|
The Best Of The Art Of Noise
''The Best of the Art of Noise'' is the name of a series of compilation albums with songs by the British synthpop band The Art of Noise. The first version was released on the China Records label in November 1988. ''The Best of the Art of Noise'' was released with at least ten different track listing variations from 1988 to 1997. The first version was on LP format and contained 7" single mixes, while the corresponding compact disc release that year contained the extended or 12" single remixes of all of the tracks. However, LP releases in territories such as Korea and Argentina featured a combination of both track listings. A Japanese CD version from 1991 was identical to the standard CD but contained two more mixes of "Kiss" as bonus tracks. In 1992, China Records reissued ''The Best of'' and added "Yebo," "Instruments of Darkness" and "Robinson Crusoe," while omitting the three tracks that were licensed from ZTT Records and included on the 1988 release: "Beatbox," "Moments in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Noise
Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. The group had international Top 20 hits with its interpretations of "Kiss", featuring Tom Jones, and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. The band is noted for innovative use of electronics and computers in pop music and particularly for innovative use of sampling. History Beginnings The technological impetus for the Art of Noise was the advent of the Fairl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Gunn (song)
"Peter Gunn" is the theme music composed by Henry Mancini for the television show of the same name. The song was the opening track on the original soundtrack album, ''The Music from Peter Gunn'', released in 1959. Mancini won an Emmy Award and two Grammys for Album of the Year and Best Arrangement.''Did They Mention the Music?'', Henry Mancini with Gene Lees, Contemporary Books, 1989, page 236 Recording and releases In his 1989 autobiography, ''Did They Mention the Music?'', Mancini states: Mancini arranged the first single version of the song for trumpeter Ray Anthony in 1959. Recorded for Capitol Records at Radio Recorders and featuring tenor saxophonist Plas Johnson, it reached number eight on the ''Billboard'' Hot 100, number 12 on the R&B chart, and number 13 in Canada. Mancini has recorded several different versions of his theme music including "Señor Peter Gunn" on his 1965 album, ''The Latin Sound of Henry Mancini'', and in a new arrangement for the 1967 movie '' Gunn... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Headroom
Max Headroom is a fictional artificial intelligence (AI) character portrayed by actor Matt Frewer. Advertised as "the first computer-generated TV presenter", Max was known for his biting commentary on a variety of topical issues, arrogant wit, stuttering, and pitch-shifting voice. The character was created by George Stone, Annabel Jankel, and Rocky Morton. Max was advertised as "computer-generated" and some believed this, but he was actually actor Frewer wearing prosthetic makeup, contact lenses, and a plastic molded suit, and sitting in front of a blue screen. Harsh lighting and other editing and recording effects heighten the illusion of a CGI character. According to his creators, Max's personality was meant to be a satirical exaggeration of the worst tendencies of television hosts in the 1980s who wanted to appeal to youth culture yet weren't a part of it. Frewer proposed that Max reflected an innocence, largely influenced not by mentors and life experience but by informat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahlathini And The Mahotella Queens
Mahlathini and the Mahotella Queens (also known as Mahlathini Nezintombi Zomgqashiyo and Mahlathini and the Girls of Mgqashiyo) were a South African ''mbaqanga'' supergroup made up of the three musical acts linked together by talent scout and record producer Rupert Bopape at the Gallo Recording Company in Johannesburg, South Africa in 1964. The group composed of the following three distinct parts: * The late Simon "Mahlathini" Nkabinde (1937–1999), a "powerful singer" in the ''basso-profundo'' "groaning" style. * The girl group the Mahotella Queens (1964–present), the classic line up being the threesome, Hilda Tloubatla, Nobesuthu Mbadu and Mildred Mangxola. Still recording and performing internationally, the trio are noted for their distinct vocal harmony sound alternating between multi-part harmonies and unison vocals, guitar-led mbaqanga music, and fast stage dancing. * The instrumental band, the Makgona Tsohle Band (1964–1999), that is noted for creating the mbaqanga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Jones (singer)
Sir Thomas Jones Woodward (born 7 June 1940), known professionally as Tom Jones, is a Welsh singer. His career began with a string of top-ten hits in the mid-1960s. He has toured regularly, with appearances in Las Vegas (1967–2011). Jones's voice has been described by AllMusic as a "full-throated, robust baritone". His performing range has included pop, R&B, show tunes, country, dance, soul and gospel. In 2008, the ''New York Times'' called Jones a musical "shape shifter", who could "slide from soulful rasp to pop croon, with a voice as husky as it was pretty". Jones has sold over 100 million records, with 36 Top 40 hits in the UK and 19 in the US, including "It's Not Unusual", "What's New Pussycat?", the theme song for the 1965 James Bond film '' Thunderball'', "Green, Green Grass of Home", "Delilah", "She's a Lady", "Kiss" and " Sex Bomb". Jones has also occasionally dabbled in acting, first making his acting debut playing the lead role in the 1979 television film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragnet (1987 Film)
