The Body Of The Dead Christ In The Tomb
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The Body Of The Dead Christ In The Tomb
''The Body of the Dead Christ in the Tomb'' is an oil and tempera on limewood painting created by the German artist and printmaker Hans Holbein the Younger between 1520 and 1522. The work shows a life-size, grotesque depiction of the stretched and unnaturally thin body of Jesus Christ lying in his tomb. Holbein shows the dead Son of God after he has suffered the fate of an ordinary human. Description The painting is especially notable for its dramatic dimensions (30.5 cm x 200 cm),Onfray, Michel.The Body of the Dead Christ in the Tomb (1521)". Tate Etc., 2006. Retrieved on May 4, 2009. and the fact that Christ's face, hands and feet, as well as the wounds in his torso, are depicted as realistic dead flesh in the early stages of putrefaction. His body is shown as long and emaciated while eyes and mouth are left open.Bätschmann & Griener, 88 Christ is shown with three visible wounds; on his hand, side and feet. Discussing the artist's use of unflinching realism, ar ...
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The Body Of The Dead Christ In The Tomb, And A Detail, By Hans Holbein The Younger
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Matthias Grünewald
Matthias Grünewald ( – 31 August 1528) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given as Mathis and his surname as Gothart or Neithardt. Only ten paintings—several consisting of many panels—and thirty-five drawings survive, all religious, although many others were lost at sea on their way to Sweden as war booty. He was obscure until the late nineteenth century, when many of his paintings were attributed to Albrecht Dürer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece created ''c.'' 1512 to 1516. Life The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he was recognised in his own lifetime. The first source to sketch his biography comes from the German art historian Joa ...
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Franny Moyle
Franny Moyle (born 1964) is a British television producer and author. Her first book ''Desperate Romantics: The Private Lives of the Pre-Raphaelites'' (2009) was adapted into the BBC drama serial ''Desperate Romantics'' by screenwriter Peter Bowker. Her second book, ''Constance: The Tragic and Scandalous Life of Mrs. Oscar Wilde'' was published in 2011 to critical acclaim. In 2016 she released ''Turner: The Extraordinary Life and Momentous Times of J.M.W. Turner'', published by Viking. In 2021, her book, ''The King's Painter: The Life and Times of Hans Holbein'', was published by Abrams Press in New York. Career Moyle is a graduate in English and the History of Art from St John's College, Cambridge. She joined BBC television in 1992"Franny Moyle appointed as ...
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Funerary Art
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living. The deposit of objects with an appar ...
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Garland
A garland is a decorative braid, knot or wreath of flowers, leaves, or other material. Garlands can be worn on the head or around the neck, hung on an inanimate object, or laid in a place of cultural or religious importance. Etymology From the French language, French , itself from the Italian language, Italian , a braid. Types *Bead garland *Flower garland *Lei (garland), Lei - The traditional garland of Hawaiʻi. *Pennant garland *Pine garland *Popcorn and/or cranberry garland *Rope garland *Tinsel garland *Vine garland *Balloon garland *Mundamala - Garland of severed heads or skulls, found in Hindu and Tibetan Buddhist iconography. Daisy chain A garland created from the Bellis, daisy flower (generally as a children's game) is called a daisy chain. One method of creating a daisy chain is to pick daisies and create a hole towards the base of the stem (such as with fingernails or by tying a overhand knot, knot). The stem of the next flower can be threaded through until stopped ...
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Amerbach Cabinet
The Amerbach Cabinet was a collection of artifacts, paintings, libraries, assembled by members of the Amerbach family, most notably by the two law professors of the University of Basel, Bonifacius Amerbach and his son Basilius Amerbach the Younger. History A central piece of the cabinet included the heritage of the christian scholar Erasmus von Rotterdam for which Bonifacius had commissioned a trunk in 1539. The collection included paintings, sketches, medallions, rare coins, the letters of the Amerbach family, and a library of 9000 books. The library contained more than 2000 theological, 2000 juridical, 2000 philosophical and 1000 historical books. The cabinet included an extensive collection of paintings by Hans Holbein the Younger, which Basilius seemed to have acquired in the late 1570s. It is assumed that they were purchased from the very close environment of Hans Holbeins workshop, as the acquired works also included some by Hans Holbein the Elder, and Ambrosius Holbein. ...
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Portrait Of Bonifacius Amerbach
The Portrait of Bonifacius Amerbach is a painting by the German master of the Renaissance Hans Holbein the Younger. It is deposited in the Basler Kunstmuseum as part of the Amerbach Cabinet. It is painted in tempera on pinewood and measures 29 cm x 27 cm. Description The painting was commissioned in 1519 by Bonifacius Amerbach, in order to leave a memory to his family in case he died during his stay in Avignon. Holbein portrayed him shortly after his return to Basel from Lucerne. Amerbach worked closely with Holbein during work on the portrait and also composed the scripture in Latin letters hanging from a tree in the left of the painting. Several of Amerbach's annotations concerning the text are to be found in the University Library of Basel. He carefully composed the text on the painting, the first words ''Picta licet'' are annoted twenty times on a sheet.''Bonifacius Amerbach'' (in German). Basel: Schwabe Verlag. p.45 There was also a version of a six-line verse ...
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Bonifacius Amerbach
Bonifacius Amerbach (1495, Basel – April 1562, Basel) was a jurist, scholar, an influential humanist and the rector of the University of Basel for several terms. Early life and education Born on the 11 October 1495, he was the youngest son of the printer Johannes Amerbach who immigrated to Basel from Amorbach in Bavaria and Barbara Ortenberg.Merian, Wilhelm (1917),p.145 He was baptized in the and had two godfathers and one godmother. He received his primary education in Basel from where he was sent away from the family in 1502 and 1507 into safety from the plague. The second time to the monastery Engental in Muttenz, where his teacher was Conrad of Leonberg. In 1507, he was sent to the famous latin school in Schlettstadt, where he was accommodated by its principal Hieronymus Gebwiler. He studied in Schledtstadt until November 1508. Following, he returned to Basel where he enrolled studied law at the University of Basel earning a B.A. in 1511 and a M.A in 1513. From 1510 o ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ...
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Mathis Gothart Grünewald 028
Mathis is a name of French origin. It is common as a surname and is also a masculine given name. People with the surname *Buster Mathis (1943–1995), American heavyweight boxer * Buster Mathis Jr. (born 1970), American heavyweight boxer *Clint Mathis (born 1976), American soccer player * Damarri Mathis (born 1999), American football player * Dawson Mathis (1940–2017), American politician *Doug Mathis (born 1983), American baseball player *Edith Mathis (born 1938), Swiss singer *Émile Mathis (1880–1956), German-French automobile pioneer *George Mathis (also G. S. Mathis), pseudonym of Mátyás Seiber (1905–1960), Hungarian-born composer *Greg Mathis (born 1960), American judge *Ida Elizabeth Brandon Mathis (1857–1925), American agricultural reformer * James C. Mathis III (born 1974), American voice actor *Jeff Mathis (born 1983), American baseball catcher *Jill Mathis (born 1964), American photographer *Johnny Mathis (born 1935), American pop singer *Kevin Mathis (born 1 ...
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