The Best Of New Order
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The Best Of New Order
''The Best of New Order'' (stylised as ''(the best of) NewOrder'') is a greatest hits album by English band New Order. It was released in the United Kingdom on 21 November 1994 by London Records and, with a different track listing, in the United States on 14 March 1995 by Qwest Records and Warner Bros. Records. Like '' Republic'', the band's most recent studio album at the time, the cover and liner notes stylise the group's name as one word (NewOrder) instead of the usual ''New Order''. Background ''The Best of New Order'' is the second compilation album released by the group and follows their first, the hugely successful '' Substance'' album by seven years. The group had taken a hiatus due to tensions and disputes during the recording and touring of their 1993 album, '' Republic''. ''Republic'' had been the first album that the group had released on London Records, and with the group announcing little intention of working together in the near future, the label went ahead compil ...
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New Order (band)
New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. The members regrouped after the demise of their previous band Joy Division due to the suicide of lead singer Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. New Order's integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and they worked in long-term collaboration with graphic designer Peter Saville. While the band's early years were overshadowed by the legacy of Joy Division, their experience of the early 1980s New York club scene saw them increasingly incorporate dance rhythms and electronic instrumentation into their work. Their 1983 hit " Blue Monday" became the best-selling 12-inch single of all time and a ...
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Technique (album)
''Technique'' is the fifth studio album by English electronic rock band New Order. Released on 30 January 1989 by Factory Records, the album was partly recorded on the island of Ibiza, and incorporates Balearic beat and acid house influences into the group's dance-rock sound. The album was influenced by the then growing acid scene, and Sumner's experiences at Shoom in London. It was also New Order's final studio album to be released under Factory Records (though not their final Factory release, that being the following year's "World in Motion"). ''Technique'' was the first New Order album to reach number one on the UK charts, and "Fine Time", the first single from the album, reached number 11. Remixed versions of " Round & Round" and " Run" were also released as singles. Music and background In the late 1980s, the band felt that they had to keep on playing with dance-electronic rhythms. Bernard Sumner reflected; "We were in this position of being known for this dance-electronic ...
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The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Salvation!
''Salvation!'' (also known as ''Salvation!: Have You Said Your Prayers Today?'') is a 1987 American black comedy film directed by Beth B, and starring Viggo Mortensen, Exene Cervenka, and Stephen McHattie. The film is a parody of televangelism, and was released right after the real-life Jim Bakker and Jimmy Swaggart scandals. The film was released on VHS, but not as yet on DVD. Plot McHattie plays Reverend Randall, a Staten Island-based televangelist who has been bilking his flock and secretly watches pornography while he is rehearsing his sermons in his stately home. Cervenka plays Rhonda Stample, a born again Christian who watches his programs and regularly sends him money, to the irritation of Rhonda's non-believer husband, Jerome (Viggo Mortensen). Shortly after Jerome loses his factory job, his sister in-law Lenore ( Dominique Davalos) comes to Rev. Randall's home in a rainstorm, claiming car trouble. He reluctantly lets her in, and the two take turns seducing and the ...
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Low-Life
A low-life (or lowlife) is a term for a person who is considered morally unacceptable by their community. Examples of people society often labels low-lives include aggressive panhandlers, bullies, criminals, drug dealers, freeloaders, hobos, gangsters, people who make constant use of profanities, prostitutes, pimps, scammers, sexual abusers and thieves. Often, the term is used as an indication of disapproval of antisocial or destructive behaviors, usually bearing a connotation of contempt and derision. This usage of the word dates to 1911. The long-term origins of the ideas behind this in the Western world trace back to ancient times with the distinction of high culture associated with aristocracy at the top of the social hierarchy who were regarded in aristocrat-dominated society as compared with low culture associated with commoners at the bottom of the social hierarchy that included many impoverished people among them. In common usage, the term can also be used for people as ...