''Dragnet'' is a 1987 American buddy cop comedy film directed and co-written by Tom Mankiewicz in his directorial debut. Starring Dan Aykroyd and Tom Hanks, the film is based on the radio and television crime drama of the same name. The screenplay, both a parody of and homage to the long-running television series, was written by Aykroyd, Mankiewicz, and Alan Zweibel. The original music score is by Ira Newborn. Aykroyd plays Joe Friday (nephew of the original series protagonist) while Hanks plays Pep Streebek, his new partner. Harry Morgan reprises his role from the television series as Bill Gannon, now a captain and Friday and Streebek's boss. Plot LAPD Sergeant Joe Friday's nephew and namesake, whose anachronistic views reflect those of his late uncle, is involuntarily assigned a cocky, streetwise new partner, Pep Streebek. Their contrasting styles clash at first, with Friday disapproving of Streebek's attitude, hairstyle, and wardrobe. However, they start to bond while invest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragnet (theme Music)
"Dragnet" is an instrumental theme from the radio and television show of the same name. It was composed by Walter Schumann for the radio show, and was also used on the subsequent television series and later syndication of the TV series under the name "Badge 714". The theme is in two parts: an opening signature "Main Title" (the ominous "Dum - - - de - DUM - DUM") and the "Dragnet March" used over the end credits. Popular chart hit versions were recorded by Ray Anthony and his Orchestra (1953) and The Art of Noise (1987). Film and television composer Nathan Scott, who began orchestrating for Schumann beginning in 1952, later became ''Dragnets second composer following Schumann's departure from the series. Authorship dispute After the theme became a chart hit, the publishers of the score for the 1946 film version of ''The Killers'' composed by Miklós Rózsa challenged the authorship of the copyright of the Dragnet "Main Title". They contended that Walter Schumann had visited t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Headroom (character)
Max Headroom is a fictional artificial intelligence (AI) character portrayed by actor Matt Frewer. Advertised as "the first computer-generated TV presenter", Max was known for his biting commentary on a variety of topical issues, arrogant wit, stuttering, and pitch-shifting voice. The character was created by George Stone, Annabel Jankel, and Rocky Morton. Max was advertised as "computer-generated" and some believed this, but he was actually actor Frewer wearing prosthetic makeup, contact lenses, and a plastic molded suit, and sitting in front of a blue screen. Harsh lighting and other editing and recording effects heighten the illusion of a CGI character. According to his creators, Max's personality was meant to be a satirical exaggeration of the worst tendencies of television hosts in the 1980s who wanted to appeal to youth culture yet weren't a part of it. Frewer proposed that Max reflected an innocence, largely influenced not by mentors and life experience but by informat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paranoimia
"Paranoimia" is a song by English synth-pop group Art of Noise released in April 1986, from their second studio album '' In Visible Silence'' (1986). The song's better-known version was a version released as a single, featuring television character Max Headroom on vocals. This version was first featured on the 1986 album ''Re-Works of Art of Noise''. The 7-inch single features a monologue about Max Headroom being scared and unable to sleep (hence "Paranoimia", a portmanteau of "paranoia" and "insomnia"). The 12-inch has a completely different vocal with Headroom as a master of ceremonies, talking about the music and making a pun-laden introduction of the alleged band members: Peter O'Toole on trumpet (the absence of a trumpet in the song explained by O'Toole, notorious at one time for his drinking, "just having a rest between bars"), tennis player Martina Navratilova on bassline ( baseline), Cher on mic ("Are you OK, Mike?"), and the Pope on drums. Track listing The 12-i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duane Eddy
Duane Eddy (born April 26, 1938) is an American rock and roll guitarist. In the late 1950s and early 1960s, he had a string of hit records produced by Lee Hazlewood, which were noted for their characteristically "twangy" sound, including "Rebel-'Rouser", "Peter Gunn", and "Because They're Young". He had sold 12 million records by 1963. He was inducted into the Rock and Roll Hall of Fame in 1994, and the Musicians Hall of Fame and Museum in 2008. Early life Eddy was born in Corning, New York. He began playing the guitar at the age of five. In 1951, his family moved to Tucson, and then to Coolidge, Arizona. At the age of 16 he formed a duo, Jimmy and Duane, with his friend Jimmy Delbridge (who later recorded as Jimmy Dell). Career While performing at local radio station KCKY, they met disc jockey Lee Hazlewood, who produced the duo's single, "Soda Fountain Girl", recorded and released in 1955 in Phoenix. Hazlewood then produced Sanford Clark's 1956 hit, "The Fool", featuring g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close (to The Edit)
"Close (to the Edit)" is a single by English avant-garde synth-pop group Art of Noise, released on various formats in October 1984. It was closely related to their earlier single (and hip hop club hit) "Beat Box", though the two tracks were developed as separate pieces from an early stage. The first release of a version of "Close (to the Edit)" was as a nominal remix of "Beat Box" under the title "Beat Box (Diversion Two)". This was then re-edited and partly remixed with different effects applied, to become the version of "Close (to the Edit)" which appeared on the subsequent studio album '' Who's Afraid of the Art of Noise?'' (1984). Paul Morley's sleevenotes for the single simplify the relationship between "Diversion Two" and "Close", noting only that 20 seconds were "snipped out". The song takes its title from the studio album ''Close to the Edge'' (1972) by Yes, and also samples "Leave It" and "Owner of a Lonely Heart" by the same band, the latter two of which Trevor Horn p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(cropped).jpg "Click for more on -> Duane Eddy")
