The Big Broadcast
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The Big Broadcast
''The Big Broadcast'' is a 1932 American pre-Code musical comedy film directed by Frank Tuttle and starring Bing Crosby, Stuart Erwin, and Leila Hyams. Based on the play ''Wild Waves'' by William Ford Manley, the film is about a radio-singer who becomes a popular hit with audiences, but takes a disrespectful approach to his career. His repeated latenesses leads to the bankruptcy of the radio station, but his career is saved by a new friend who buys the station and gives him his job back. The film co-stars George Burns and Gracie Allen in supporting roles. ''The Big Broadcast'' was produced by Paramount Pictures and was the first in a series of four ''Big Broadcast'' movies. Plot Radio-singer Bing Hornsby (Bing Crosby) is not very serious about his career. His chronic tardiness and his soon-to-be marriage with the notorious Mona Lowe (Sharon Lynn) has become an issue at station WADX. After an unpleasant conversation with station manager George Burns, concerning dismissal and a ...
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The Big Broadcast
''The Big Broadcast'' is a 1932 American pre-Code musical comedy film directed by Frank Tuttle and starring Bing Crosby, Stuart Erwin, and Leila Hyams. Based on the play ''Wild Waves'' by William Ford Manley, the film is about a radio-singer who becomes a popular hit with audiences, but takes a disrespectful approach to his career. His repeated latenesses leads to the bankruptcy of the radio station, but his career is saved by a new friend who buys the station and gives him his job back. The film co-stars George Burns and Gracie Allen in supporting roles. ''The Big Broadcast'' was produced by Paramount Pictures and was the first in a series of four ''Big Broadcast'' movies. Plot Radio-singer Bing Hornsby (Bing Crosby) is not very serious about his career. His chronic tardiness and his soon-to-be marriage with the notorious Mona Lowe (Sharon Lynn) has become an issue at station WADX. After an unpleasant conversation with station manager George Burns, concerning dismissal and a ...
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Frank Tuttle
Frank Wright Tuttle (August 6, 1892 – January 6, 1963) was a Cinema of the United States, Hollywood film director and writer who directed films from 1922 (''The Cradle Buster'') to 1959 (''Island of Lost Women''). Biography Frank Tuttle was educated at Yale University, where he edited campus humor magazine ''The Yale Record''."Frank Wright Tuttle". ''The twelfth general catalogue of the Psi Upsilon Fraternity''. New York: Psi Upsilon. May 1917. p. 203. After graduation, he worked in New York City in the advertising department of the Metropolitan Music Bureau. He later moved to Hollywood, where he became a film director for Paramount Pictures, Paramount. His films are largely in the comedy and film noir genres. In 1947, his career ground to a temporary halt with the onset of the first of the House Un-American Activities Committee hearings on Communist infiltration of the movie industry. Tuttle had joined the American Communist Party in 1937 in reaction to Hitler's rise to p ...
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Suicide Pact
A suicide pact is an agreed plan between two or more individuals to die by suicide. The plan may be to die together, or separately and closely timed. General considerations Suicide pacts are an important concept in the study of suicide, and have occurred throughout history, as well as in fiction. An example of this is the suicide pact between Rudolf, Crown Prince of Austria and Baroness Mary Vetsera. Suicide pacts are sometimes contrasted with mass suicides, understood as incidents in which a larger number of people kill themselves together for the same ideological reason, often within a religious, political, military or paramilitary context. "Suicide pact" tends to connote small groups and non-ideological motivations, as do bonding as married or romantic partners, as family members or friends, or even as criminal partners. Legal aspects In England and Wales, suicide pact is a partial defense, under section 4 of the Homicide Act 1957, which reduces murder to manslaughter. In ...
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Spec O'Donnell
Walter "Spec" O'Donnell (April 9, 1911 – October 14, 1986) was an American film actor. Biography Born in Fresno, California, in 1911, O'Donnell appeared in more than 190 films between 1923 and 1978. He worked frequently for producer Hal Roach, often appearing in silent comedies as the bratty son of Max Davidson or Charley Chase. His sound-era roles were mostly uncredited bits, often as bellhops, newsboys, and pages; he was playing adolescent roles well into his twenties. He has the unusual distinction of playing the same role (a newsboy) in both an original film and its remake: '' Princess O'Hara'' and ''It Ain't Hay''. He died in 1986 in Woodland Hills, Los Angeles. Selected filmography * ''Little Johnny Jones'' (1923) - Freckle faced Little Boy * ''The Barefoot Boy'' (1923) - Schoolboy * '' The Country Kid'' (1923) - Joe Applegate * ''The Darling of New York'' (1923) - Willie * ''The Foolish Virgin'' (1924) - Little Boy * '' Tomorrow's Love'' (1925) * '' The Devil's Car ...
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George Barbier (actor)
George W. Barbier (November 19, 1864 – July 19, 1945) was an American stage and film actor who appeared in 88 films. Early life and education Barbier was born in Philadelphia, Pennsylvania. He entered the Crozer Theological Seminary in Upland, Pennsylvania to study for the ministry but gave it up to go on the stage. Career Barbier began his career in light opera and spent several years in repertory and stock companies. He eventually played on Broadway, where he appeared in seven productions between 1922 and 1930, among them ''The Hunchback of Notre Dame'', The Front Page and ''The Man Who Came Back''. He signed a contract with Paramount Pictures in 1929 and later worked as a character actor for most of the major studios. His first film was ''The Big Pond'' (1930). The weighty, white-haired Barbier often played pompous, but mostly kind-hearted businessmen or patriarchs in supporting roles. George Barbier appeared in 88 films until his death in 1945. Personal life Barbier ...
