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The Big Express
''The Big Express'' is the seventh studio album by English rock band XTC, released on 15 October 1984 by Virgin Records. It is an autobiographical concept album inspired by the band's hometown of Swindon and its railway system, the Swindon Works. In comparison to its predecessor ''Mummer'' (1983), which had a modest, pastoral approach to production, the album features a bright, uptempo sound marked by studio experimentation and denser arrangements, setting a template that they further developed on subsequent albums. XTC produced the album with Crescent Studios owner David Lord on a budget exceeding £75,000 (equivalent to £ in ). Like ''Mummer'', the Glitter Band's Pete Phipps was hired as a session drummer for the band. They continued extending their use of exotic colors, incorporating instruments such as LinnDrum, euphonium, and E-mu Emulator for the first time in their work. Much of the album showcased the band's psychedelic influences through its reliance on Mellotro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odyssey Studios
Odyssey Studios was a recording studio based near Marble Arch in London and opened in 1979. It was set up by Wayne Bickerton as an extension of State Records, the label he had set up with Tony Waddington (songwriter), Tony Waddington and John Fruin in 1975. The studio closed in 1989 and the building was subsequently sold to 102.2 Jazz FM, Jazz FM. Albums recorded at Odyssey Through the 1980s, many artists recorded at Odyssey Studios, including Cliff Richard, Paul McCartney, Kate Bush, George Michael, Spandau Ballet and Roger Daltrey. Below is a list of some albums recorded either in part or entirely at Odyssey Studios. Set-up and equipment Studio One in Odyssey was 1,400 square feet and had room for 50 musicians, which meant it could facilitate orchestral recordings and could be used for other activities such as video shoots. Studios 1 and 2 were equipped with MCI consoles and tape machines. Peter Jones (chief engineer) went to Fort Lauderdale, home of MCI, to commission all t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphonium
The euphonium is a medium-sized, 3 or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word ''euphōnos'', meaning "well-sounding" or "sweet-voiced" ( ''eu'' means "well" or "good" and ''phōnē'' means "sound", hence "of good sound"). The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist. Euphonium music may be notated in the bass clef as a non-transposing instrument or in the treble clef as a transposing instrument in B. In British brass bands, it is typically treated as a treble-clef instrument, while in American band music, parts may be written in either treble clef or bass clef, or both. Name The euphonium is in the family of brass instruments, more particularly low-brass instruments with many relatives. It is extremely similar to a baritone horn. The difference is that the bore size of the baritone horn is typically sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seagulls Screaming Kiss Her Kiss Her
"Seagulls Screaming Kiss Her Kiss Her" is a song written by Andy Partridge of the English rock band XTC, released on their 1984 album ''The Big Express''. Composed on a Mellotron using only three fingers, it was the first song he wrote on a keyboard instrument. The lyrics were inspired by Erica Wexler, a fan who caused tensions with Partridge's then-wife. After his divorce, Partridge married Wexler in the 1990s. Japanese band Seagull Screaming Kiss Her Kiss Her named themselves after the song. Inspiration and composition Like other tracks on ''The Big Express'', "Seagulls Screaming Kiss Her Kiss Her" is a seaside-themed song. It germinated from a piano riff found during the 1981 sessions for ''English Settlement'' and later composed on the band's Mellotron using only three fingers, becoming the first song Partridge wrote on a keyboard. He drew illustrations of the "Seagulls" imagery before he wrote its lyrics and recalled having the 1971 Joe Cocker song "Marjorine" in mind when he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seagull Screaming Kiss Her Kiss Her
Seagull Screaming Kiss Her Kiss Her is a Japanese band formed by guitarist Aiha Higurashi in 1992. Beginning as a two-girl band in New York City with her friend Sachiko Ito, it was not until after they had played a few shows that the band got its name, which was lifted from the 1984 XTC song.Haw, Bill, Nippop, http://nippop.com/artist/artist_id-76/artist_name-seagull_screaming_kiss_her_kiss_her, 2005. Aiha returned to Tokyo Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 ... solo in 1994 where she enlisted bassist and vocalist Nao Koyama and drummer Takaharu "Takape" Karashima. Karashima left the band after recording ''Pretty In Pink'' in 1999. Discography Studio albums * ''Give Them Back to Me'' (1996) * ''It's Brand New'' (1997) * ''17'' (1998) * ''No! No! No!'' (2000) * ''No! N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overproduction
In economics, overproduction, oversupply, excess of supply or glut refers to excess of supply over demand of products being offered to the market. This leads to lower prices and/or unsold goods along with the possibility of unemployment. The demand side equivalent is underconsumption Underconsumption is a theory in economics that recessions and stagnation arise from an inadequate consumer demand, relative to the amount produced. In other words, there is a problem of overproduction and overinvestment during a demand crisis. The ...; some consider supply and demand two sides to the same coin – excess supply is only relative to a given demand, and insufficient demand is only relative to a given supply – and thus consider overproduction and underconsumption equivalent. Overproduction is often attributed as due to previous overinvestment – creation of excess productive capacity, which must then either lie idle (or under capacity), which is unprofit (economics), profitable, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the Offi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Express Train
An express train is a type of passenger train that makes a small number of stops between its origin and destination stations, usually major destinations, allowing faster service than Local train, local trains that stop at most or all of the stations along their route. They are sometimes referred to as "fast trains" (or an equivalent term, such as the German ''Schnellzug''), meaning that they are faster than other trains on the same route. Though many high-speed rail services are express, not all express trains are "fast" relative to other services; early trains in the 19th-century United Kingdom were categorized as express trains as long as they had a "journey speed" of at least . Express trains sometimes have higher fares than other routes, and bearers of a rail pass may be required to pay an extra fee. Travel class, First class may be the only one available. Some express train routes that overlap with local train service may stop at stations near the tail ends of the line. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phasing
A phaser is an electronic sound processor used to filter a signal, and it has a series of troughs in its frequency-attenutation graph. The position (in Hz) of the peaks and troughs are typically modulated by an internal low-frequency oscillator so that they vary over time, creating a sweeping effect. Phasers are often used to give a "synthesized" or electronic effect to natural sounds, such as human speech. The voice of C-3PO from ''Star Wars'' was created by taking the actor's voice and treating it with a phaser. Process The electronic phasing effect is created by splitting an audio signal into two paths. One path treats the signal with an all-pass filter, which preserves the amplitude of the original signal and alters the phase. The amount of change in phase depends on the frequency. When signals from the two paths are mixed, the frequencies that are out of phase will cancel each other out, creating the phaser's characteristic notches. Changing the mix ratio changes the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverse Echo
Reverse echo and reverse reverb are sound effects created as the result of recording an echo or reverb effect of an audio recording played backwards. The original recording is then played forwards accompanied by the recording of the echoed or reverberated signal which now precedes the original signal. The process produces a swelling effect preceding and during playback. Development Guitarist and producer Jimmy Page claims to have invented the effect, stating that he originally developed the method when recording the single " Ten Little Indians" with The Yardbirds in 1967. He later used it on a number of Led Zeppelin tracks, including "You Shook Me", "Whole Lotta Love", and their cover of "When the Levee Breaks". In an interview he gave to '' Guitar World'' magazine in 1993, Page explained: Despite Page's claims, an earlier example of the effect can distinctly be heard towards the end of the 1966 Lee Mallory single "That's the Way It's Gonna Be", produced by Curt Boettcher. Usa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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