter'', '' Saving Fish from Drowning'', and '' The Valley of Amazement''. Tan's latest book is a memoir entitled ''Where The Past Begins: A Writer's Memoir'' (2017). In addition to these, Tan has written two children's books: ''The Moon Lady'' (1992) and ''Sagwa, the Chinese Siamese Cat'' (1994), which was turned into an animated series that aired on PBS. Early life and education Tan was born in Oakland, California. She is the second of three children born to Chinese immigrants John and Daisy Tan. Her father was an electrical engineer and Baptist minister who traveled to the United States in order to escape the chaos of the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Memorial Opera House
The War Memorial Opera House is an opera house in San Francisco, California, located on the western side of Van Ness Avenue across from the west side/rear facade of the San Francisco City Hall. It is part of the San Francisco War Memorial and Performing Arts Center. It has been the home of the San Francisco Opera since opening night in 1932. It was the site of the San Francisco Conference, the first assembly of the newly organized United Nations in April 1945. Architecture In 1927, $4 million in municipal bonds were issued to finance the design and construction of the first municipally owned opera house in the United States. The architects of the building complex were Arthur Brown Jr., who had also designed the adjacent San Francisco City Hall between 1912 and 1916, and G. Albert Lansburgh, a theater designer responsible for San Francisco's Orpheum and the Shrine Auditorium in Los Angeles. Completed in 1932, it employs the classic Roman Doric order in a reserved and sober f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ning Liang
Ning may refer to: Places * Ning County, county in Gansu, China * Ning River, tributary of Mei River, originating and running through Xingning, China * Ningxia, abbreviated as Ning, Hui autonomous region of China * Nanjing, abbreviated as Ning, capital of Jiangsu Province, China Other uses * Ning (surname), a Chinese surname * Ning (website) Ning is an online social media network platform for people and organizations to create custom social networks. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zheng Cao
Zheng Cao (July 9, 1966February 21, 2013) was a Chinese-born, American operatic mezzo-soprano known for her signature role of Suzuki in '' Madama Butterfly''. She performed this role with opera companies such as San Francisco Opera, Grand Théâtre de Genève, Pittsburgh Opera, Vancouver Opera, Washington National Opera and San Diego Opera, and under the baton of Seiji Ozawa with the Boston Symphony Orchestra. Her portrayal of the role of Cherubino in '' The Marriage of Figaro'' also earned her recognition at several American opera companies, including San Francisco Opera, Pittsburgh Opera, and Houston Grand Opera. She died from lung cancer in San Francisco, California in 2013. Early life and education Zheng Cao was born July 9, 1966 to parents Mao Yuan Cao and Xiao Jiao Huang in Shanghai, China. Her sister Dan Cao, four years her senior, is her only sibling. As an undergraduate, she attended Shanghai Conservatory of Music. In 1988, Cao moved to the United States to atten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qian Yi , mountain range in Northeast China
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Qian may refer to: * Guizhou, abbreviated as ''Qián'' (黔), province of China * Mace (unit), or Qian, one of the Chinese units of measurement, equal to 5g *Qian (hexagram), the first hexagram of the ''I Ching'' * Qian (surname), a Chinese surname (钱 / 錢) *Qiān (surname), a Chinese surname (千) *Qian County, in Xianyang, Shaanxi, China *Qian Mountains Qian Mountains or Qianshan (), a branch of the Changbai Mountains on the China-North Korea border, start from eastern Jilin Province, China, and extend to eastern and southern Liaoning Province, down to Liaodong Peninsula. Some of the prominent mou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Opera
Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279). Early forms of Chinese theater are simple, but over time various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed. There are over a hundred regional branches of traditional Chinese opera today. In the 20th century the Peking opera emerged in popularity and has come to known as the "national theatre" of China, but other genres like Yue opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunju
Kunqu (), also known as Kunju (), K'un-ch'ü, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more tha .... Kunqu is one of the oldest traditional operas of the Han nationality, and is also a treasure of Chinese traditional culture and art, especially opera art. It evolved from the local melody of Kunshan and later came to dominate Chinese theater from the 16th to the 18th centuries. The style originated in the Wu (region), Wu cultural area. It has been listed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO since 2001. Since the mid-Ming Dynasty, Wei Liang Fu has been the sole leader of Chinese opera for nearly 300 years. In 2006, it was listed on the UNESCO Intangible Cultural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