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Love Vigilantes
"Love Vigilantes" is a song by English rock band New Order. It first appeared as the opening track of their third studio album, ''Low-Life'' (1985). The song is a departure from New Order's usual style in many ways. Described by AllMusic as "at its core a campfire singalong", "Love Vigilantes" is decidedly pop and shows inspiration from American country and folk music. In a 2014 list compiled by ''The Guardian'', "Love Vigilantes" was ranked ninth in a list of the ten best New Order songs. Lyrics According to Bernard Sumner, "Love Vigilantes" is one of the few songs for which he started out wanting to tell a story rather than his usual method of listening to a newly composed piece and writing lyrics to match the mood of the music. Having "decided to write a Redneck song", Sumner's lyrics tell a rather "tongue-in-cheek" tale of a soldier returning home from Vietnam only to find that his wife had received a telegram informing her that he had died. Sumner further relates that the end ...
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Power, Corruption & Lies
''Power, Corruption & Lies'' is the second studio album by English rock band New Order, released on 2 May 1983 by Factory Records. The album features more electronic tracks than their 1981 debut ''Movement'', with heavier use of synthesizers. The album was met with widespread acclaim, and has been included in music industry lists of the greatest albums of the 1980s and of all time. The cover artwork was by Peter Saville, and in 2010 it was one of ten classic album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail. Artwork Peter Saville's design for the album had a colour-based code to represent the band's name and the title of the album, but they were not actually written on the original UK sleeve itself (they were present on some non-UK versions), although the catalogue number "FACT 75" does appear on the top-right corner. The decoder for the code was featured prominently on the back cover of the album and can also be seen on the " Blue ...
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Age Of Consent (song)
"Age of Consent" is a song by New Order. It appears on their 1983 album ''Power, Corruption & Lies''. A Howie B remix was produced in 1995 for '' (the rest of) New Order'' compilation album. The song has been played 208 times in concert by the band, making its live debut in 1982. It returned to live performances in 2011, following a 22-year absence from setlists, having last been played live in 1989. It was revealed during a Twitter listening party in 2020, that Stephen Morris's drums recorded for the song were recycled from the Hannett version of "Love Will Tear Us Apart" with slight subtle alterations. Personnel * Bernard Sumner – vocals, guitars * Peter Hook – 4- and 6-stringed bass * Stephen Morris – drums, percussion * Gillian Gilbert – synthesizers and programming * New Order – production * Michael Johnson – engineering * Barry Sage and Mark Boyne – assistants Cover versions and renditions It has been covered by numerous bands and performers, including Ar ...
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Movement (New Order Album)
''Movement'' is the debut studio album by English rock band New Order, released on 13 November 1981 by Factory Records. Recorded in the wake of Joy Division frontman Ian Curtis' suicide the previous year, the album is a continuation of the dark post-punk sound of Joy Division's material, increasing the use of synthesizers while still being predominantly rooted in rock. At the time of its release, the album was not particularly well received by critics or audiences, only peaking at number thirty on the UK Albums Chart; the band would gradually shift to a more electronic sound over the course of the next year. In the decades since its release, retrospective critical reception has been very positive, with reviewers praising the album as a middle ground between the band's work as Joy Division and their subsequent alternative dance material. '' Slant Magazine'' placed the album at number 42 on its list of the "Best Albums of the 1980s", saying it "exists almost exactly in between J ...
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Dreams Never End
''Movement'' is the debut studio album by English rock band New Order, released on 13 November 1981 by Factory Records. Recorded in the wake of Joy Division frontman Ian Curtis' suicide the previous year, the album is a continuation of the dark post-punk sound of Joy Division's material, increasing the use of synthesizers while still being predominantly rooted in rock. At the time of its release, the album was not particularly well received by critics or audiences, only peaking at number thirty on the UK Albums Chart; the band would gradually shift to a more electronic sound over the course of the next year. In the decades since its release, retrospective critical reception has been very positive, with reviewers praising the album as a middle ground between the band's work as Joy Division and their subsequent alternative dance material. '' Slant Magazine'' placed the album at number 42 on its list of the "Best Albums of the 1980s", saying it "exists almost exactly in between J ...
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