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The Birth Of A Band!
''The Birth of a Band!'' is an album by Quincy Jones that was released by Mercury with performances by Zoot Sims, Clark Terry, Harry Edison, and Phil Woods.Mercury Records Catalog accessed October 21, 2015 Reception The review by called it "one of his finest jazz recordings".Track listing # "The Birth of a Band" (Quincy Jones) – 2:53 # "" ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quincy Jones
Quincy Delight Jones Jr. (born March 14, 1933) is an American record producer, musician, songwriter, composer, arranger, and film and television producer. His career spans 70 years in the entertainment industry with a record of 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992. Jones came to prominence in the 1950s as a jazz arranger and conductor before working on pop music and film scores. He moved easily between musical genres, producing pop hit records for Lesley Gore in the early 1960s (including " It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie in the same time period. In 1968, Jones became the first African American to be nominated for an Academy Award for Best Original Song for "The Eyes of Love" from the film '' Banning''. Jones was also nominated for an Academy Award for Best Original Score for his work on the 1967 film ''In Cold Blood'', making him the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whisper Not (song)
"Whisper Not" is a composition by Benny Golson. It is in a minor key and contains a shout chorus (a special chorus between the final solo and the closing head). Golson's account of writing the piece is that "I wrote it in Boston at George Wein's Storyville club when I was with Dizzy Gillespie's big band. I wrote that tune in 20 minutes." Some sources indicate that the first recording was by Gillespie, while others indicate that trumpeter Lee Morgan was first. It quickly became popular with other musicians: Thad Jones and Morgan recorded their own versions before its composer had the chance to record it with his own group.Gioia, Ted (2012) ''The Jazz Standards: A Guide to the Repertoire'', p. 459. Oxford University Press. Golson's early version was on his 1957 album '' Benny Golson's New York Scene''. By 1960, John S. Wilson, critic at ''The New York Times'', had labelled the song, together with another Golson composition, " I Remember Clifford", "an established part of the jazz re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Newman (trumpeter)
Joseph Dwight Newman (September 7, 1922 – July 4, 1992) was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods. Early life and education Newman was born in New Orleans, Louisiana, to Dwight, (pianist) and Louise Newman, a musical family, having his first music lessons from David Jones. He attended Alabama State College, where he joined the college band (the Bama State Collegians), became its leader, and took it on tour. Career In 1941, he joined Lionel Hampton for two years, before signing with Count Basie, with whom he stayed for a total of thirteen years, interrupted by short breaks and a long period (1947–1952) spent first with saxophonist Illinois Jacquet and then drummer J. C. Heard. During his second period with Basie, which lasted for about nine years, he made a number of small-group recordings as the leader. He also played on Benny Goodman's 1962 tour of the Soviet Union. In 1961, Newman l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Feyne
Buddy Feyne (born Bernard Feinstein, June 9, 1912 – December 10, 1998) was an American lyricist during the swing era. He wrote the lyrics for "Tuxedo Junction", which went to No. 1 on the ''Billboard'' chart in 1940 when Glenn Miller recorded it, "Jersey Bounce", which was No. 15 on the ''Cash Box'' Hit Parade of 1942., and "Jumpin' with Symphony Sid". Feyne's songs have been recorded by Ella Fitzgerald, Joe Jackson, The Manhattan Transfer, Sarah Vaughan, Joe Williams, Louis Armstrong, Gene Autry, Frankie Avalon, The Andrews Sisters, George Benson, Nat King Cole, and Boz Scaggs. Biography Feyne was born in New York City, the youngest son of immigrants Solomon and Sarah Feinstein. His older brother, Irving, befriended Milton Berle, who advised Bernard that a Jewish name would prevent him from succeeding in the music industry, and summarily changed his name to Buddy Feyne. Feyne was based at the Brill Building in New York, writing songs for Lewis Music Publishers, one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Dash