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Sharon Lynn
Sharon Lynn (born D'Auvergne Sharon Lindsay, April 9, 1901 – May 26, 1963) was an American actress and singer. She began playing in silent films but enjoyed her biggest success in the early sound years of motion pictures before fading away in the mid-1930s. She is perhaps best known for portraying Lola Marcel, the villainess in the Laurel and Hardy comedy feature, '' Way Out West''. Early years Lynn was born in Weatherford, Texas. She moved to Fullerton, California, at a young age and was educated in Fullerton's public schools. Later she was a student at the Paramount Motion Picture School. Career After appearing in several silent films, Lynn debuted in talking pictures in ''Speakeasy'' (1929). After her best known film role opposite Laurel and Hardy in ''Way Out West'', she made only one more film, a musical made in Britain, '' Thistledown'', and then retired from the screen. Personal life On January 16, 1932, in Yuma, Arizona, Lynn married film executive Benjamin Glazer ...
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Where The Blue Of The Night (Meets The Gold Of The Day)
"Where the Blue of the Night (Meets the Gold of the Day)" was the theme Bing Crosby selected for his radio show. It was recorded in November 1931 with Bennie Krueger and his Orchestra. The song was featured in a Mack Sennett movie short starring Bing Crosby. Crosby recorded the song on several occasions starting with the November 23, 1931 version with Bennie Kruger and his Orchestra. He next recorded it on July 20, 1940 with The Paradise Island Trio. On July 17, 1945 he recorded it with John Scott Trotter and his Orchestra and his final recording was on April 21, 1954 with Buddy Cole and his Trio for his Musical Autobiography set. The song was originally "When the Gold of the Day Meets the Blue of the Night", but the title was changed before recording. Because Crosby wrote the verse for the song, writers Roy Turk and Fred E. Ahlert included him in the songwriting credit. Although the song was popular and successful, Crosby did not take special pride in having written it, saying m ...
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American Film Institute
The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees. Leadership The institute is composed of leaders from the film, entertainment, business, and academic communities. The board of trustees is chaired by Kathleen Kennedy and the board of directors chaired by Robert A. Daly guide the organization, which is led by President and CEO, film historian Bob Gazzale. Prior leaders were founding director George Stevens Jr. (from the organization's inception in 1967 until 1980) and Jean Picker Firstenberg (from 1980 to 2007). History The American Film Institute was founded by a 1965 presidential mandate announced in the Rose Garden of the White House by Lyndon B. Johnson—to establish a national arts organization to preserve the legacy of American film heritage, educate the next generation of filmmaker ...
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Domestic Violence
Domestic violence (also known as domestic abuse or family violence) is violence or other abuse that occurs in a domestic setting, such as in a marriage or cohabitation. ''Domestic violence'' is often used as a synonym for ''intimate partner violence'', which is committed by one of the people in an intimate relationship against the other person, and can take place in relationships or between former spouses or partners. In its broadest sense, domestic violence also involves violence against children, parents, or the elderly. It can assume multiple forms, including physical, verbal, emotional, economic, religious, reproductive, or sexual abuse. It can range from subtle, coercive forms to marital rape and other violent physical abuse, such as choking, beating, female genital mutilation, and acid throwing that may result in disfigurement or death, and includes the use of technology to harass, control, monitor, stalk or hack. Domestic murder includes stoning, bride burning, ho ...
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Assault
An assault is the act of committing physical harm or unwanted physical contact upon a person or, in some specific legal definitions, a threat or attempt to commit such an action. It is both a crime and a tort and, therefore, may result in criminal prosecution, civil liability, or both. Generally, the common law definition is the same in criminal and tort law. Traditionally, common law legal systems have separate definitions for assault and battery. When this distinction is observed, battery refers to the actual bodily contact, whereas assault refers to a credible threat or attempt to cause battery. Some jurisdictions combined the two offences into a single crime called "assault and battery", which then became widely referred to as "assault". The result is that in many of these jurisdictions, assault has taken on a definition that is more in line with the traditional definition of battery. The legal systems of civil law and Scots law have never distinguished assault from batte ...
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Black Eye
A periorbital hematoma, commonly called a black eye or a shiner (associated with boxing or stick sports such as hockey), is bruising around the eye commonly due to an injury to the face rather than to the eye. The name refers to the dark-colored bruising which is the result of accumulated blood and fluid in the loose areolar tissue following a blow to the head. This blood tracks freely under the scalp producing a generalised swelling over the dome of the skull but cannot pass into either occipital or the temple regions because of the bony attachments of the occipitofrontalis muscle. But this fluid can, however, track forward into the eyelid because the occipitofrontalis muscle has no bony attachment anteriorly. This leads to formation of hematoma a few hours after the head injury or cranial operation. If injury is more extensive, potentially even a skull fracture, an apparent black eye can sometimes worsen and may require professional medical treatment before it will resolve. T ...
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