Julian Dash (April 9, 1916 – February 25, 1974) was an American swing music jazz tenor saxophonist born in Charleston, South Carolina, United States, probably better known for his work with Erskine Hawkins and Buck Clayton. Dash was a member of the Bama State Collegians, which later became the Erskine Hawkins Orchestra. He is recognised, with Hawkins and fellow sax player Bill Johnson, in composing the swing tune "Tuxedo Junction", which became an immense hit when recorded by other (mainly white) bands, notably that of Glenn Miller. In the late 1940s and early 1950s, Dash recorded for the Sittin' in With label and later was on Vee-Jay Records with his sextets. His renditions of "Devil's Lament" and "Dance of the Mother Bird" on Sittin' In With and his "Zig Zag" on the Vee Jay label were hits in the black community. Dash can be heard at his best in 1953 on two of the Buck Clayton Jam Sessions, in which extended versions of songs ("The Huckle-Buck" to 63 choruses) were recorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Johnson (reed Player)
William Luther Johnson (September 30, 1912 – July 5, 1960) was an American alto saxophonist, clarinetist, and arranger. Early life and education Johnson studied piano as a child and began playing the alto saxophone at the age of 16. After working with lesser-known bands he studied in conservatories in Wisconsin and Illinois, then attended Marquette University. Career While in Milwaukee, Johnson played with Jabbo Smith and others. He worked with Baron Lee and Tiny Bradshaw, and in 1936 joined Erskine Hawkins, with whom he performed into the early 1940s. His recordings with Hawkins include "Uptown Shuffle"' (1939, Bb 10504) and " Bear Mash Blues" (1942, Bb 30-0813); he also arranged the former title, as well as " Uncle Bud" (1941, Bb 11372), and he composed "Tuxedo Junction "Tuxedo Junction" is a popular song written by Erskine Hawkins, Bill Johnson, and Julian Dash with lyrics by Buddy Feyne. The song was introduced by Erskine Hawkins & His Orchestra, a college dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erskine Hawkins
Erskine Ramsay Hawkins (July 26, 1914 – November 11, 1993) was an American trumpeter and big band leader from Birmingham, Alabama, dubbed "The 20th Century Gabriel". He is best remembered for composing the jazz standard "Tuxedo Junction" (1939) with saxophonist and arranger Bill Johnson. The song became a hit during World War II, rising to No. 7 nationally (version by the Erskine Hawkins Orchestra) and to No. 1 nationally (version by the Glenn Miller Orchestra). Vocalists who were featured with Erskine's orchestra include Ida James, Delores Brown, and Della Reese. Hawkins was named after Alabama industrialist Erskine Ramsay. Early years Erskine Hawkins was named by his parents after Alabama industrialist Erskine Ramsay who was rewarding parents with savings accounts for them for doing so. Hawkins attended Councill Elementary School and Industrial High School (now known as Parker High School) in Birmingham, Alabama. At Industrial High School, he played in the ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuxedo Junction
"Tuxedo Junction" is a popular song written by Erskine Hawkins, Bill Johnson, and Julian Dash with lyrics by Buddy Feyne. The song was introduced by Erskine Hawkins & His Orchestra, a college dance band previously known as the Bama State Collegians. RCA released it in 1939 and it climbed to #7 on the American pop charts. The song was a No. 1 hit for Glenn Miller & His Orchestra in 1940. Background In the late 1930s Hawkins and his Orchestra were one of the house bands at the Savoy Ballroom. They alternated with the Chick Webb band and often used "Tuxedo Junction" as their sign-off song before the next band would take the stage so that the dancing would continue uninterrupted. A live -minute version of the song by the Hawkins Orchestra exists, with extended solos from Hawkins on the trumpet, Paul Bascomb and Julian Dash on tenor saxophones, and Haywood Henry on the clarinet. It was recorded as an aircheck in the summer of 1942 at the Blue Room club in New York City. The song was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
